Uploaded September 2024 | Updated September 2026, 2 hours ago
What was the first transistor radio made by Magnavox? If you guessed this one, you'd be right! See, that was easy.
It's the six-transistor Magnavox AM-2 and it is from 1956, or maybe even as early as 1955. In what we call a horizontal coat-pocket configuration, this is a good looking radio. We're going to look at two of these today--this red one which is a little bit later in the production run of this model, and this white one, which is one of the earliest ones produced. You'll notice some differences between the two in the tuning knob and, at the bottom of the front, the way the Magnavox name is applied. Also, on the earlier model, the words "All Transistor" appear on a separate metal plate.
Magnavox has a long history, going back to the Commercial Wireless and Development Company founded in 1911 in Napa, California. Napa Valley you may know from the wines made there. Anyway, the founders sobered up enough to move to San Francisco a little while later, then settled in nearby Oakland in 1916. They found success with their invention of a kind of moving-coil loudspeaker which I think you can best describe today as a kind of an earphone with a horn attached to it. The horn acoustically amplifies the sound. Before such horns, all radio listening was done with headphones. So since Commerical Wireless and Development was in the business of making things louder, they decided to change their name to "Big Voice." Which would have been a pretty crummy name if they hadn't had the good sense to translate it to Latin, where "big voice" comes out Magna-Vox. Magnavox.
Like the Regency TR-1 and most of the rest of the first American transistor radios, this one has no vents on the back. I don't know why they didn't think they needed them. Or why they soon thereafter decided they DID need them on later models.
Opening it up, we see the label--on which is illustrated a diagram of the parts layout. There's mention there of the Civil Defense frequencies, and a list of suitable 4-volt batteries to power the set. Then we get a list of things not to do, like setting your radio on top of a heater. And, it says here that the Magavox Company is now in Fort Wayne, Indiana.
Magnavox covers the chassis with a piece of fiber board inside the back. And here's another difference between the early and later models. You can see on the earlier one that this chassis covering is plastic rather than fiber board.
We are reminded how new the printed circuit was in electronics at the time. We are reminded of that because... there isn't one. This radio is wired, probably by hand, the old-fashioned way, called "point-to-point wiring." No printed circuit board. Only the earliest transistor radios were made this way, and not many of those. For example the first Zenith pocket transistor Royal 500 had point-to-point wiring, but by the following year the newer version of the Royal 500 had a printed circuit board. And indeed this AM-2 model from Magnavox was followed by an almost identical looking AM-5 model which had a printed circuit board.
Here's an ad for the Magnavox AM-2. You'll notice that the illustration of the radio in the ad shows the earliest version. This ad appeared in Holiday Magazine in July of 1956 and would be the first, or at least one of the first generation of ads introducing this first for Magnavox, a transistor radio. The same early-version AM-2 is shown on the owner's manual. I'll give you some quiet for a moment to let you look over both sides of this owner's manual in peace.
I'm sure there are also some circuitry differences between the earlier and later versions of this radio. But you know, I think that can probably be said for any and all transistor radio models ever produced.
And here's the nice leather case that came with the AM-2. It's full grain saddle leather. But since it's a 70 old piece of leather at this point, I'm not going to go bending it around. It has a nice soft finish on the inside and doesn't scratch the radio, much. In the bottom of this case is another compartment for an earphone and maybe an extra battery. What will they think of next? Well, I'm thinking this might just pull right off of here if I try and open it so, no. We will just leave what's in here, if anything, to our imaginations.
And what is this? It's the Sentinel IE500 and it is a rare one. Sentinel was an old radio manufacturer out of Evanston, Illinois, near Chicago. Their main business was making radios for other private label brands. Today, I think, we would call Sentinel an OEM. I suppose it is an irony that this transistor radio--their only transistor radio--would be made not BY them for someone else, but FOR them, by Magnavox. It is essentially a Magnavox AM-2 that is branded "Sentinel." Who made what is an assumption we are making here, based on who survived. It's conceivable that it was Sentinel who made both Sentinel and Magnavox transistor radios. But we assume Magnavox was the maker because Magnavox acquired Sentinel...
What was the first transistor radio made by Magnavox? If you guessed this one, you'd be right! See, that was easy.
It's the six-transistor Magnavox AM-2 and it is from 1956, or maybe even as early as 1955. In what we call a horizontal coat-pocket configuration, this is a good looking radio. We're going to look at two of these today--this red one which is a little bit later in the production run of this model, and this white one, which is one of the earliest ones produced. You'll notice some differences between the two in the tuning knob and, at the bottom of the front, the way the Magnavox name is applied. Also, on the earlier model, the words "All Transistor" appear on a separate metal plate.
Magnavox has a long history, going back to the Commercial Wireless and Development Company founded in 1911 in Napa, California. Napa Valley you may know from the wines made there. Anyway, the founders sobered up enough to move to San Francisco a little while later, then settled in nearby Oakland in 1916. They found success with their invention of a kind of moving-coil loudspeaker which I think you can best describe today as a kind of an earphone with a horn attached to it. The horn acoustically amplifies the sound. Before such horns, all radio listening was done with headphones. So since Commerical Wireless and Development was in the business of making things louder, they decided to change their name to "Big Voice." Which would have been a pretty crummy name if they hadn't had the good sense to translate it to Latin, where "big voice" comes out Magna-Vox. Magnavox.
Like the Regency TR-1 and most of the rest of the first American transistor radios, this one has no vents on the back. I don't know why they didn't think they needed them. Or why they soon thereafter decided they DID need them on later models.
Opening it up, we see the label--on which is illustrated a diagram of the parts layout. There's mention there of the Civil Defense frequencies, and a list of suitable 4-volt batteries to power the set. Then we get a list of things not to do, like setting your radio on top of a heater. And, it says here that the Magavox Company is now in Fort Wayne, Indiana.
Magnavox covers the chassis with a piece of fiber board inside the back. And here's another difference between the early and later models. You can see on the earlier one that this chassis covering is plastic rather than fiber board.
We are reminded how new the printed circuit was in electronics at the time. We are reminded of that because... there isn't one. This radio is wired, probably by hand, the old-fashioned way, called "point-to-point wiring." No printed circuit board. Only the earliest transistor radios were made this way, and not many of those. For example the first Zenith pocket transistor Royal 500 had point-to-point wiring, but by the following year the newer version of the Royal 500 had a printed circuit board. And indeed this AM-2 model from Magnavox was followed by an almost identical looking AM-5 model which had a printed circuit board.
Here's an ad for the Magnavox AM-2. You'll notice that the illustration of the radio in the ad shows the earliest version. This ad appeared in Holiday Magazine in July of 1956 and would be the first, or at least one of the first generation of ads introducing this first for Magnavox, a transistor radio. The same early-version AM-2 is shown on the owner's manual. I'll give you some quiet for a moment to let you look over both sides of this owner's manual in peace.
I'm sure there are also some circuitry differences between the earlier and later versions of this radio. But you know, I think that can probably be said for any and all transistor radio models ever produced.
And here's the nice leather case that came with the AM-2. It's full grain saddle leather. But since it's a 70 old piece of leather at this point, I'm not going to go bending it around. It has a nice soft finish on the inside and doesn't scratch the radio, much. In the bottom of this case is another compartment for an earphone and maybe an extra battery. What will they think of next? Well, I'm thinking this might just pull right off of here if I try and open it so, no. We will just leave what's in here, if anything, to our imaginations.
And what is this? It's the Sentinel IE500 and it is a rare one. Sentinel was an old radio manufacturer out of Evanston, Illinois, near Chicago. Their main business was making radios for other private label brands. Today, I think, we would call Sentinel an OEM. I suppose it is an irony that this transistor radio--their only transistor radio--would be made not BY them for someone else, but FOR them, by Magnavox. It is essentially a Magnavox AM-2 that is branded "Sentinel." Who made what is an assumption we are making here, based on who survived. It's conceivable that it was Sentinel who made both Sentinel and Magnavox transistor radios. But we assume Magnavox was the maker because Magnavox acquired Sentinel...






![11 Vintage Microphones and How They Sound - POWER - RCA 77-DX 44-BX Astatic Shure EV toy guns Mattel
Among the things I collect are microphones. What youre hearing right now is THIS microphone, the one Ive been using for awhile now to record my videos narrations. Today were going to look at and hear other vintage microphones and hear how different they sound.
This one Ive been using is the RCA 77-DX and it was made in the United States beginning in 1954. The similar 77-D model was introduced in 1948. These are called pill mikes, as I understand it, because they look like large medicine capsules, or pills. This is a ribbon microphone. Later in the video, well look inside one of these and see what ribbon means and how this microphone works. The audio youre hearing at this moment was recorded separately from the video youre seeing (at this moment). Otherwise, wed just be hearing handling noises. But you ARE hearing the same microphone you are seeing here, the 77-DX. And thats going to be true of all the mikes were looking at today. Heres an acoustic guitar.. just to give a quick example of how this mike records something other than voice. [guitar chord]
This is the microphone youre hearing now, and its pretty tinny-sounding, Ill bet. This is an Astatic N-30 crystal microphone. I started collecting microphones back when I was a kid. And this was one of the first I found. Mikes like this youd find in a thrift stores or junk shops for a dollar or so. Theyd be cast-offs from cheap public address systems, or from Shortwave or CB radio operators who had upgraded their gear. Dispatchers would use these kinds of mikes. Or youd see them used in a store for announcements blue light specials and clean up on aisle 4 and all that. The frequency range of this mike is quite limited as its designed mainly for voice, not really for any kind of music recording. Crystal microphones are perhaps the cheapest category of microphones. Lets hear how this one sounds. [guitar chord] Well, its a thin sound, but quite crisp.
And heres a mike with a similar story to the one we just looked at. But this one has no name, and no room for a nameplate. I think its a crystal mike, and American made but I cant say for sure. [guitar chord]
I started recording my own music when I was 14 and put out a record when I was 15, in 1969. There was no way I could afford professional microphones, so I used the mikes I had, like this one, and this one. These are indeed my original microphones from those days. My best mike then was this Elecro-Voice 664, but it was still only a public address mike made primarily for public speaking, not music recording. Well hear that one later. So with nothing but cheap mikes, I hit upon the idea of making records that were deliberately tinny and sounded old-fashioned. I just embraced what I had to work with. AND,..there had been a recent hit record at the time, in 1967, Winchester Cathedral, that had an old-fashioned 1930s kind of sound too. So that validated for me that what I was doing was an OK thing to do. Heres a snippet of.. my first record. And heres another, even tinnier recording from 1969, made using my cheap mikes. Now if this sounds to you like a really stupid idea, making old-timey records in the 1960s, let me point out that the 1967 Grammy Award for Best Rock & Roll Recording went that year.. not to runners up Good Vibrations by the Beach Boys, or Cherish by the Association, or Last Train To Clarksville by the Monkees. No. The winner for Best Rock & Roll Recording that year was... this... ...Winchester Cathedral.
Now heres that Electro-Voice 664. This mike was the standard public address microphone in that era. Schools had them, churches had them. They were everywhere. It was said of them that you could drive nails with one if you had misplaced your hammer. The ones I managed to get ahold of were used, of course, and they looked like someone had tested out that hammer theory. They dont look so bad now. I swear they must have healed somehow over the years. Though still basically a public address microphone, this ones frequency response was much better than my cheapie microphones, with the suggestion that they would be better for music. As to the actual sound of it, well... [guitar chord] The design of this mike is said to have been based on Electro-Voices professional model 666. So lets hear what that one sounds like.
[guitar chord] OK, that.. and this narration..is the Electro-Voice 666. This example was cast off from KNX Radio in Los Angeles, the CBS affiliate. They really marked their property. I got this one from a swap meet held at a radio club meeting. It should sound better than the 664, but these sound tests are not going to give a full picture of any mikes potential, by the way. What youre hearing is going to tell you what this particular mike sounds...
RCA 77-DX
Astatic N-30
Unknown, crystal?
Electro-Voice 664
Electro-Voice 666
Shure 330
Shure 55C (Shure 55SH)
Lafayette studio crystal
Astatic 600S Conneaut
Shure ball mike 565SD
RCA 44-BX 11 Vintage Microphones and How They Sound - POWER - RCA 77-DX 44-BX Astatic Shure EV toy guns Mattel](https://i.ytimg.com/vi/FBvCBbqyzQI/mqdefault.jpg)



