Uploaded January 2026 | Updated September 2026, 2 weeks ago
Continue your listening journey with more sacred works of Guillaume de Machaut. In this collection, we explore Machaut’s celebrated cycle "Le vray remède d’amour"(“The True Remedy of Love”), a masterpiece of courtly expression in which music and poetry intertwine with unmatched sophistication.
Composer: Guillaume de Machaut
Artist: Listed after each track
💎 🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): brilliant-classics.lnk.to/DeMachautSacredAndSecularMusic/ID
🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
*Background image: Mountainous Landscape at Tivoli (Simon Denis (Belgian, 1755-1813) (Public Domain)
Tracklist:
Le vray remède d'amour
00:00:00 - "Je, Guillaumes" from Le Jugement du Roi de Navarre (Jean-Paul Racodon, Ensemble Gilles Binchois & Dominique Vellard)
00:00:50 - Virelai "Dame, vostre doulz viaire" (Pierre Hamon, Randall Cook, Ensemble Gilles Binchois & Dominique Vellard)
00:06:54 - Motet "Amours qui ha le pouoir/Faus samblant" (Anne-Marie Lablaude, Brigitte Lesne, Emmanuel Bonnardot, Ensemble Gilles Binchois & Dominique Vellard)
00:09:25 - Virelai "Je vivroie liement" (Brigitte Lesne, Pierre Hamon, Ensemble Gilles Binchois & Dominique Vellard)
00:12:30 - Rondeau "Ce qui soustient moy" (Emmanuel Bonnardot, Ensemble Gilles Binchois & Dominique Vellard)
00:15:28 - "La, firent mains divers acors" from Le Remède de Fortune (Jean-Paul Racodon, Ensemble Gilles Binchois & Dominique Vellard)
00:16:37 – Ballade "Dame se vous m'estes lonteinne" (Brigitte Lesne, Emmanuel Bonnardot, Pierre Hamon, Randall Cook, Ensemble Gilles Binchois & Dominique Vellard)
00:18:41 - Ballade "Je ne cuit pas" (Anne-Marie Lablaude, Ensemble Gilles Binchois & Dominique Vellard)
00:24:43 - Rondeau "Doulz viaire gracieus" (Anne-Marie Lablaude, Brigitte Lesne, Pierre Hamon, Ensemble Gilles Binchois & Dominique Vellard)
00:26:31 - Motet "Christe, qui lux est/Veni creator spiritus" (Anne-Marie Lablaude, Brigitte Lesne, Emmanuel Bonnardot, Ensemble Gilles Binchois & Dominique Vellard)
00:31:00 - "Qui des couleurs" from La Loange des Dames (Jean-Paul Racodon, Ensemble Gilles Binchois & Dominique Vellard)
00:32:37 - Rondeau "Puisqu'en oubli" (Brigitte Lesne, Emmanuel Bonnardot, Randall Cook, Ensemble Gilles Binchois & Dominique Vellard)
00:34:12 - Ballade "Dame ne regardes pas" (Emmanuel Bonnardot, Randall Cook, Ensemble Gilles Binchois & Dominique Vellard)
00:37:45 - Ballade "Doulz amis" (Emmanuel Bonnardot, Ensemble Gilles Binchois & Dominique Vellard)
00:44:12 - "Long sont Mi jour" from Le Livre du Voir Dit (Jean-Paul Racodon, Ensemble Gilles Binchois & Dominique Vellard)
00:44:51 - Complainte "Tels rit au main" (Pierre Hamon, Ensemble Gilles Binchois & Dominique Vellard)
00:47:07 - Virelai "Liement me deport" (Anne-Marie Lablaude, Brigitte Lesne, Ensemble Gilles Binchois & Dominique Vellard)
00:52:38 - "Des que on porroit" from Le Livre du Voir-Dit (Jean-Paul Racodon, Ensemble Gilles Binchois & Dominique Vellard)
00:54:03 - Ballade "De toutes flours" (Brigitte Lesne, Randall Cook, Ensemble Gilles Binchois & Dominique Vellard)
01:00:40 -"Mon cuer, Ma suer" from Le Livre du Voir-Dit (Jean-Paul Racodon, Ensemble Gilles Binchois & Dominique Vellard)
01:03:20 - Motet "Felix virgo" - "Inviolata genitrix" (Anne-Marie Lablaude, Brigitte Lesne, Dominique Vellard, Emmanuel Bonnardot, Ensemble Gilles Binchois & Dominique Vellard)
🎧 In the mood for more Sacred Music? Check out: J.S. Bach Sacred Cantatas | Classical Music For Pentacost youtu.be/1UYUnCqK0Cs
🎻Or take a look at our "Brilliant Composers" playlist: youtube.com/playlist?list=PL_qM1lclHDwVcniDiQg6fx0HR_EeP4tL0
📲 Follow us on Social media: @BrilliantClassics
#sacredmusic #choral
Continue your listening journey with more sacred works of Guillaume de Machaut. In this collection, we explore Machaut’s celebrated cycle "Le vray remède d’amour"(“The True Remedy of Love”), a masterpiece of courtly expression in which music and poetry intertwine with unmatched sophistication.
Composer: Guillaume de Machaut
Artist: Listed after each track
💎 🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): brilliant-classics.lnk.to/DeMachautSacredAndSecularMusic/ID
🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
*Background image: Mountainous Landscape at Tivoli (Simon Denis (Belgian, 1755-1813) (Public Domain)
Tracklist:
Le vray remède d'amour
00:00:00 - "Je, Guillaumes" from Le Jugement du Roi de Navarre (Jean-Paul Racodon, Ensemble Gilles Binchois & Dominique Vellard)
00:00:50 - Virelai "Dame, vostre doulz viaire" (Pierre Hamon, Randall Cook, Ensemble Gilles Binchois & Dominique Vellard)
00:06:54 - Motet "Amours qui ha le pouoir/Faus samblant" (Anne-Marie Lablaude, Brigitte Lesne, Emmanuel Bonnardot, Ensemble Gilles Binchois & Dominique Vellard)
00:09:25 - Virelai "Je vivroie liement" (Brigitte Lesne, Pierre Hamon, Ensemble Gilles Binchois & Dominique Vellard)
00:12:30 - Rondeau "Ce qui soustient moy" (Emmanuel Bonnardot, Ensemble Gilles Binchois & Dominique Vellard)
00:15:28 - "La, firent mains divers acors" from Le Remède de Fortune (Jean-Paul Racodon, Ensemble Gilles Binchois & Dominique Vellard)
00:16:37 – Ballade "Dame se vous m'estes lonteinne" (Brigitte Lesne, Emmanuel Bonnardot, Pierre Hamon, Randall Cook, Ensemble Gilles Binchois & Dominique Vellard)
00:18:41 - Ballade "Je ne cuit pas" (Anne-Marie Lablaude, Ensemble Gilles Binchois & Dominique Vellard)
00:24:43 - Rondeau "Doulz viaire gracieus" (Anne-Marie Lablaude, Brigitte Lesne, Pierre Hamon, Ensemble Gilles Binchois & Dominique Vellard)
00:26:31 - Motet "Christe, qui lux est/Veni creator spiritus" (Anne-Marie Lablaude, Brigitte Lesne, Emmanuel Bonnardot, Ensemble Gilles Binchois & Dominique Vellard)
00:31:00 - "Qui des couleurs" from La Loange des Dames (Jean-Paul Racodon, Ensemble Gilles Binchois & Dominique Vellard)
00:32:37 - Rondeau "Puisqu'en oubli" (Brigitte Lesne, Emmanuel Bonnardot, Randall Cook, Ensemble Gilles Binchois & Dominique Vellard)
00:34:12 - Ballade "Dame ne regardes pas" (Emmanuel Bonnardot, Randall Cook, Ensemble Gilles Binchois & Dominique Vellard)
00:37:45 - Ballade "Doulz amis" (Emmanuel Bonnardot, Ensemble Gilles Binchois & Dominique Vellard)
00:44:12 - "Long sont Mi jour" from Le Livre du Voir Dit (Jean-Paul Racodon, Ensemble Gilles Binchois & Dominique Vellard)
00:44:51 - Complainte "Tels rit au main" (Pierre Hamon, Ensemble Gilles Binchois & Dominique Vellard)
00:47:07 - Virelai "Liement me deport" (Anne-Marie Lablaude, Brigitte Lesne, Ensemble Gilles Binchois & Dominique Vellard)
00:52:38 - "Des que on porroit" from Le Livre du Voir-Dit (Jean-Paul Racodon, Ensemble Gilles Binchois & Dominique Vellard)
00:54:03 - Ballade "De toutes flours" (Brigitte Lesne, Randall Cook, Ensemble Gilles Binchois & Dominique Vellard)
01:00:40 -"Mon cuer, Ma suer" from Le Livre du Voir-Dit (Jean-Paul Racodon, Ensemble Gilles Binchois & Dominique Vellard)
01:03:20 - Motet "Felix virgo" - "Inviolata genitrix" (Anne-Marie Lablaude, Brigitte Lesne, Dominique Vellard, Emmanuel Bonnardot, Ensemble Gilles Binchois & Dominique Vellard)
🎧 In the mood for more Sacred Music? Check out: J.S. Bach Sacred Cantatas | Classical Music For Pentacost youtu.be/1UYUnCqK0Cs
🎻Or take a look at our "Brilliant Composers" playlist: youtube.com/playlist?list=PL_qM1lclHDwVcniDiQg6fx0HR_EeP4tL0
📲 Follow us on Social media: @BrilliantClassics
#sacredmusic #choral


![Brahms
Johannes Brahms’s journey as a composer for solo piano, from the heroic Ballades, Op. 10 to the profound late masterpieces Opp. 116–119, in this captivating recital by acclaimed pianist Vincenzo Maltempo. Renowned for his commanding technique and expressive depth, Maltempo reveals the genius, innovation, and emotional power that make Brahms’s piano music among the greatest ever written.
💎 🎵 Purchase, stream or download: https://pianoclassics.lnk.to/BrahmsID
🎬🎮 These tracks are available for sync licensing. For licensing inquiries: info@brilliantclassicslicensing.com
Composer: Johannes Brahms
Artist: Vincenzo Maltempo (piano)
Vincenzo Maltempo’s considerable catalogue of recordings for Piano Classics includes a much-admired set of the two concertos by Brahms. According to Fanfare, ‘Maltempo… plays with commanding technique, grand gestural sweep throughout, and real tonal bloom.’
For this second volume of the composer’s solo output for the piano, Maltempo has devised a compelling journey for the listener, from the noble and often heroic profile of the Ballades Op.10 to the late and distilled collections Opp. 116-119, taking in en route the Variations on an Original Theme Op.21 No.1 and the eight Klavierstücke Op.76.
In his performances, Maltempo brings out this stylistic evolution of both piano-writing and harmony, enabling us to appreciate for ourselves the degree to which Brahms continually challenged himself to enrich and experiment with his style as well as ruthlessly exercising on himself the red pen and the sharp ear which made him so shrewd a critic of fellow composers.
The scholar Denis Matthews identified three phases, or styles, in Brahms, not necessarily equating to the conventional division of early, middle and late: the architectural, contrapuntal and lyrical. On the surface, beyond a more intense chromaticism and openness to dissonance, there is relatively little to separate the Ballades from the late works.
Much the least-often heard piece in this collection is the Variations Op.21, and the teasing ingenuity of Brahms’s treatment of his theme – initially quiet and introspective – is based on a rigorous exploration of contrapuntal possibilities. The Variations date from a period immediately after his fateful meeting with Robert and Clara Schumann in Dusseldorf, when he found himself stretched to live up to the Schumann’s’ extravagant praise of him as the pre-eminent successor to Beethoven. They and others were captivated by the composer’s own mastery of his instrument as a performer, too, and The Op.21 Variations show Brahms moving on from the extrovert keyboard lionism of works such as the First Concerto while still using the variation principle to celebrate virtuosity as both a composer and a pianist.
Tracklist:
4 Ballades, Op. 10:
0:00:00 I. Andante in D Minor [after the Scottish Ballad “Edward”]
0:04:14 II. Andante in D Major
0:09:59 III. Intermezzo. Allegro in B Minor
0:14:06 IV. Andante con moto in B Major
8 Klavierstücke, Op. 76 (1871 No. 1, 1878 Nos. 2 to 8):
0:21:37 I. Capriccio. Un poco agitato in F-Sharp Minor
0:25:02 II. Capriccio. Allegretto non troppo in B Minor
0:28:33 III. Intermezzo. Grazioso in A-Flat Major
0:30:37 IV. Intermezzo. Allegretto grazioso in B-Flat Major
0:33:04 V. Capriccio. Agitato, ma non troppo presto in C-Sharp Minor
0:36:05 VI. Intermezzo. Andante con moto in A Major
0:39:35 VII. Intermezzo. Moderato semplice in A Minor
0:42:23 VIII. Capriccio. Grazioso ed un poco vivace in C Major
7 Fantasien, Op. 116 (1892):
0:45:47 I. Capriccio. Presto energico in D Minor
0:48:01 II. Intermezzo. Andante in A Minor
0:51:29 III. Capriccio. Allegro passionato in G Minor
0:54:51 IV. Intermezzo. Adagio in E Major
0:59:26 V. Intermezzo. Andante con grazia ed intimissimo sentimento in E Minor
1:02:17 VI. Intermezzo. Andantino teneramente in E Major
1:05:39 VII. Capriccio. Allegro agitato in D Minor
1:07:56 Variations on an Original Theme, Op. 21 No. 1
3 Intermezzi, Op. 117 (1892):
1:23:38 I. Andante moderato in E-Flat Major
1:28:34 II. Andante non troppo e con molto espressione in B-Flat Minor
1:33:43 III. Andante con moto in C-Sharp Minor
6 Klavierstücke, Op. 118 (1893):
1:39:17 I. Intermezzo. Allegro non assai, ma molto appassionato in A Minor
1:41:16 II. Intermezzo. Andante teneramente in A Major
1:46:57 III. Ballade. Allegro energico in G Minor
1:50:26 IV. Intermezzo. Allegretto un poco agitato in F Minor
1:53:27 V. Romance. Andante—Allegretto grazioso in F Major
1:57:17 VI. Intermezzo. Andante, largo e mesto E-Flat Minor
4 Klavierstücke, Op. 119 (1893):
2:02:26 I. Intermezzo. Adagio in B Minor
2:06:22 II. Intermezzo. Andantino un poco agitato in E Minor
2:10:31 III. Intermezzo. Grazioso e giocoso in C Major
2:12:13 IV. Rhapsody. Allegro risoluto in E-Flat Major
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#Brahms #PianoPieces #ClassicalMusic #PianoMusic #VincenzoMaltempo #ClassicalPiano #PianoClassics #BrillianClassics Brahms](https://i.ytimg.com/vi/VR_ZXbbkp_8/mqdefault.jpg)




![Dandrieu: Complete Violin & Trio Sonatas, Les Trois Livres de Clavecin de Jeunesse
World-premiere recordings of chamber-music collections by an overlooked master of the French Baroque.
Composer: Jean-François Dandrieu
Artists: Rie (Kimura violin), Pieter-Jan Belder (harpsichord), Musica Amphion
💎 🎵 Purchase, stream or download (Spotify, Apple Music, Amazon, Presto): coming soon!
🎬🎮 These tracks are available for sync licensing in videos, films, TV shows, games, advertising, and more. For licensing inquiries: info@brilliantclassicslicensing.com
With two previous collections for Brilliant Classics – the Premier livre de pièces d’orgue on 2CDs and Trois Livres de Pieces de Clavecin on 4CDs – Pieter-Jan Belder has become the pre-eminent modern exponent of Jean-François Dandrieu, as reflected by the enthusiastic welcome in Fanfare for the organ volume: ‘The playing here... is simply terrific. [Belder] has completely absorbed the French Baroque idiom as a native musical tongue and speaks it with absolute fluency... For anyone who loves the organ repertoire of the French Baroque, this is an essential purchase; highly recommended.’
In this latest collection, Belder invites the listener to delve further into the output of this Parisian musician, who left behind precious few examples of his art on his death in 1739, but who won the admiration of both fellow musicians and royal patrons, most notably Louis XV. Published as Opus 1 in 1705 and Opus 2 around five years later, these collections of trio sonatas and violin sonatas represent a thorough and skilful assimilation of ‘modern’ Italian grammar – and most notably the influence of Corelli – into French gesture and style.
Opus 1 represents a remarkably mature and purposeful integration of styles: at just 23, Dandrieu confidently asserts a distinct voice by seamlessly integrating the expressive nuances of the French harpsichord school into this Italian framework. Dandrieu’s Op.2 sonatas do not merely reflect Italian influence; they actively transform it: in their formal clarity and expressive depth they embody both the elegance of Versailles and the vitality of Rome.
To complete this volume, Pieter-Jan Belder plays three books of harpsichord pieces from Dandrieu’s accomplished youth: most of them very brief dances, no more than a minute long, deftly sketching an idea for the equal enjoyment of performer and listener. Like the chamber music sets, these have never been recorded complete before, and the set as a whole advances our appreciation for Dandrieu as a major figure of the French Baroque.
Tracklist (complete tracklist can be found in the comment section):
00:00:00 Violin Sonata No. 1, Op. 2
00:05:44 Violin Sonata No. 2, Op. 2
00:10:50 Violin Sonata No. 3, Op. 2
00:17:11 Violin Sonata No. 4, Op. 2
00:22:26 Violin Sonata No. 5, Op. 2
00:28:32 Violin Sonata No. 6, Op. 2
00:36:53 Trio Sonata No. 1, Op. 1
00:46:48 Trio Sonata No. 2, Op. 1:
00:55:54 Trio Sonata No. 3, Op. 1
01:04:10 Trio Sonata No. 4, Op. 1
01:14:44 Trio Sonata No. 5, Op. 1
01:23:10 Trio Sonata No. 6, Op. 1
01:34:50 Livre de clavecin, premier livre
01:56:24 Livre de clavecin, deuxième livre
02:16:02 Livre de clavecin, troisième livre, suite No. 1
02:25:34 Livre de clavecin, troisième livre, suite No. 2
02:30:34 Suite menuet
02:31:59 Livre de clavecin, troisième livre, suite No. 3
02:40:08 Livre de clavecin, troisième livre, suite No. 4
#Dandrieu #Violin #Harpsichord #French #Composer #Baroque #Classical #Classics #BrilliantClassics #Music #Dances #Chamber Dandrieu: Complete Violin & Trio Sonatas, Les Trois Livres de Clavecin de Jeunesse](https://i.ytimg.com/vi/W6KRnG-aRBk/mqdefault.jpg)


