Uploaded August 2026 | Updated September 2026, 3 weeks ago
Contemporary Opera Director Claus Guth and celebrated Set Designer Michael Levine transform PARK AVENUE ARMORY Hall for a spectacular reimagining of Schubert’s Schwanengesang. The cycle forms a series of masterful snapshots of all that life has to offer, and features a performance that transcends genre: Jonas Kaufmann and his longtime accompanist, pianist Helmut Deutsch, interpret the collection of songs, augmented by additional Schubert repertoire an atmospheric soundscape and transformative light and video projections to create a production that is part performance, part installation.
▷ 00:00 - Opening
▷ 04:26 - Kriegers Ahnung (Warrior's Foreboding)
▷ 10:42 - Liebesbotschaft (Love's Message)
▷ 15:29 - In Der Ferne (Far Away)
▷ 22:20 - Frühlingssehnsucht (Spring Longing)
▷ 27:00 - Ständchen (Serenade)
▷ 31:42 - Herbst (Autumn)
▷ 36:00 - Aufenthalt (Resting Place)
▷ 39:52 - Abschied (Farewell)
▷ 45:00 - Piano Sonata, D, 960 (Op. Posth.) Andante Sostenuto
▷ 55:35 - Ihr Bild (Her Portrait)
▷ 59:20 - Der Atlas (Atlas)
▷ 1:02:51 - Das Fischermädchen (The Fisher Maiden)
▷ 1:06:53 - Am Meer (By The Sea)
▷ 1:12:38 - Die Stadt (The Town)
▷ 1:17:14 - Der Doppelgänger (The Wraith)
▷ 1:21:05 - End Credits
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"Doppelganger"
From the Wade Thompson Drill Hall, New York
Dramatized staging of Schwanengesang, D957 by Franz Schubert
Tenor: Jonas Kaufman
Piano: Helmut Deutsch
Director: Claus Guth
Texts by Ludwig Rellstab & Heinrich Heine
© 2023, Licensed by C Major Entertainment
Contemporary Opera Director Claus Guth and celebrated Set Designer Michael Levine transform PARK AVENUE ARMORY Hall for a spectacular reimagining of Schubert’s Schwanengesang. The cycle forms a series of masterful snapshots of all that life has to offer, and features a performance that transcends genre: Jonas Kaufmann and his longtime accompanist, pianist Helmut Deutsch, interpret the collection of songs, augmented by additional Schubert repertoire an atmospheric soundscape and transformative light and video projections to create a production that is part performance, part installation.
▷ 00:00 - Opening
▷ 04:26 - Kriegers Ahnung (Warrior's Foreboding)
▷ 10:42 - Liebesbotschaft (Love's Message)
▷ 15:29 - In Der Ferne (Far Away)
▷ 22:20 - Frühlingssehnsucht (Spring Longing)
▷ 27:00 - Ständchen (Serenade)
▷ 31:42 - Herbst (Autumn)
▷ 36:00 - Aufenthalt (Resting Place)
▷ 39:52 - Abschied (Farewell)
▷ 45:00 - Piano Sonata, D, 960 (Op. Posth.) Andante Sostenuto
▷ 55:35 - Ihr Bild (Her Portrait)
▷ 59:20 - Der Atlas (Atlas)
▷ 1:02:51 - Das Fischermädchen (The Fisher Maiden)
▷ 1:06:53 - Am Meer (By The Sea)
▷ 1:12:38 - Die Stadt (The Town)
▷ 1:17:14 - Der Doppelgänger (The Wraith)
▷ 1:21:05 - End Credits
------
Subscribe for more: youtube.com/@CMajorEntertainment?sub_confirmation=1
Facebook: facebook.com/CmajorEntertainment
Twitter: twitter.com/CmajorEnt1
Website: cmajor-entertainment.com
Instagram: instagram.com/cmajor_entertainment
------
"Doppelganger"
From the Wade Thompson Drill Hall, New York
Dramatized staging of Schwanengesang, D957 by Franz Schubert
Tenor: Jonas Kaufman
Piano: Helmut Deutsch
Director: Claus Guth
Texts by Ludwig Rellstab & Heinrich Heine
© 2023, Licensed by C Major Entertainment




![Mozart: Don Giovanni - Nikolaus Harnoncourt
“He was out to to create something ‘unheard-of’,” observed conductor Nikolaus Harnoncourt beforehand. And true to form: What the conductor had offer as he commenced his Mozart/Da Ponte cycle in the Theater an der Wien was something we “had never before heard like this” (Kurier). Nikolaus Harnoncourt, “master” of period performance practice, realized a project that had long been one of his dearest wishes: for the first time, he and his “original-sound orchestra” Concentus Musicus and his personal choice of singers were presenting the complete Mozart/Da Ponte cycle and harvesting the fruits of his Mozart research – an “enthusiastically acclaimed cycle!” (news.at). During an intensive phase of rehearsal and preparation, he was in search of a Mozart hermeneutic resting on historical sources and yet anchored in our own time, in order to stage the whole Da Ponte “trilogy” – Le nozze di Figaro, Don Giovanni and Così fan tutte – in a matter of a mere six weeks. “The culmination of Harnoncourt’s involvement with [Mozart’s Da Ponte operas] – „A Mozart drawn from historical sources and yet anchored in our own time.” (Die Presse)
PART II: Don Giovanni + Documentary: Nikolaus Harnoncourt - Between Obsession and Perfection (Don Giovanni)
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