Uploaded November 2022 | Updated September 2026, 3 weeks ago
Giuseppe Taddei, Rolando Panerai, Francisco Araiza, Christa Ludwig, Raina Kabaivanska, Janet Perry, Konzertvereinigung Wiener Staatsoperchor
Wiener Philharmoniker, conducted & staged by Herbert von Karajan
Based, in part, on Shakespeare’s The Merry Wives of Windsor, Falstaff is Verdi’s last work for the stage – and only his second comic opera. And yet the humour in this multilayered masterpiece is distinctly wry, for all the main characters exhibit an array of human weaknesses that are implacably exposed by Verdi and his librettist Arrigo Boito. In this legendary performance from the Salzburg Festival, Herbert von Karajan is not only leading a stunning cast of singers featuring the Wiener Philharmoniker, he too directed the opera, in the amazing set design of Günther Schneider-Siemssen.
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Giuseppe Taddei, Rolando Panerai, Francisco Araiza, Christa Ludwig, Raina Kabaivanska, Janet Perry, Konzertvereinigung Wiener Staatsoperchor
Wiener Philharmoniker, conducted & staged by Herbert von Karajan
Based, in part, on Shakespeare’s The Merry Wives of Windsor, Falstaff is Verdi’s last work for the stage – and only his second comic opera. And yet the humour in this multilayered masterpiece is distinctly wry, for all the main characters exhibit an array of human weaknesses that are implacably exposed by Verdi and his librettist Arrigo Boito. In this legendary performance from the Salzburg Festival, Herbert von Karajan is not only leading a stunning cast of singers featuring the Wiener Philharmoniker, he too directed the opera, in the amazing set design of Günther Schneider-Siemssen.
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![Mozart: Don Giovanni - Nikolaus Harnoncourt
“He was out to to create something ‘unheard-of’,” observed conductor Nikolaus Harnoncourt beforehand. And true to form: What the conductor had offer as he commenced his Mozart/Da Ponte cycle in the Theater an der Wien was something we “had never before heard like this” (Kurier). Nikolaus Harnoncourt, “master” of period performance practice, realized a project that had long been one of his dearest wishes: for the first time, he and his “original-sound orchestra” Concentus Musicus and his personal choice of singers were presenting the complete Mozart/Da Ponte cycle and harvesting the fruits of his Mozart research – an “enthusiastically acclaimed cycle!” (news.at). During an intensive phase of rehearsal and preparation, he was in search of a Mozart hermeneutic resting on historical sources and yet anchored in our own time, in order to stage the whole Da Ponte “trilogy” – Le nozze di Figaro, Don Giovanni and Così fan tutte – in a matter of a mere six weeks. “The culmination of Harnoncourt’s involvement with [Mozart’s Da Ponte operas] – „A Mozart drawn from historical sources and yet anchored in our own time.” (Die Presse)
PART II: Don Giovanni + Documentary: Nikolaus Harnoncourt - Between Obsession and Perfection (Don Giovanni)
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