Uploaded August 2026 | Updated September 2026, 3 weeks ago
Renée Fleming, America's Queen of Opera, performing with the internationally acclaimed Russian baritone Dmitri Hvorostovsky, in the Palaces of the Czars in Saint Petersburg. Fleming and Hvorostovsky lead the audience through Saint Petersburg performing in the Gold Ballroom of Peterhof Palace, the White Column Room and the extraordinary baroque Theater of the Yusupov Palace.
Chapters
▷ 00:00 - Duet from Act IV "Il Trovatore" - Giuseppe Verdi
▷ 16:38 - Duet frp, Act I "Simon Boccanegra" - Giuseppe Verdi
▷ 31:50 - "At the Ball" - Pyotr Ilyich Tchaikovsky
▷ 34:33 - "I the Silence of Night" - Sergei Rachmaninov
▷ 37:54 - "The Winter Evening" - Nikolas Medtner
▷ 42:04 - "Don't Sing to Me Fair Maiden" - Sergei Rachmaninov
▷ 47:47 - "Spring Waters" - Sergei Rachmaninov
▷ 50:16 - "Don Juan's Serenade" - Pyotr Ilyich Tchaikovsky
▷ 1:00:15 - Yeletzki's Aria from "Pique Dame" - Pyotr Ilyich Tchaikovsky
▷ 1:06:28 - "Natasha's Aria from "Opritchnik" - Pyotr Ilyich Tchaikovsky
▷ 1:10:00 - Final Scene from Act III of "Eugene Onegin" - Pyotr Ilyich Tchaikovsky
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Original Title: The Glory of Russia – Sound and Sights of Saint Petersburg
Artists: Renée Fleming, Dmitri Hvorostovsky
Orchestra: State Hermitage Orchestra "St. Petersburg Camerata"
Musical Director and Conductor: Constantine Orbelian
© 2009, Licensed by C Major Entertainment
Renée Fleming, America's Queen of Opera, performing with the internationally acclaimed Russian baritone Dmitri Hvorostovsky, in the Palaces of the Czars in Saint Petersburg. Fleming and Hvorostovsky lead the audience through Saint Petersburg performing in the Gold Ballroom of Peterhof Palace, the White Column Room and the extraordinary baroque Theater of the Yusupov Palace.
Chapters
▷ 00:00 - Duet from Act IV "Il Trovatore" - Giuseppe Verdi
▷ 16:38 - Duet frp, Act I "Simon Boccanegra" - Giuseppe Verdi
▷ 31:50 - "At the Ball" - Pyotr Ilyich Tchaikovsky
▷ 34:33 - "I the Silence of Night" - Sergei Rachmaninov
▷ 37:54 - "The Winter Evening" - Nikolas Medtner
▷ 42:04 - "Don't Sing to Me Fair Maiden" - Sergei Rachmaninov
▷ 47:47 - "Spring Waters" - Sergei Rachmaninov
▷ 50:16 - "Don Juan's Serenade" - Pyotr Ilyich Tchaikovsky
▷ 1:00:15 - Yeletzki's Aria from "Pique Dame" - Pyotr Ilyich Tchaikovsky
▷ 1:06:28 - "Natasha's Aria from "Opritchnik" - Pyotr Ilyich Tchaikovsky
▷ 1:10:00 - Final Scene from Act III of "Eugene Onegin" - Pyotr Ilyich Tchaikovsky
------
Subscribe for more: youtube.com/@CMajorEntertainment?sub_confirmation=1
Facebook: facebook.com/CmajorEntertainment
Twitter: twitter.com/CmajorEnt1
Website: cmajor-entertainment.com
Instagram: instagram.com/cmajor_entertainment
------
Original Title: The Glory of Russia – Sound and Sights of Saint Petersburg
Artists: Renée Fleming, Dmitri Hvorostovsky
Orchestra: State Hermitage Orchestra "St. Petersburg Camerata"
Musical Director and Conductor: Constantine Orbelian
© 2009, Licensed by C Major Entertainment



![Mozart: Don Giovanni - Nikolaus Harnoncourt
“He was out to to create something ‘unheard-of’,” observed conductor Nikolaus Harnoncourt beforehand. And true to form: What the conductor had offer as he commenced his Mozart/Da Ponte cycle in the Theater an der Wien was something we “had never before heard like this” (Kurier). Nikolaus Harnoncourt, “master” of period performance practice, realized a project that had long been one of his dearest wishes: for the first time, he and his “original-sound orchestra” Concentus Musicus and his personal choice of singers were presenting the complete Mozart/Da Ponte cycle and harvesting the fruits of his Mozart research – an “enthusiastically acclaimed cycle!” (news.at). During an intensive phase of rehearsal and preparation, he was in search of a Mozart hermeneutic resting on historical sources and yet anchored in our own time, in order to stage the whole Da Ponte “trilogy” – Le nozze di Figaro, Don Giovanni and Così fan tutte – in a matter of a mere six weeks. “The culmination of Harnoncourt’s involvement with [Mozart’s Da Ponte operas] – „A Mozart drawn from historical sources and yet anchored in our own time.” (Die Presse)
PART II: Don Giovanni + Documentary: Nikolaus Harnoncourt - Between Obsession and Perfection (Don Giovanni)
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