Uploaded October 2018 | Updated September 2026, 2 weeks ago
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Nolan Randall playing the bass line of The Cure’s “Lovesong” from their 1989 album Disintegration for Fiction and Elektra Records.
Words and music by Robert Smith, Simon Gallup, Porl Thompson, Roger O'Donnell, Boris Williams, and Lol Tolhurst
Whenever I'm alone with you
You make me feel like I am home again
Whenever I'm alone with you
You make me feel like I am whole again
Whenever I'm alone with you
You make me feel like I am young again
Whenever I'm alone with you
You make me feel like I am fun again
However far away I will always love you
However long I stay I will always love you
Whatever words I say I will always love you
I will always love you
Whenever I'm alone with you
You make me feel like I am free again
Whenever I'm alone with you
You make me feel like I am clean again
However far away I will always love you
However long I stay I will always love you
Whatever words I say I will always love you
I will always love you
However far away I will always love you
However long I stay I will always love you
Whatever words I say I will always love you
I will always love you
I will always love you
'Cause I love you
*Song Facts*
"Lovesong" (sometimes called "Love Song") is a song originally recorded by the English alternative rock band The Cure, released as the third single from their eighth studio album Disintegration in 1989. The song saw considerable success in the United States, where it was a number two hit (reaching that position during the week of October 21, 1989, behind Janet Jackson's "Miss You Much") and the band's only top ten entry on the Billboard Hot 100; in the United Kingdom, the single charted at number 18.
The song is performed in A minor and is built around a distinctive bass riff. The verses follow an Am/G/F/Em chord progression, which changes to F/G/Am/C in the choruses. The lyrics are simple, with each verse having the same structure ("Whenever I'm alone with you / you make me feel like I am ... again"). Speaking of its simplicity and unusually upbeat nature compared to the other tracks on Disintegration, Smith stated, "It's an open show of emotion. It's not trying to be clever. It's taken me ten years to reach the point where I feel comfortable singing a very straightforward love song".
The single version of the song is almost exactly the same as the album version, but the mix is slightly different, with extra reverb and harmonies added to Smith's vocals. In addition, in the instrumental section between the first two verses, the guitar doesn't join the keyboards like it does on the album.
The lyrics were inspired by the constant touring Smith had to go through with The Cure. He wanted his wife to know that no matter how much he had to travel and perform, he would always love her.
This contains a hidden lyric from another song. Robert Smith half-sings/speaks "Fly me to the moon" after the second chorus, before the middle guitar solo. The Cure often performed their song "Why Can't I Be You?" and Smith sang lyrics from other songs during extended breaks, including the classic "Fly Me To The Moon."
An instrumental demo version recorded by the band was featured on the second disk of the 2010 re-release of Disintegration.
A music video featuring the band performing inside a cave was also released with the single.
Solo artists have performed covers as well, such as Tori Amos during several live performances, most famously on the radio station KROQ-FM. Naimee Coleman included an interpretation of the song on her 2001 album Bring Down The Moon.
Similar to the title variations of The Cure song "In Between Days", there doesn't seem to be a universally agreed-upon spacing method of the title of Lovesong, as it varies between "Lovesong" and "Love Song" on many official Cure releases. The original 1989 artwork for the album Disintegration uses "Love Song" on the track listing and "Lovesong" on the lyrics sheet: the revised art for the 2010 remaster of the album consistently uses "Lovesong". When released as a single in 1989, the cover artwork displayed the title as "Lovesong", while the printing on the disc itself read "Love Song" all three times. Subsequent releases of Paris and Galore both use "Lovesong" exclusively, while 2001's Greatest Hits compilation uses "Lovesong" on the track listing and "Love Song" within the liner notes. 2004's Join the Dots also uses "Lovesong" within the booklet presentation.
311 did a popular cover that was featured on the soundtrack of the Adam Sandler/Drew Barrymore movie 50 First Dates (it plays in the closing credits). 311 got involved with the soundtrack after Sandler attended one of their shows and hung out with the band. He wanted the soundtrack for the movie to include many songs from the '80s that he grew up with, redone in a tropical style since the movie takes place in Hawaii.
Adele performed the song on her 2011 album 21.
#TheCure #Lovesong #AlternativeRock
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Nolan Randall playing the bass line of The Cure’s “Lovesong” from their 1989 album Disintegration for Fiction and Elektra Records.
Words and music by Robert Smith, Simon Gallup, Porl Thompson, Roger O'Donnell, Boris Williams, and Lol Tolhurst
Whenever I'm alone with you
You make me feel like I am home again
Whenever I'm alone with you
You make me feel like I am whole again
Whenever I'm alone with you
You make me feel like I am young again
Whenever I'm alone with you
You make me feel like I am fun again
However far away I will always love you
However long I stay I will always love you
Whatever words I say I will always love you
I will always love you
Whenever I'm alone with you
You make me feel like I am free again
Whenever I'm alone with you
You make me feel like I am clean again
However far away I will always love you
However long I stay I will always love you
Whatever words I say I will always love you
I will always love you
However far away I will always love you
However long I stay I will always love you
Whatever words I say I will always love you
I will always love you
I will always love you
'Cause I love you
*Song Facts*
"Lovesong" (sometimes called "Love Song") is a song originally recorded by the English alternative rock band The Cure, released as the third single from their eighth studio album Disintegration in 1989. The song saw considerable success in the United States, where it was a number two hit (reaching that position during the week of October 21, 1989, behind Janet Jackson's "Miss You Much") and the band's only top ten entry on the Billboard Hot 100; in the United Kingdom, the single charted at number 18.
The song is performed in A minor and is built around a distinctive bass riff. The verses follow an Am/G/F/Em chord progression, which changes to F/G/Am/C in the choruses. The lyrics are simple, with each verse having the same structure ("Whenever I'm alone with you / you make me feel like I am ... again"). Speaking of its simplicity and unusually upbeat nature compared to the other tracks on Disintegration, Smith stated, "It's an open show of emotion. It's not trying to be clever. It's taken me ten years to reach the point where I feel comfortable singing a very straightforward love song".
The single version of the song is almost exactly the same as the album version, but the mix is slightly different, with extra reverb and harmonies added to Smith's vocals. In addition, in the instrumental section between the first two verses, the guitar doesn't join the keyboards like it does on the album.
The lyrics were inspired by the constant touring Smith had to go through with The Cure. He wanted his wife to know that no matter how much he had to travel and perform, he would always love her.
This contains a hidden lyric from another song. Robert Smith half-sings/speaks "Fly me to the moon" after the second chorus, before the middle guitar solo. The Cure often performed their song "Why Can't I Be You?" and Smith sang lyrics from other songs during extended breaks, including the classic "Fly Me To The Moon."
An instrumental demo version recorded by the band was featured on the second disk of the 2010 re-release of Disintegration.
A music video featuring the band performing inside a cave was also released with the single.
Solo artists have performed covers as well, such as Tori Amos during several live performances, most famously on the radio station KROQ-FM. Naimee Coleman included an interpretation of the song on her 2001 album Bring Down The Moon.
Similar to the title variations of The Cure song "In Between Days", there doesn't seem to be a universally agreed-upon spacing method of the title of Lovesong, as it varies between "Lovesong" and "Love Song" on many official Cure releases. The original 1989 artwork for the album Disintegration uses "Love Song" on the track listing and "Lovesong" on the lyrics sheet: the revised art for the 2010 remaster of the album consistently uses "Lovesong". When released as a single in 1989, the cover artwork displayed the title as "Lovesong", while the printing on the disc itself read "Love Song" all three times. Subsequent releases of Paris and Galore both use "Lovesong" exclusively, while 2001's Greatest Hits compilation uses "Lovesong" on the track listing and "Love Song" within the liner notes. 2004's Join the Dots also uses "Lovesong" within the booklet presentation.
311 did a popular cover that was featured on the soundtrack of the Adam Sandler/Drew Barrymore movie 50 First Dates (it plays in the closing credits). 311 got involved with the soundtrack after Sandler attended one of their shows and hung out with the band. He wanted the soundtrack for the movie to include many songs from the '80s that he grew up with, redone in a tropical style since the movie takes place in Hawaii.
Adele performed the song on her 2011 album 21.
#TheCure #Lovesong #AlternativeRock








![What You Believe (Acoustic Version) - Nolan Randall Of Plaid On Flannel
💿 Get Get On! [EP] on CD 👉 https://plaidonflannelshop.com/products/get-on
Nolan Randall performing a solo acoustic version of What You Believe by Plaid On Flannel from the 2017 EP Get On!
Words and music by Nolan Randall
You wanna find out something you dont know
Dont wanna see you let it go
And then your life it moves so slow
Another friend becomes a foe
Figure something out before youre falling out of line
Dont wanna fall too far behind
The things you want are by design
Whatever makes you feel so fine
So many people want an ordinary role
What happened to soul?
You gotta keep on grindin
Keep your mind in your vision
Its what you do to make it through
Do what you believe
Its what you see, wont you believe in me
Feeling aware of what you believe
Gotta declare in what you believe
Oh-oh-oh-oh
Oh-oh-oh-oh
A lot of people tell you what to do
You always seem to misconstrue
Theres more to what theyre telling you
Stay true to your point of view
Falling into a rhythm, somethings going on
Youre far from gone
With all the people moving, they are soothing, forever
Its up to you to make it through, do what you believe
Its what you see, wont you believe in me
Feeling aware of what you believe
Gotta declare in what you believe
Oh-oh-oh-oh
Oh-oh-oh-oh
A lot of people want an ordinary role
What happened to soul?
You gotta keep on grindin
Keep your mind in your vision
Its up to you to make it through, do what you believe
Its what you see, wont you believe in me
Its what you do to make it through
Do what you believe
Its what you see, wont you believe in me
Feeling aware of what you believe
Gotta declare in what you believe
Oh-oh-oh-oh
Oh-oh-oh-oh
© Copyright 2017 Plaid On Flannel
*Song Description By Noles*
The music for What You Believe was written on March 7, 2015, when I was in the thick of recording Plaid On Flannels 3rd album Primitive Normative. Theres quite a difference between this version of What You Believe and the one performed with the band and recorded for the Get On! EP. For starters, theres a guitar riff in the original rendition that follows the post-chorus chord progression and plays octave jumps. I even used my Digitech whammy pedal to jump octaves and enhance the riff. This gave it a garage rock feel much like the style of The White Stripes. The Get On! EP version of What You Believe doesnt have a guitar riff and instead has a harpsichord keyboard riff played differently by POF keyboardist Jen Doyon.
The lyrics for What You Believe were written on March 22, 2015. Its a song that lyrically addresses self-belief and affirmation. Not taking others viewpoints on life too seriously in order to follow your own path. Doing what you believe is right for you. And not sacrificing your integrity by conforming to the norms of the people around you. In a world where conformity is held in such a high regard. When individuality is so estranged from a modern society. Thats what What You Believe is about in a nutshell.
I started recording the Primitive Normative version of What You Believe on March 16, 2015, and finished recording the track on April 10, 2015. Another difference between this rendition and the Get On! EP version is the harmony lead guitars during the verses which was influenced by Ty Segalls Whos Producing You. As well, there are backup vocal harmonies in the 2nd verse of the Primitive Normative rendition. Those effects were excluded from the Get On! EP version. Instead of the Ahs after the post-chorus of the Primitive Normative rendition of What You Believe, there are Ohs that are sung on the Get On! EP version. This enhanced the tune as the Oh vowels sound better with my voice. The song key of What You Believe was transposed from F# m to Em on the Get On! EP rendition.
Now, I will just talk about the Get On! EP version of What You Believe. As mentioned before, Jen Doyons harpsichord intro really sets the tone for the tune in its minor key. Giving it a baroque kind of feel. This harpsichord is used throughout the song, but there is also an additional synthesizer added which gives the tune lots of colour and atmosphere. What was initially a garage rock type song, turned itself into a synth rock anthem. The synthesizer becomes more prominent as the song progresses. What You Believe was the first song we recorded as a band that has 3 and 4 part vocal harmonies. Drummer Minas Hatzigiannatzoglou even sang a baritone low octave vocal towards the end of the tune. The tempo of What You Believe slows down at the very end of the song. This was influenced by the way some Red Hot Chili Peppers tunes slow down at the very end. What You Believe is a song Ive played in acoustic sets and I feel like it will live on in Plaid On Flannels live arsenal.
#PlaidOnFlannel #WhatYouBelieve #AcousticVersion What You Believe (Acoustic Version) - Nolan Randall Of Plaid On Flannel](https://i.ytimg.com/vi/iG780k-4PHQ/mqdefault.jpg)

