Uploaded January 2026 | Updated September 2026, 2 weeks ago
🎸 plaidonflannel.com
🎤 plaidonflannelshop.com
Nolan Randall playing the guitar solo of “Oxford Comma” by Vampire Weekend from their self-titled 2008 album for XL Recordings.
Words and music by Ezra Koenig, Rostam Batmanglij, Chris Baio, and Chris Thomson
Who gives a f*ck about an Oxford comma?
I've seen those English dramas too, they're cruel
So if there's any other way to spell the word
It's fine with me, with me
Why would you speak to me that way?
Especially when I always said that I
Haven't got the words for you
All your diction dripping with disdain
Through the pain I always tell the truth
Who gives a f*ck about an Oxford comma?
I climbed to Dharamsala too, I did
I met the highest lama
His accent sounded fine to me, to me
Check your handbook, it's no trick
Take the chapstick, put it on your lips
Crack a smile, adjust my tie
Know your boyfriend, unlike other guys
Why would you lie about how much coal you have?
Why would you lie about something dumb like that?
Why would you lie about anything at all?
First the window, then it's to the wall
Lil' Jon, he always tells the truth
Check your passport, it's no trick
Take the chapstick, put it on your lips
Crack a smile, adjust my tie
Know your butler, unlike other guys
Why would you lie about how much coal you have?
Why would you lie about something dumb like that?
Why would you lie about anything at all?
First the window, then it's to the wall
Why would you tape my conversations?
Show your paintings
At the United Nations
Lil' Jon, he always tells the truth
*Song Facts*
"Oxford Comma" is the third single by Vampire Weekend, released May 26, 2008, from their debut album, Vampire Weekend.
On January 28, 2008, Michael Hogan of Vanity Fair interviewed Ezra Koenig regarding the title of the song and its relevance to the song's meaning. Koenig said he first encountered the Oxford comma (a comma used before the conjunction at the end of a list) after learning of a Columbia University Facebook group called Students for the Preservation of the Oxford comma. The idea for the song came several months later while Koenig was sitting at a piano in his parents' house. He began "writing the song and the first thing that came out was 'Who gives a f*ck about an Oxford comma?'" So obviously, the song is anti-Oxford Comma.
The song's lyrics contain multiple references to rapper Lil Jon (claiming that "he always tells the truth"). Lil Jon sent Vampire Weekend a case of crunk juice as thanks for the name check, and a friendship formed between Vampire Weekend and Lil Jon that would pan out into Lil Jon's cameo in the music video for "Giving Up the Gun". Also mentioned is the city of Dharamsala, the city in exile home of the 14th Dalai Lama ("the highest lama"), who is the current Dalai Lama.
The video, featuring Joe and directed by comedian Richard Ayoade, premiered June 20, 2008, on FNMTV. The concept behind the video was for it to be filmed in one long take — similar to the band's video for previous single "A-Punk" — with unified visual and musical aspects. The video drew heavily on impressions of the works of American filmmaker Wes Anderson. According to Koenig, "It's nice that now we're at a point where we have more resources and we can talk to the director."
Pitchfork Media writer Mark Richardson praised "Oxford Comma" as "darn catchy," while Andrew Grillo of Click Music described it as having a "woozy organ and a half arsed guitar solo that masterfully straddles the line between inept and charmingly unstudied." He elaborated that the afro-beat influence was less evident and finished his review by saying that the song was an "extremely enjoyable ditty that goes some way to justifying the attention they've received over the past year." In 2010, musician Robert Forster described "Oxford Comma" as the "best song of the last five years".
The Oxford comma, also known as the serial comma, is the comma that comes before a grammatical conjunction (generally 'and' or 'or') in a list of three items. For instance "Paris, New York, and London" is written with the Oxford comma, while "Paris, New York and London", identical in meaning, is written without it.
In this number about linguistic imperialism, the New York band appear to be criticizing the 19th century English intellectuals that created and enforced such rules of language as the Oxford comma. As far as Vampire Weekend are concerned content should come before structure.
The lyrics refer to Lil' John, surely the only instance of a song about punctuation to reference the Atlanta crunk maestro. Singer/guitarist and lyricist Ezra Koenig admitted in an interview with Aversion to being a fan of Lil' Jon. The Vampire Weekend frontman said: "I love him. Well, I specifically like "Get Low" a lot. I like the dance where you point your hands to the window and to the wall. I don't dance a lot, but I did have a couple of experiences dancing to it."
#VampireWeekend #OxfordComma #IndieRock
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Nolan Randall playing the guitar solo of “Oxford Comma” by Vampire Weekend from their self-titled 2008 album for XL Recordings.
Words and music by Ezra Koenig, Rostam Batmanglij, Chris Baio, and Chris Thomson
Who gives a f*ck about an Oxford comma?
I've seen those English dramas too, they're cruel
So if there's any other way to spell the word
It's fine with me, with me
Why would you speak to me that way?
Especially when I always said that I
Haven't got the words for you
All your diction dripping with disdain
Through the pain I always tell the truth
Who gives a f*ck about an Oxford comma?
I climbed to Dharamsala too, I did
I met the highest lama
His accent sounded fine to me, to me
Check your handbook, it's no trick
Take the chapstick, put it on your lips
Crack a smile, adjust my tie
Know your boyfriend, unlike other guys
Why would you lie about how much coal you have?
Why would you lie about something dumb like that?
Why would you lie about anything at all?
First the window, then it's to the wall
Lil' Jon, he always tells the truth
Check your passport, it's no trick
Take the chapstick, put it on your lips
Crack a smile, adjust my tie
Know your butler, unlike other guys
Why would you lie about how much coal you have?
Why would you lie about something dumb like that?
Why would you lie about anything at all?
First the window, then it's to the wall
Why would you tape my conversations?
Show your paintings
At the United Nations
Lil' Jon, he always tells the truth
*Song Facts*
"Oxford Comma" is the third single by Vampire Weekend, released May 26, 2008, from their debut album, Vampire Weekend.
On January 28, 2008, Michael Hogan of Vanity Fair interviewed Ezra Koenig regarding the title of the song and its relevance to the song's meaning. Koenig said he first encountered the Oxford comma (a comma used before the conjunction at the end of a list) after learning of a Columbia University Facebook group called Students for the Preservation of the Oxford comma. The idea for the song came several months later while Koenig was sitting at a piano in his parents' house. He began "writing the song and the first thing that came out was 'Who gives a f*ck about an Oxford comma?'" So obviously, the song is anti-Oxford Comma.
The song's lyrics contain multiple references to rapper Lil Jon (claiming that "he always tells the truth"). Lil Jon sent Vampire Weekend a case of crunk juice as thanks for the name check, and a friendship formed between Vampire Weekend and Lil Jon that would pan out into Lil Jon's cameo in the music video for "Giving Up the Gun". Also mentioned is the city of Dharamsala, the city in exile home of the 14th Dalai Lama ("the highest lama"), who is the current Dalai Lama.
The video, featuring Joe and directed by comedian Richard Ayoade, premiered June 20, 2008, on FNMTV. The concept behind the video was for it to be filmed in one long take — similar to the band's video for previous single "A-Punk" — with unified visual and musical aspects. The video drew heavily on impressions of the works of American filmmaker Wes Anderson. According to Koenig, "It's nice that now we're at a point where we have more resources and we can talk to the director."
Pitchfork Media writer Mark Richardson praised "Oxford Comma" as "darn catchy," while Andrew Grillo of Click Music described it as having a "woozy organ and a half arsed guitar solo that masterfully straddles the line between inept and charmingly unstudied." He elaborated that the afro-beat influence was less evident and finished his review by saying that the song was an "extremely enjoyable ditty that goes some way to justifying the attention they've received over the past year." In 2010, musician Robert Forster described "Oxford Comma" as the "best song of the last five years".
The Oxford comma, also known as the serial comma, is the comma that comes before a grammatical conjunction (generally 'and' or 'or') in a list of three items. For instance "Paris, New York, and London" is written with the Oxford comma, while "Paris, New York and London", identical in meaning, is written without it.
In this number about linguistic imperialism, the New York band appear to be criticizing the 19th century English intellectuals that created and enforced such rules of language as the Oxford comma. As far as Vampire Weekend are concerned content should come before structure.
The lyrics refer to Lil' John, surely the only instance of a song about punctuation to reference the Atlanta crunk maestro. Singer/guitarist and lyricist Ezra Koenig admitted in an interview with Aversion to being a fan of Lil' Jon. The Vampire Weekend frontman said: "I love him. Well, I specifically like "Get Low" a lot. I like the dance where you point your hands to the window and to the wall. I don't dance a lot, but I did have a couple of experiences dancing to it."
#VampireWeekend #OxfordComma #IndieRock


![What You Believe (Acoustic Version) - Nolan Randall Of Plaid On Flannel
💿 Get Get On! [EP] on CD 👉 https://plaidonflannelshop.com/products/get-on
Nolan Randall performing a solo acoustic version of What You Believe by Plaid On Flannel from the 2017 EP Get On!
Words and music by Nolan Randall
You wanna find out something you dont know
Dont wanna see you let it go
And then your life it moves so slow
Another friend becomes a foe
Figure something out before youre falling out of line
Dont wanna fall too far behind
The things you want are by design
Whatever makes you feel so fine
So many people want an ordinary role
What happened to soul?
You gotta keep on grindin
Keep your mind in your vision
Its what you do to make it through
Do what you believe
Its what you see, wont you believe in me
Feeling aware of what you believe
Gotta declare in what you believe
Oh-oh-oh-oh
Oh-oh-oh-oh
A lot of people tell you what to do
You always seem to misconstrue
Theres more to what theyre telling you
Stay true to your point of view
Falling into a rhythm, somethings going on
Youre far from gone
With all the people moving, they are soothing, forever
Its up to you to make it through, do what you believe
Its what you see, wont you believe in me
Feeling aware of what you believe
Gotta declare in what you believe
Oh-oh-oh-oh
Oh-oh-oh-oh
A lot of people want an ordinary role
What happened to soul?
You gotta keep on grindin
Keep your mind in your vision
Its up to you to make it through, do what you believe
Its what you see, wont you believe in me
Its what you do to make it through
Do what you believe
Its what you see, wont you believe in me
Feeling aware of what you believe
Gotta declare in what you believe
Oh-oh-oh-oh
Oh-oh-oh-oh
© Copyright 2017 Plaid On Flannel
*Song Description By Noles*
The music for What You Believe was written on March 7, 2015, when I was in the thick of recording Plaid On Flannels 3rd album Primitive Normative. Theres quite a difference between this version of What You Believe and the one performed with the band and recorded for the Get On! EP. For starters, theres a guitar riff in the original rendition that follows the post-chorus chord progression and plays octave jumps. I even used my Digitech whammy pedal to jump octaves and enhance the riff. This gave it a garage rock feel much like the style of The White Stripes. The Get On! EP version of What You Believe doesnt have a guitar riff and instead has a harpsichord keyboard riff played differently by POF keyboardist Jen Doyon.
The lyrics for What You Believe were written on March 22, 2015. Its a song that lyrically addresses self-belief and affirmation. Not taking others viewpoints on life too seriously in order to follow your own path. Doing what you believe is right for you. And not sacrificing your integrity by conforming to the norms of the people around you. In a world where conformity is held in such a high regard. When individuality is so estranged from a modern society. Thats what What You Believe is about in a nutshell.
I started recording the Primitive Normative version of What You Believe on March 16, 2015, and finished recording the track on April 10, 2015. Another difference between this rendition and the Get On! EP version is the harmony lead guitars during the verses which was influenced by Ty Segalls Whos Producing You. As well, there are backup vocal harmonies in the 2nd verse of the Primitive Normative rendition. Those effects were excluded from the Get On! EP version. Instead of the Ahs after the post-chorus of the Primitive Normative rendition of What You Believe, there are Ohs that are sung on the Get On! EP version. This enhanced the tune as the Oh vowels sound better with my voice. The song key of What You Believe was transposed from F# m to Em on the Get On! EP rendition.
Now, I will just talk about the Get On! EP version of What You Believe. As mentioned before, Jen Doyons harpsichord intro really sets the tone for the tune in its minor key. Giving it a baroque kind of feel. This harpsichord is used throughout the song, but there is also an additional synthesizer added which gives the tune lots of colour and atmosphere. What was initially a garage rock type song, turned itself into a synth rock anthem. The synthesizer becomes more prominent as the song progresses. What You Believe was the first song we recorded as a band that has 3 and 4 part vocal harmonies. Drummer Minas Hatzigiannatzoglou even sang a baritone low octave vocal towards the end of the tune. The tempo of What You Believe slows down at the very end of the song. This was influenced by the way some Red Hot Chili Peppers tunes slow down at the very end. What You Believe is a song Ive played in acoustic sets and I feel like it will live on in Plaid On Flannels live arsenal.
#PlaidOnFlannel #WhatYouBelieve #AcousticVersion What You Believe (Acoustic Version) - Nolan Randall Of Plaid On Flannel](https://i.ytimg.com/vi/iG780k-4PHQ/mqdefault.jpg)







