Uploaded April 2017 | Updated September 2026, 2 weeks ago
The Song is Ended (But the Melody Lingers On)
Words and Music by Irving Berlin
George Olsen and his Music with Vocal Chorus
Recorded November 1, 1927
Victor 21040-B
George Olsen (1893 - 1971) was a popular bandleader especially during the 1920s and 1930s. The band featured vocalist-wife Ethel Shutta and male vocalist Fran Frey. Consistent sweet style ideal for hotels. Attended University of Michigan and had a band there. In 1919 led band in Portland, by 1923 well-known on west coast. Work with entertainer Fanny Brice led to stage work for empressario Flo Ziegfeld. First big break in hit Broadway musical "Kid Boots" (1924), later in year Ziegfeld Follies of 1924. In hit musical "Sunny" (1925); 1925 hit record "Who?" from show thereafter associated with Olsen. In hit show "Good News" (1927) and "Whoopee" (1928), early sound movies "Happy Days" and "Whoopee" (1930). Between shows played New York clubs and hotels. Olsen married Ethel Shutta 1926, featured her through the years. Recorded leading show and popular tunes late 1920s and early 1930s. Many radio appearances included Jack Pearl show 1934, Tim and Irene show 1938, own show 1936 featuring wife. In 1930s on west coast. By mid-1930s popularity and recordings waned. Olsen took over Orville Knapp band 1936 shortly after Knapp's death. World War II entertained US troops. Late 1930s and 1940s band lost popularity. Olsen retired as bandleader 1951, later had restaurant in Paramous, New Jersey that featured tapes of his old records.
The Song is Ended (But the Melody Lingers On)
Words and Music by Irving Berlin
George Olsen and his Music with Vocal Chorus
Recorded November 1, 1927
Victor 21040-B
George Olsen (1893 - 1971) was a popular bandleader especially during the 1920s and 1930s. The band featured vocalist-wife Ethel Shutta and male vocalist Fran Frey. Consistent sweet style ideal for hotels. Attended University of Michigan and had a band there. In 1919 led band in Portland, by 1923 well-known on west coast. Work with entertainer Fanny Brice led to stage work for empressario Flo Ziegfeld. First big break in hit Broadway musical "Kid Boots" (1924), later in year Ziegfeld Follies of 1924. In hit musical "Sunny" (1925); 1925 hit record "Who?" from show thereafter associated with Olsen. In hit show "Good News" (1927) and "Whoopee" (1928), early sound movies "Happy Days" and "Whoopee" (1930). Between shows played New York clubs and hotels. Olsen married Ethel Shutta 1926, featured her through the years. Recorded leading show and popular tunes late 1920s and early 1930s. Many radio appearances included Jack Pearl show 1934, Tim and Irene show 1938, own show 1936 featuring wife. In 1930s on west coast. By mid-1930s popularity and recordings waned. Olsen took over Orville Knapp band 1936 shortly after Knapp's death. World War II entertained US troops. Late 1930s and 1940s band lost popularity. Olsen retired as bandleader 1951, later had restaurant in Paramous, New Jersey that featured tapes of his old records.

![Rosa Henderson - If You Dont Give me What I Want (1923)
Rosa Henderson sings:
If you Dont Give Me What I Want
Words and Music by Henry Creamer
Piano Accompaniment Fletcher Henderson (no relation)
Recorded Aug. 21, 1923
Vocalion A14652
Born in 1896, Rosa Henderson was one of the most outstanding of the many early women vaudeville-blues singers to record for the race record companies in the early Twenties. Her recording career covered the span of nine years, from the first for Victor in 1923 to the last for Columbia in 1931. During these years her name appeared on a variety of record labels including Vocalion, Paramount, Ajax and Edison. Also nearly a hundred titles appeared under her name and such pseudonyms as Josephine Thomas, Sarah Johnson and Mamie Harris. Her voice was strong, but at the same time possessed a sweet tone. The material she recorded were typical vaudeville numbers. Also many of her accompanists were of no mean status, including the complete Fletcher Henderson band, and such names as Coleman Hawkins, Charlie Green, Louis Metcalf, James P. Johnson, and countless others . Proof of her popularity with the record buying public was made clear by the number of titles released.
Fletcher Henderson (not related to Rosa) (December 18, 1897 – December 29, 1952) was an American pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music. He was one of the most prolific black musical arrangers and, along with Duke Ellington, is considered one of the most influential arrangers and bandleaders in jazz history. Hendersons influence was vast. He helped bridge the gap between the Dixieland and the swing eras. [Wikipedia] Rosa Henderson - If You Dont Give me What I Want (1923)](https://i.ytimg.com/vi/LF-mp1AJ_Kk/mqdefault.jpg)


![McKinneys Cotton Pickers - Blues Sure Have Got Me (1930)
Blues Sure Have Got Me
Words and music by Don Redman and C. Stanton
Performed by McKinneys Cotton Pickers, vocal refrain by Don Redman
Recorded July 29, 1930, Camden, NJ
Personnel: Don Redman (alto sax, arranger, vocal), George Thomas, James Dudley (alto saxes), Prince Robinson (tenor sax, clarinet), John Nesbitt, Langston Curl (trumpet), Edward Cufee (trombone), Todd Rhodes (piano), Dave Wilbourn (banjo), Ralph Escudaro (tuba), Cuba Austin (drums)
Although recorded in 1930, this was first released in 1945 as part of the McKinneys Cotton Pickers Victor Hot Jazz Series.
Don Redman was born in Piedmont, West Virginia, July 29, 1900. At a very early age he played trumpet in a street band then advanced to the piano and then to arranging. At Storer College in his home state, he studied music theory, harmony and composition while learning various instruments in the jazz orchestra. In 1925, Redman joined the Fletcher Henderson band as an alto saxophonist and arranger. In 1927 he joined up with McKinneys along with a few other members of Hendersons band. The McKinneys Cotton Pickers toured across the midwest to the East playing at Roseland in New York and the Graystone Ballroom in Detroit. McKinneys has been described as a musicians band, not because it lacked a broad public but because its discoveries, like those of Ellington, were a source of inspiration and education, to jazzmen.
[Reference: The Hot Jazz of McKinneys Cotton Pickers by Charles Edward Smith] McKinneys Cotton Pickers - Blues Sure Have Got Me (1930)](https://i.ytimg.com/vi/LpXlcQtvFTI/mqdefault.jpg)





