Uploaded November 2022 | Updated September 2026, 2 hours ago
Dear friends! Finally I have another recording by my favorite contemporary composer: Joe Hisaishi. His music, especially those for orchestra, touch my heart deeply. I have been lucky to experience him in concert 2018 in Okayama/Japan and 2019 in Prague/Czech Republic.
My recommendations to get further in touch with Hisaishi‘s music:
My Hisaishi-Playlist: youtu.be/PzUiA9mNVNk
Joe Hisiahsi‘s anniversary concert: youtu.be/qg-g2DH8GZw
Pianist Nahre Sol on Hisaishi‘s Music: youtu.be/pbmwn-k-8ME
Mamoru Fujisawa (藤澤 守, Fujisawa Mamoru, born December 6, 1950), known professionally as Joe Hisaishi (久石 譲, Hisaishi Jō), is a Japanese composer and musical director known for over 100 film scores and solo albums dating back to 1981. He is also known for his piano scores.
Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, Western classical, and Japanese classical. He has also worked as a music engraver, arranger and conductor.
He has been associated with animator Hayao Miyazaki since 1984, having written scores for all but one of Miyazaki's films. He is also recognized for his music for filmmaker 'Beat' Takeshi Kitano, including A Scene at the Sea (1991), Sonatine (1993), Kids Return (1996), Hana-bi (1997), Kikujiro (1999), Brother and Dolls (2002), and for the video game series Ni no Kuni. He was a student of anime composer Takeo Watanabe.
#Hisaishi #piano
Dear friends! Finally I have another recording by my favorite contemporary composer: Joe Hisaishi. His music, especially those for orchestra, touch my heart deeply. I have been lucky to experience him in concert 2018 in Okayama/Japan and 2019 in Prague/Czech Republic.
My recommendations to get further in touch with Hisaishi‘s music:
My Hisaishi-Playlist: youtu.be/PzUiA9mNVNk
Joe Hisiahsi‘s anniversary concert: youtu.be/qg-g2DH8GZw
Pianist Nahre Sol on Hisaishi‘s Music: youtu.be/pbmwn-k-8ME
Mamoru Fujisawa (藤澤 守, Fujisawa Mamoru, born December 6, 1950), known professionally as Joe Hisaishi (久石 譲, Hisaishi Jō), is a Japanese composer and musical director known for over 100 film scores and solo albums dating back to 1981. He is also known for his piano scores.
Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, Western classical, and Japanese classical. He has also worked as a music engraver, arranger and conductor.
He has been associated with animator Hayao Miyazaki since 1984, having written scores for all but one of Miyazaki's films. He is also recognized for his music for filmmaker 'Beat' Takeshi Kitano, including A Scene at the Sea (1991), Sonatine (1993), Kids Return (1996), Hana-bi (1997), Kikujiro (1999), Brother and Dolls (2002), and for the video game series Ni no Kuni. He was a student of anime composer Takeo Watanabe.
#Hisaishi #piano






![Jean Phillipe Rameau: Menuet er Rondeau (Minuet in Rondo Form)
I am playing a late beginner‘s classic: ”Menuet en Rondeau“ by Jean Phillippe Rameau.
The late beginner Playlist: https://www.youtube.com/playlist?list=PL6vPJToPyAlbd16xnQYaB2Lm2e-cESwS8
Jean-Philippe Rameau (/rɑːˈmoʊ/; French: [ʒɑ̃filip ʁamo]; 25 September 1683 – 12 September 1764) was a French composer and music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin.
Little is known about Rameaus early years. It was not until the 1720s that he won fame as a major theorist of music with his Treatise on Harmony (1722) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today. His debut, Hippolyte et Aricie (1733), caused a great stir and was fiercely attacked by the supporters of Lullys style of music for its revolutionary use of harmony.
Nevertheless, Rameaus pre-eminence in the field of French opera was soon acknowledged, and he was later attacked as an establishment composer by those who favoured Italian opera during the controversy known as the Querelle des Bouffons in the 1750s. Rameaus music had gone out of fashion by the end of the 18th century, and it was not until the 20th that serious efforts were made to revive it. Today, he enjoys renewed appreciation with performances and recordings of his music ever more frequent. Jean Phillipe Rameau: Menuet er Rondeau (Minuet in Rondo Form)](https://i.ytimg.com/vi/cjmuONjbWX0/mqdefault.jpg)


![J.S. Bach: Minuet in d-minor BWV Anh. 132 (Notebook for Anna Magdalena Bach)
Hey Guys! This time I am playing the famous Minuet d-minor collected by J.S. Bach. The composer of this piece is unknown and Bach noted this composition in his Second Notebook for his wife Anna Magdalena Bach in 1725 where he collected typical dances of the era. While the first Notebook from 1722 contain a lot of own compositions by Bach such as his French Suites nr. 4 and 5, the 1725 notebook contains compositions that where the composer is unknown. Both notebooks represent the musical taste of the Bach family.
More Classical Performances:
Beethoven: Sonata c-Minor op.10 nr.1 https://youtu.be/u2HMg6SeXmc
Haydn: Sonata D Major: https://youtu.be/yXQZMX4A-HE
Schubert Impromptu op.142 nr.2: https://youtu.be/FxfStd_lSSo
Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the Brandenburg Concertos; instrumental compositions such as the Cello Suites; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor; and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music.
The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant churches in Arnstadt and Mühlhausen and, for longer stretches of time, at courts in Weimar, where he expanded his organ repertory, and Köthen, where he was mostly engaged with chamber music. From 1723 he was employed as Thomaskantor (cantor at St Thomass) in Leipzig. There he composed music for the principal Lutheran churches of the city, and for its universitys student ensemble Collegium Musicum. From 1726 he published some of his keyboard and organ music. In Leipzig, as had happened during some of his earlier positions, he had difficult relations with his employer, a situation that was little remedied when he was granted the title of court composer by his sovereign, Augustus III, Elector of Saxony and King of Poland, in 1736. In the last decades of his life he reworked and extended many of his earlier compositions. He died of complications after eye surgery in 1750 at the age of 65.
Bach enriched established German styles through his mastery of counterpoint, harmonic, and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bachs compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios, and motets. He often adopted Lutheran hymns, not only in his larger vocal works, but for instance also in his four-part chorales and his sacred songs. He wrote extensively for organ and for other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works employ the genres of canon and fugue.
Throughout the 18th century, Bach was primarily valued as an organist, while his keyboard music, such as The Well-Tempered Clavier, was appreciated for its didactic qualities. The 19th century saw the publication of some major Bach biographies, and by the end of that century all of his known music had been printed. Dissemination of scholarship on the composer continued through periodicals (and later also websites) exclusively devoted to him, and other publications such as the Bach-Werke-Verzeichnis (BWV, a numbered catalogue of his works) and new critical editions of his compositions. His music was further popularised through a multitude of arrangements, including the Air on the G String and Jesu, Joy of Mans Desiring, and of recordings, such as three different box sets with complete performances of the composers oeuvre marking the 250th anniversary of his death. J.S. Bach: Minuet in d-minor BWV Anh. 132 (Notebook for Anna Magdalena Bach)](https://i.ytimg.com/vi/dMm8NkW4g0Q/mqdefault.jpg)
