Uploaded October 2018 | Updated September 2026, 2 weeks ago
🎸 plaidonflannel.com
🎤 plaidonflannelshop.com
Nolan Randall playing the guitar solo of the Smashing Pumpkins’ “Cherub Rock” from their 1993 album Siamese Dream for Virgin Records.
Words and music by Billy Corgan
Freak out and give in
Doesn't matter what you believe in
Stay cool and be somebody's fool this year
'Cause they know who is righteous
What is bold, so I'm told
Who wants honey
As long as there's some money
Who wants that honey?
Hipsters unite
Come align for the big fight to rock for you
But beware, all those angels with their wings glued on
'Cause deep down they are frightened and they're scared
If you don't stare
Who wants honey
As long as there's some money
Who wants that honey?
Let me out, yeah, let me out, yeah
Let me out, yeah, let me out
Tell me all of your secrets
Cannot help but believe this is true
Tell me all of your secrets
I know, I know, I know
Should have listened when I was told
Who wants that honey
As long as there is some money
Who wants that honey?
Let me out, yeah, let me out, yeah
Let me out, yeah, let me out
*Song Facts*
Corgan insisted that the song be released as the first single from the album, against the wishes of record executives who believed that "Today" would be a stronger opening single. Although Corgan's wishes were honored, the single was indeed received with much less enthusiasm than "Today", although it remains a fan favourite. An acoustic version of the song is performed on Vieuphoria and its CD companion, Earphoria.
According to various interviews with lead singer Billy Corgan, this song's lyric is an ironic attack on the "Indie" credibility in Chicago's music scene that had him frustrated - the old complaint about bands going to major labels becoming sell-outs. In Rolling Stone, Corgan said: "I won't play some one else's game anymore. This album was really a strong affirmation to myself: 'F--k you, I don't care. I'm going to do this.' The funny part about it is that it's working. Which says to me I should have trusted myself all along."
The Siamese Dream album contains 13 tracks and runs over an hour; their previous album Gish was 10 songs with a running time of about 45 minutes. Since CDs were now the format of choice and could hold more music, the band was pushed by Virgin Records to fill more of it, which put pressure on the band and affected their workflow.
According to Billy Corgan, this pressure to produce kept him from refining this song. Speaking with Creem magazine, he said: "I wrote 'Cherub Rock' in half an hour. I heard it one day while I was driving up the road and it was one of the last songs I wrote before we did the album. The thing is, there's parts of me that wonder what would have happened if I'd spent four hours writing it, and not done something else. How much better a song would it have been?"
Smashing Pumpkins played this song when they were the musical guest on Saturday Night Live, October 30, 1993.
Kevin Kerslake directed the music video, which he shot with a Super-8 camera. He also used a Super-8 on Nirvana's video for "Sliver" and Mazzy Star's "Fade Into You" to create a low-fi look.
Corgan was in a dark place around the time he wrote the song. "I was suicidal, and I'd been plotting my own death for about two months," he told NME in 2011. "If you've ever read anything about the warning signs of suicide one of them is you give away all your stuff, and I'd given away all my stuff, I gave away all my records, I started giving away my guitars. I was fantasizing about my own death, I started thinking what my funeral would be like and what music would be played, I was at that level of insanity."
"Cherub Rock" was one of the last songs written for the album, and the lyrics relate to Corgan's relationship with his perception of the indie rock community and larger media. The song was performed in standard tuning with an E octave played at the 7th fret, a technique which the band used on other songs, such as "Drown", "Tristessa", and "Starla". The prominent effect on the solo was achieved by recording the guitar solo to two different tapes which were then run simultaneously, with the speed of one tape slightly altered. "Cherub Rock" contains various overdubs influenced by the genres of shoegazing as well as 1970s classic arena rock. The guitar solo is a face melter!
Following the 2011 re-issue of Siamese Dream, Consequence of Sound commented that the single "seemed tailor-made to feed the emerging modern rock radio format."
The video features footage of the band performing the song live in a forest setting. It was shot outside San Francisco entirely on Super8 film at a very modest budget. The director, Kevin Kerslake, employed various destructive techniques when developing the film to give the video a broken and dirty look. Corgan was reportedly extremely unhappy with the shooting experience, and the band never worked with Kerslake again.
#SmashingPumpkins #CherubRock #AlternativeRock
🎸 plaidonflannel.com
🎤 plaidonflannelshop.com
Nolan Randall playing the guitar solo of the Smashing Pumpkins’ “Cherub Rock” from their 1993 album Siamese Dream for Virgin Records.
Words and music by Billy Corgan
Freak out and give in
Doesn't matter what you believe in
Stay cool and be somebody's fool this year
'Cause they know who is righteous
What is bold, so I'm told
Who wants honey
As long as there's some money
Who wants that honey?
Hipsters unite
Come align for the big fight to rock for you
But beware, all those angels with their wings glued on
'Cause deep down they are frightened and they're scared
If you don't stare
Who wants honey
As long as there's some money
Who wants that honey?
Let me out, yeah, let me out, yeah
Let me out, yeah, let me out
Tell me all of your secrets
Cannot help but believe this is true
Tell me all of your secrets
I know, I know, I know
Should have listened when I was told
Who wants that honey
As long as there is some money
Who wants that honey?
Let me out, yeah, let me out, yeah
Let me out, yeah, let me out
*Song Facts*
Corgan insisted that the song be released as the first single from the album, against the wishes of record executives who believed that "Today" would be a stronger opening single. Although Corgan's wishes were honored, the single was indeed received with much less enthusiasm than "Today", although it remains a fan favourite. An acoustic version of the song is performed on Vieuphoria and its CD companion, Earphoria.
According to various interviews with lead singer Billy Corgan, this song's lyric is an ironic attack on the "Indie" credibility in Chicago's music scene that had him frustrated - the old complaint about bands going to major labels becoming sell-outs. In Rolling Stone, Corgan said: "I won't play some one else's game anymore. This album was really a strong affirmation to myself: 'F--k you, I don't care. I'm going to do this.' The funny part about it is that it's working. Which says to me I should have trusted myself all along."
The Siamese Dream album contains 13 tracks and runs over an hour; their previous album Gish was 10 songs with a running time of about 45 minutes. Since CDs were now the format of choice and could hold more music, the band was pushed by Virgin Records to fill more of it, which put pressure on the band and affected their workflow.
According to Billy Corgan, this pressure to produce kept him from refining this song. Speaking with Creem magazine, he said: "I wrote 'Cherub Rock' in half an hour. I heard it one day while I was driving up the road and it was one of the last songs I wrote before we did the album. The thing is, there's parts of me that wonder what would have happened if I'd spent four hours writing it, and not done something else. How much better a song would it have been?"
Smashing Pumpkins played this song when they were the musical guest on Saturday Night Live, October 30, 1993.
Kevin Kerslake directed the music video, which he shot with a Super-8 camera. He also used a Super-8 on Nirvana's video for "Sliver" and Mazzy Star's "Fade Into You" to create a low-fi look.
Corgan was in a dark place around the time he wrote the song. "I was suicidal, and I'd been plotting my own death for about two months," he told NME in 2011. "If you've ever read anything about the warning signs of suicide one of them is you give away all your stuff, and I'd given away all my stuff, I gave away all my records, I started giving away my guitars. I was fantasizing about my own death, I started thinking what my funeral would be like and what music would be played, I was at that level of insanity."
"Cherub Rock" was one of the last songs written for the album, and the lyrics relate to Corgan's relationship with his perception of the indie rock community and larger media. The song was performed in standard tuning with an E octave played at the 7th fret, a technique which the band used on other songs, such as "Drown", "Tristessa", and "Starla". The prominent effect on the solo was achieved by recording the guitar solo to two different tapes which were then run simultaneously, with the speed of one tape slightly altered. "Cherub Rock" contains various overdubs influenced by the genres of shoegazing as well as 1970s classic arena rock. The guitar solo is a face melter!
Following the 2011 re-issue of Siamese Dream, Consequence of Sound commented that the single "seemed tailor-made to feed the emerging modern rock radio format."
The video features footage of the band performing the song live in a forest setting. It was shot outside San Francisco entirely on Super8 film at a very modest budget. The director, Kevin Kerslake, employed various destructive techniques when developing the film to give the video a broken and dirty look. Corgan was reportedly extremely unhappy with the shooting experience, and the band never worked with Kerslake again.
#SmashingPumpkins #CherubRock #AlternativeRock



![What You Believe (Acoustic Version) - Nolan Randall Of Plaid On Flannel
💿 Get Get On! [EP] on CD 👉 https://plaidonflannelshop.com/products/get-on
Nolan Randall performing a solo acoustic version of What You Believe by Plaid On Flannel from the 2017 EP Get On!
Words and music by Nolan Randall
You wanna find out something you dont know
Dont wanna see you let it go
And then your life it moves so slow
Another friend becomes a foe
Figure something out before youre falling out of line
Dont wanna fall too far behind
The things you want are by design
Whatever makes you feel so fine
So many people want an ordinary role
What happened to soul?
You gotta keep on grindin
Keep your mind in your vision
Its what you do to make it through
Do what you believe
Its what you see, wont you believe in me
Feeling aware of what you believe
Gotta declare in what you believe
Oh-oh-oh-oh
Oh-oh-oh-oh
A lot of people tell you what to do
You always seem to misconstrue
Theres more to what theyre telling you
Stay true to your point of view
Falling into a rhythm, somethings going on
Youre far from gone
With all the people moving, they are soothing, forever
Its up to you to make it through, do what you believe
Its what you see, wont you believe in me
Feeling aware of what you believe
Gotta declare in what you believe
Oh-oh-oh-oh
Oh-oh-oh-oh
A lot of people want an ordinary role
What happened to soul?
You gotta keep on grindin
Keep your mind in your vision
Its up to you to make it through, do what you believe
Its what you see, wont you believe in me
Its what you do to make it through
Do what you believe
Its what you see, wont you believe in me
Feeling aware of what you believe
Gotta declare in what you believe
Oh-oh-oh-oh
Oh-oh-oh-oh
© Copyright 2017 Plaid On Flannel
*Song Description By Noles*
The music for What You Believe was written on March 7, 2015, when I was in the thick of recording Plaid On Flannels 3rd album Primitive Normative. Theres quite a difference between this version of What You Believe and the one performed with the band and recorded for the Get On! EP. For starters, theres a guitar riff in the original rendition that follows the post-chorus chord progression and plays octave jumps. I even used my Digitech whammy pedal to jump octaves and enhance the riff. This gave it a garage rock feel much like the style of The White Stripes. The Get On! EP version of What You Believe doesnt have a guitar riff and instead has a harpsichord keyboard riff played differently by POF keyboardist Jen Doyon.
The lyrics for What You Believe were written on March 22, 2015. Its a song that lyrically addresses self-belief and affirmation. Not taking others viewpoints on life too seriously in order to follow your own path. Doing what you believe is right for you. And not sacrificing your integrity by conforming to the norms of the people around you. In a world where conformity is held in such a high regard. When individuality is so estranged from a modern society. Thats what What You Believe is about in a nutshell.
I started recording the Primitive Normative version of What You Believe on March 16, 2015, and finished recording the track on April 10, 2015. Another difference between this rendition and the Get On! EP version is the harmony lead guitars during the verses which was influenced by Ty Segalls Whos Producing You. As well, there are backup vocal harmonies in the 2nd verse of the Primitive Normative rendition. Those effects were excluded from the Get On! EP version. Instead of the Ahs after the post-chorus of the Primitive Normative rendition of What You Believe, there are Ohs that are sung on the Get On! EP version. This enhanced the tune as the Oh vowels sound better with my voice. The song key of What You Believe was transposed from F# m to Em on the Get On! EP rendition.
Now, I will just talk about the Get On! EP version of What You Believe. As mentioned before, Jen Doyons harpsichord intro really sets the tone for the tune in its minor key. Giving it a baroque kind of feel. This harpsichord is used throughout the song, but there is also an additional synthesizer added which gives the tune lots of colour and atmosphere. What was initially a garage rock type song, turned itself into a synth rock anthem. The synthesizer becomes more prominent as the song progresses. What You Believe was the first song we recorded as a band that has 3 and 4 part vocal harmonies. Drummer Minas Hatzigiannatzoglou even sang a baritone low octave vocal towards the end of the tune. The tempo of What You Believe slows down at the very end of the song. This was influenced by the way some Red Hot Chili Peppers tunes slow down at the very end. What You Believe is a song Ive played in acoustic sets and I feel like it will live on in Plaid On Flannels live arsenal.
#PlaidOnFlannel #WhatYouBelieve #AcousticVersion What You Believe (Acoustic Version) - Nolan Randall Of Plaid On Flannel](https://i.ytimg.com/vi/iG780k-4PHQ/mqdefault.jpg)






