Uploaded April 2013 | Updated September 2026, 2 weeks ago
That's A Plenty
Music by Lew Pollack, words by Ray Gilbert
Performed by Earl Hines and His Orchestra
Recorded September 12, 1934
Decca 182
Composer, Lew Pollack, wrote "That's A-Plenty" in 1914 as a ragtime one-step dance number. It was first recorded by Prince's Military Band in 1914 in a ragtime style. In 1923, the New Orleans Rhythm Kings adapted it to a more Dixieland style and it has since been a standard and favorite among jazz and Dixieland musicians. In the 1950's Jackie Gleason used this music on his TV show as his "Away We Go!" theme.
Earl Kenneth Hines, universally known as Earl "Fatha" Hines, (1903-1983) was a trailblazing jazz pianist, bandleader with a lengthy career. His "trumpet" piano style was inspired by Louis Armstrong. His unorthodox rhythmic patterns with left hand ushered in swing piano and influenced almost every pianist. He led bands most of his career starting in Pittsburgh about 1918. He accompanied singer Lois Deppe in 1922 at the Liederhaus. Led band in Pittsburgh and Chicago and played solo, toured theatres in the mid 1920s. Performed with Louis Armstrong (1927), Jimmie Noone (1928) and led a big band at Chicago's Grand Terrace, which was his main base for 10 years. He recorded with his big band and freelanced with other jazz greats through the 1930s. In the 1940s, Billy Eckstine joined the band as featured vocalist. The band also featured jazz greats such as Dizzy Gillespie, Charlie Parker and Benny Green. In 1948 he joined Louis Armstrong All-Stars, but in 1951 formed his own group and performed for a long run at the Hangover Club in San Francisco. In 1957 he toured Europe with Jack Teagarden. He continued performing into the 1960s and 1970s and occasionally appeared on television.
That's A Plenty
Music by Lew Pollack, words by Ray Gilbert
Performed by Earl Hines and His Orchestra
Recorded September 12, 1934
Decca 182
Composer, Lew Pollack, wrote "That's A-Plenty" in 1914 as a ragtime one-step dance number. It was first recorded by Prince's Military Band in 1914 in a ragtime style. In 1923, the New Orleans Rhythm Kings adapted it to a more Dixieland style and it has since been a standard and favorite among jazz and Dixieland musicians. In the 1950's Jackie Gleason used this music on his TV show as his "Away We Go!" theme.
Earl Kenneth Hines, universally known as Earl "Fatha" Hines, (1903-1983) was a trailblazing jazz pianist, bandleader with a lengthy career. His "trumpet" piano style was inspired by Louis Armstrong. His unorthodox rhythmic patterns with left hand ushered in swing piano and influenced almost every pianist. He led bands most of his career starting in Pittsburgh about 1918. He accompanied singer Lois Deppe in 1922 at the Liederhaus. Led band in Pittsburgh and Chicago and played solo, toured theatres in the mid 1920s. Performed with Louis Armstrong (1927), Jimmie Noone (1928) and led a big band at Chicago's Grand Terrace, which was his main base for 10 years. He recorded with his big band and freelanced with other jazz greats through the 1930s. In the 1940s, Billy Eckstine joined the band as featured vocalist. The band also featured jazz greats such as Dizzy Gillespie, Charlie Parker and Benny Green. In 1948 he joined Louis Armstrong All-Stars, but in 1951 formed his own group and performed for a long run at the Hangover Club in San Francisco. In 1957 he toured Europe with Jack Teagarden. He continued performing into the 1960s and 1970s and occasionally appeared on television.
![Rosa Henderson - If You Dont Give me What I Want (1923)
Rosa Henderson sings:
If you Dont Give Me What I Want
Words and Music by Henry Creamer
Piano Accompaniment Fletcher Henderson (no relation)
Recorded Aug. 21, 1923
Vocalion A14652
Born in 1896, Rosa Henderson was one of the most outstanding of the many early women vaudeville-blues singers to record for the race record companies in the early Twenties. Her recording career covered the span of nine years, from the first for Victor in 1923 to the last for Columbia in 1931. During these years her name appeared on a variety of record labels including Vocalion, Paramount, Ajax and Edison. Also nearly a hundred titles appeared under her name and such pseudonyms as Josephine Thomas, Sarah Johnson and Mamie Harris. Her voice was strong, but at the same time possessed a sweet tone. The material she recorded were typical vaudeville numbers. Also many of her accompanists were of no mean status, including the complete Fletcher Henderson band, and such names as Coleman Hawkins, Charlie Green, Louis Metcalf, James P. Johnson, and countless others . Proof of her popularity with the record buying public was made clear by the number of titles released.
Fletcher Henderson (not related to Rosa) (December 18, 1897 – December 29, 1952) was an American pianist, bandleader, arranger and composer, important in the development of big band jazz and swing music. He was one of the most prolific black musical arrangers and, along with Duke Ellington, is considered one of the most influential arrangers and bandleaders in jazz history. Hendersons influence was vast. He helped bridge the gap between the Dixieland and the swing eras. [Wikipedia] Rosa Henderson - If You Dont Give me What I Want (1923)](https://i.ytimg.com/vi/LF-mp1AJ_Kk/mqdefault.jpg)


![McKinneys Cotton Pickers - Blues Sure Have Got Me (1930)
Blues Sure Have Got Me
Words and music by Don Redman and C. Stanton
Performed by McKinneys Cotton Pickers, vocal refrain by Don Redman
Recorded July 29, 1930, Camden, NJ
Personnel: Don Redman (alto sax, arranger, vocal), George Thomas, James Dudley (alto saxes), Prince Robinson (tenor sax, clarinet), John Nesbitt, Langston Curl (trumpet), Edward Cufee (trombone), Todd Rhodes (piano), Dave Wilbourn (banjo), Ralph Escudaro (tuba), Cuba Austin (drums)
Although recorded in 1930, this was first released in 1945 as part of the McKinneys Cotton Pickers Victor Hot Jazz Series.
Don Redman was born in Piedmont, West Virginia, July 29, 1900. At a very early age he played trumpet in a street band then advanced to the piano and then to arranging. At Storer College in his home state, he studied music theory, harmony and composition while learning various instruments in the jazz orchestra. In 1925, Redman joined the Fletcher Henderson band as an alto saxophonist and arranger. In 1927 he joined up with McKinneys along with a few other members of Hendersons band. The McKinneys Cotton Pickers toured across the midwest to the East playing at Roseland in New York and the Graystone Ballroom in Detroit. McKinneys has been described as a musicians band, not because it lacked a broad public but because its discoveries, like those of Ellington, were a source of inspiration and education, to jazzmen.
[Reference: The Hot Jazz of McKinneys Cotton Pickers by Charles Edward Smith] McKinneys Cotton Pickers - Blues Sure Have Got Me (1930)](https://i.ytimg.com/vi/LpXlcQtvFTI/mqdefault.jpg)






