Uploaded December 2025 | Updated September 2026, 5 hours ago
Dive into the history of the Truetone "Super Six"—an iconic vintage transistor radio that looks remarkably similar to the Trav-Ler Super Six Power-Mite! See excellent examples in black and in red! Get a look behind the scenes at who manufactured this model for Western Auto, and learn how it was sold alongside Western Auto's famous Western Flyer bikes. This Made in USA radio is a primitive and delightful piece of 1950s/60s electronics history. We look at the radio's Genuine Fake Leather "leatherette" case, the use of the Wizard battery brand, and compare Trav-Ler to the Studebaker brand in the automotive world. Plus, we take a short side trip into the world of stylish Studebaker cars with some vintage ad commercial footage complete with original announcer. Discover the rare versions of this Truetone radio made for Sonora and even CBS! Don't miss 2 must-Watch Related Videos on this channel:
Trav-Ler Super Six Power-Mite Radio, and our
Western Auto video for a Virtual Tour of the Western Auto Catalog.
#Truetone #TransistorRadio #WesternAuto #VintageRadio #TravLer #MadeInUSA #MadeInUSA**
Dive into the history of the Truetone "Super Six"—an iconic vintage transistor radio that looks remarkably similar to the Trav-Ler Super Six Power-Mite! See excellent examples in black and in red! Get a look behind the scenes at who manufactured this model for Western Auto, and learn how it was sold alongside Western Auto's famous Western Flyer bikes. This Made in USA radio is a primitive and delightful piece of 1950s/60s electronics history. We look at the radio's Genuine Fake Leather "leatherette" case, the use of the Wizard battery brand, and compare Trav-Ler to the Studebaker brand in the automotive world. Plus, we take a short side trip into the world of stylish Studebaker cars with some vintage ad commercial footage complete with original announcer. Discover the rare versions of this Truetone radio made for Sonora and even CBS! Don't miss 2 must-Watch Related Videos on this channel:
Trav-Ler Super Six Power-Mite Radio, and our
Western Auto video for a Virtual Tour of the Western Auto Catalog.
#Truetone #TransistorRadio #WesternAuto #VintageRadio #TravLer #MadeInUSA #MadeInUSA**




![11 Vintage Microphones and How They Sound - POWER - RCA 77-DX 44-BX Astatic Shure EV toy guns Mattel
Among the things I collect are microphones. What youre hearing right now is THIS microphone, the one Ive been using for awhile now to record my videos narrations. Today were going to look at and hear other vintage microphones and hear how different they sound.
This one Ive been using is the RCA 77-DX and it was made in the United States beginning in 1954. The similar 77-D model was introduced in 1948. These are called pill mikes, as I understand it, because they look like large medicine capsules, or pills. This is a ribbon microphone. Later in the video, well look inside one of these and see what ribbon means and how this microphone works. The audio youre hearing at this moment was recorded separately from the video youre seeing (at this moment). Otherwise, wed just be hearing handling noises. But you ARE hearing the same microphone you are seeing here, the 77-DX. And thats going to be true of all the mikes were looking at today. Heres an acoustic guitar.. just to give a quick example of how this mike records something other than voice. [guitar chord]
This is the microphone youre hearing now, and its pretty tinny-sounding, Ill bet. This is an Astatic N-30 crystal microphone. I started collecting microphones back when I was a kid. And this was one of the first I found. Mikes like this youd find in a thrift stores or junk shops for a dollar or so. Theyd be cast-offs from cheap public address systems, or from Shortwave or CB radio operators who had upgraded their gear. Dispatchers would use these kinds of mikes. Or youd see them used in a store for announcements blue light specials and clean up on aisle 4 and all that. The frequency range of this mike is quite limited as its designed mainly for voice, not really for any kind of music recording. Crystal microphones are perhaps the cheapest category of microphones. Lets hear how this one sounds. [guitar chord] Well, its a thin sound, but quite crisp.
And heres a mike with a similar story to the one we just looked at. But this one has no name, and no room for a nameplate. I think its a crystal mike, and American made but I cant say for sure. [guitar chord]
I started recording my own music when I was 14 and put out a record when I was 15, in 1969. There was no way I could afford professional microphones, so I used the mikes I had, like this one, and this one. These are indeed my original microphones from those days. My best mike then was this Elecro-Voice 664, but it was still only a public address mike made primarily for public speaking, not music recording. Well hear that one later. So with nothing but cheap mikes, I hit upon the idea of making records that were deliberately tinny and sounded old-fashioned. I just embraced what I had to work with. AND,..there had been a recent hit record at the time, in 1967, Winchester Cathedral, that had an old-fashioned 1930s kind of sound too. So that validated for me that what I was doing was an OK thing to do. Heres a snippet of.. my first record. And heres another, even tinnier recording from 1969, made using my cheap mikes. Now if this sounds to you like a really stupid idea, making old-timey records in the 1960s, let me point out that the 1967 Grammy Award for Best Rock & Roll Recording went that year.. not to runners up Good Vibrations by the Beach Boys, or Cherish by the Association, or Last Train To Clarksville by the Monkees. No. The winner for Best Rock & Roll Recording that year was... this... ...Winchester Cathedral.
Now heres that Electro-Voice 664. This mike was the standard public address microphone in that era. Schools had them, churches had them. They were everywhere. It was said of them that you could drive nails with one if you had misplaced your hammer. The ones I managed to get ahold of were used, of course, and they looked like someone had tested out that hammer theory. They dont look so bad now. I swear they must have healed somehow over the years. Though still basically a public address microphone, this ones frequency response was much better than my cheapie microphones, with the suggestion that they would be better for music. As to the actual sound of it, well... [guitar chord] The design of this mike is said to have been based on Electro-Voices professional model 666. So lets hear what that one sounds like.
[guitar chord] OK, that.. and this narration..is the Electro-Voice 666. This example was cast off from KNX Radio in Los Angeles, the CBS affiliate. They really marked their property. I got this one from a swap meet held at a radio club meeting. It should sound better than the 664, but these sound tests are not going to give a full picture of any mikes potential, by the way. What youre hearing is going to tell you what this particular mike sounds...
RCA 77-DX
Astatic N-30
Unknown, crystal?
Electro-Voice 664
Electro-Voice 666
Shure 330
Shure 55C (Shure 55SH)
Lafayette studio crystal
Astatic 600S Conneaut
Shure ball mike 565SD
RCA 44-BX 11 Vintage Microphones and How They Sound - POWER - RCA 77-DX 44-BX Astatic Shure EV toy guns Mattel](https://i.ytimg.com/vi/FBvCBbqyzQI/mqdefault.jpg)





