Uploaded June 2023 | Updated September 2026, 3 weeks ago
Corinne Winters, Evelyn Herlitzius, David Butt Philip, Konzertvereinigung Wiener Staatsopernchor
Wiener Philharmonikerm conducted by Jakub Hrůša
staged by Barrie Kosky
Janáček’s opera Káťa Kabanová is set in a small Russian town and is based on the play The Storm by Aleksandr Ostrovsky. The story revolves around the central character, Káťa – sung by “the phenomenal Corinne Winters” (Neue Musikzeitung) – who is trapped in a loveless marriage to an abusive man named Boris. Despite her unhappiness, she is bound by the strict societal norms of her time and is unable to escape the situation. However, when she meets and falls in love with a young man named Váňa Kudrjáš, she finally experiences happiness and passion. But their relationship is short-lived, as Boris finds out and forces Káťa to confess her infidelity in front of the entire town. Overwhelmed by the shame and guilt, she drowns herself in the nearby river. The opera explores themes of social conformity, oppression, and the consequences of forbidden love. Janáček’s use of musical leitmotifs and repetitive themes reflect the characters’ emotions and psychological states, adding depth and nuance to the story. Stage director Barrie Kosky managed to create an intimate but impressive setting in the magnificent Felsenreitschule. “The young Czech conductor Jakub Hrůša, highly esteemed by the Wiener Philharmoniker, leads the orchestra with a feeling for the great moments as well as the fine lyricism of the grandiose score. Corinne Winters is thrilling in the title role” (Kronenzeitung)
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Corinne Winters, Evelyn Herlitzius, David Butt Philip, Konzertvereinigung Wiener Staatsopernchor
Wiener Philharmonikerm conducted by Jakub Hrůša
staged by Barrie Kosky
Janáček’s opera Káťa Kabanová is set in a small Russian town and is based on the play The Storm by Aleksandr Ostrovsky. The story revolves around the central character, Káťa – sung by “the phenomenal Corinne Winters” (Neue Musikzeitung) – who is trapped in a loveless marriage to an abusive man named Boris. Despite her unhappiness, she is bound by the strict societal norms of her time and is unable to escape the situation. However, when she meets and falls in love with a young man named Váňa Kudrjáš, she finally experiences happiness and passion. But their relationship is short-lived, as Boris finds out and forces Káťa to confess her infidelity in front of the entire town. Overwhelmed by the shame and guilt, she drowns herself in the nearby river. The opera explores themes of social conformity, oppression, and the consequences of forbidden love. Janáček’s use of musical leitmotifs and repetitive themes reflect the characters’ emotions and psychological states, adding depth and nuance to the story. Stage director Barrie Kosky managed to create an intimate but impressive setting in the magnificent Felsenreitschule. “The young Czech conductor Jakub Hrůša, highly esteemed by the Wiener Philharmoniker, leads the orchestra with a feeling for the great moments as well as the fine lyricism of the grandiose score. Corinne Winters is thrilling in the title role” (Kronenzeitung)
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![Mozart: Don Giovanni - Nikolaus Harnoncourt
“He was out to to create something ‘unheard-of’,” observed conductor Nikolaus Harnoncourt beforehand. And true to form: What the conductor had offer as he commenced his Mozart/Da Ponte cycle in the Theater an der Wien was something we “had never before heard like this” (Kurier). Nikolaus Harnoncourt, “master” of period performance practice, realized a project that had long been one of his dearest wishes: for the first time, he and his “original-sound orchestra” Concentus Musicus and his personal choice of singers were presenting the complete Mozart/Da Ponte cycle and harvesting the fruits of his Mozart research – an “enthusiastically acclaimed cycle!” (news.at). During an intensive phase of rehearsal and preparation, he was in search of a Mozart hermeneutic resting on historical sources and yet anchored in our own time, in order to stage the whole Da Ponte “trilogy” – Le nozze di Figaro, Don Giovanni and Così fan tutte – in a matter of a mere six weeks. “The culmination of Harnoncourt’s involvement with [Mozart’s Da Ponte operas] – „A Mozart drawn from historical sources and yet anchored in our own time.” (Die Presse)
PART II: Don Giovanni + Documentary: Nikolaus Harnoncourt - Between Obsession and Perfection (Don Giovanni)
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