Uploaded January 2024 | Updated September 2026, 5 hours ago
This radio smells. Yes, it literally smells. It smells like the dashboard of a 1956 Chrysler. Or Craftsman tools. I don't suppose you have a '56 Chrysler but if you have any of those tools you might know what I mean. It's the kind of plastic used in the handles. Now if you just have those tools out in the garage you may not notice but if you have them tucked away in a tool box, you'll notice it when you open that toolbox. Like, what happened in here?! I gotta clean that up. But no one lost their lunch in there--it's just the plastic.
This is a crazy design with these concentric rectangles made of the.. suspected plastic. There are badges in the middle of them, and a fancy nameplate made of underpainted plastic over on the right side. On the bottom it says "Transistor 900." Looking over on the back, it says, "Du Mont Transistor 900 Perma-Life Pocket Radio." And on the bottom, Du Mont Television and Radio Corporation, Jersey City, New Jersey, USA. Now who else was in Jersey City, New Jersey, USA... Emerson. And that's who made this radio for Du Mont. That's why this looks SO much like the Emerson 911 Eldorado. Now, presumably Du Mont knew how to make radios but they let Emerson make this one. Well, the story is that in 1958 DuMont sold its TV manufacturing division to Emerson, according to Wikipedia which talks about televisions but as of this date makes no mention of DuMont radios. We can safely guess that Emerson bought the radio division too and continued using the DuMont name on radios and TVs as long as the DuMont name meant anything to anyone. In the Emerson line, DuMont was positioned as a deluxe brand--more "high end" than the regular Emerson products. And that accounts for the ornate decoration on this and other DuMont radios and TVs. What's going on here is exactly the same as what you see today in a so-called "luxury" hotel, or the homes of the nouveau riche-- gold claptrap all over the place, chandeliers in the bathroom and all that. Even if we don't see the pretentiousness of it at the fancy new hotel, we can see it here clearly enough, as with age the ostentation's tackiness becomes more obvious. And.. funny.
Another of DuMont's tendancies along these lines was its fondness for putting doors on their TVs-- because of course no high-class family would have a blank TV screen visible when it wasn't in use. You closed the doors and hid that screen. Against the decline of civilization you've got to put your foot down somewhere. Or next you'll be leaving your toaster out on the kitchen counter all day.
I came across this 1964 ad and was surprised to learn there were still DuMont television sets being made that late. You can see on the color TV pictured here.. and on the adverisement that surrounds it, they were still working that luxury angle in their marketing, and providing full employment to a wood-working department tasked with reducing the number of straight lines on their TV cabinets... The TV has a sliding door to cover the screen, thank goodness. This ad shows their corporate address now in New York City. Fifth Avenue. Of course.
As I once talked about in a video on Arvin, it's fun to pick up little clues about these radios from small details. Normally whenever we see some words molded into the back of a radio, they do not have a box around them. In that Arvin video we saw the words "Made in U.S.A." on the back, but when the cabinet molds were adapted to produce the radio elsewhere, they had to block out the old information and add the new. They cut "Made in U.S.A." right out of the mold and inserted the words "Hong Kong" in a new section, resulting in the impression of a 'box' around the words. So... why would we see a box around Emerson's name and location on the back of this radio? Was this cabinet used by somebody else first? Did this radio perhaps first appear as the DuMont? Well, the words on the Du Mont's back ALSO have the box around them. So I think we can conclude one of two things, first that there is a mystery radio out there--that is the original and is of unfathomable beauty and rarity--or the much more mundane conclusion is that Emerson designed and produced their Eldorado radio and the Du Mont radio at the same time and so produced the original mold without these words being "built-in" at all, but a blank space left in the mold to be filled in appropriately.
The Du Mont 900. There's a real verve to its ostentation.. that, as a collector, I have to admire. It's an audacious design, wildly pretentious, and it makes me.. laugh. This,... though it too makes me laugh, has a certain sad quality to it. Maybe it's the fussiness of it all. Or maybe I'm just jealous. Maybe I realize that the closest I'm ever going to come to living the lifestyle of the rich and famous is.. owning.. this DuMont radio. And it smells.
This radio smells. Yes, it literally smells. It smells like the dashboard of a 1956 Chrysler. Or Craftsman tools. I don't suppose you have a '56 Chrysler but if you have any of those tools you might know what I mean. It's the kind of plastic used in the handles. Now if you just have those tools out in the garage you may not notice but if you have them tucked away in a tool box, you'll notice it when you open that toolbox. Like, what happened in here?! I gotta clean that up. But no one lost their lunch in there--it's just the plastic.
This is a crazy design with these concentric rectangles made of the.. suspected plastic. There are badges in the middle of them, and a fancy nameplate made of underpainted plastic over on the right side. On the bottom it says "Transistor 900." Looking over on the back, it says, "Du Mont Transistor 900 Perma-Life Pocket Radio." And on the bottom, Du Mont Television and Radio Corporation, Jersey City, New Jersey, USA. Now who else was in Jersey City, New Jersey, USA... Emerson. And that's who made this radio for Du Mont. That's why this looks SO much like the Emerson 911 Eldorado. Now, presumably Du Mont knew how to make radios but they let Emerson make this one. Well, the story is that in 1958 DuMont sold its TV manufacturing division to Emerson, according to Wikipedia which talks about televisions but as of this date makes no mention of DuMont radios. We can safely guess that Emerson bought the radio division too and continued using the DuMont name on radios and TVs as long as the DuMont name meant anything to anyone. In the Emerson line, DuMont was positioned as a deluxe brand--more "high end" than the regular Emerson products. And that accounts for the ornate decoration on this and other DuMont radios and TVs. What's going on here is exactly the same as what you see today in a so-called "luxury" hotel, or the homes of the nouveau riche-- gold claptrap all over the place, chandeliers in the bathroom and all that. Even if we don't see the pretentiousness of it at the fancy new hotel, we can see it here clearly enough, as with age the ostentation's tackiness becomes more obvious. And.. funny.
Another of DuMont's tendancies along these lines was its fondness for putting doors on their TVs-- because of course no high-class family would have a blank TV screen visible when it wasn't in use. You closed the doors and hid that screen. Against the decline of civilization you've got to put your foot down somewhere. Or next you'll be leaving your toaster out on the kitchen counter all day.
I came across this 1964 ad and was surprised to learn there were still DuMont television sets being made that late. You can see on the color TV pictured here.. and on the adverisement that surrounds it, they were still working that luxury angle in their marketing, and providing full employment to a wood-working department tasked with reducing the number of straight lines on their TV cabinets... The TV has a sliding door to cover the screen, thank goodness. This ad shows their corporate address now in New York City. Fifth Avenue. Of course.
As I once talked about in a video on Arvin, it's fun to pick up little clues about these radios from small details. Normally whenever we see some words molded into the back of a radio, they do not have a box around them. In that Arvin video we saw the words "Made in U.S.A." on the back, but when the cabinet molds were adapted to produce the radio elsewhere, they had to block out the old information and add the new. They cut "Made in U.S.A." right out of the mold and inserted the words "Hong Kong" in a new section, resulting in the impression of a 'box' around the words. So... why would we see a box around Emerson's name and location on the back of this radio? Was this cabinet used by somebody else first? Did this radio perhaps first appear as the DuMont? Well, the words on the Du Mont's back ALSO have the box around them. So I think we can conclude one of two things, first that there is a mystery radio out there--that is the original and is of unfathomable beauty and rarity--or the much more mundane conclusion is that Emerson designed and produced their Eldorado radio and the Du Mont radio at the same time and so produced the original mold without these words being "built-in" at all, but a blank space left in the mold to be filled in appropriately.
The Du Mont 900. There's a real verve to its ostentation.. that, as a collector, I have to admire. It's an audacious design, wildly pretentious, and it makes me.. laugh. This,... though it too makes me laugh, has a certain sad quality to it. Maybe it's the fussiness of it all. Or maybe I'm just jealous. Maybe I realize that the closest I'm ever going to come to living the lifestyle of the rich and famous is.. owning.. this DuMont radio. And it smells.





![11 Vintage Microphones and How They Sound - POWER - RCA 77-DX 44-BX Astatic Shure EV toy guns Mattel
Among the things I collect are microphones. What youre hearing right now is THIS microphone, the one Ive been using for awhile now to record my videos narrations. Today were going to look at and hear other vintage microphones and hear how different they sound.
This one Ive been using is the RCA 77-DX and it was made in the United States beginning in 1954. The similar 77-D model was introduced in 1948. These are called pill mikes, as I understand it, because they look like large medicine capsules, or pills. This is a ribbon microphone. Later in the video, well look inside one of these and see what ribbon means and how this microphone works. The audio youre hearing at this moment was recorded separately from the video youre seeing (at this moment). Otherwise, wed just be hearing handling noises. But you ARE hearing the same microphone you are seeing here, the 77-DX. And thats going to be true of all the mikes were looking at today. Heres an acoustic guitar.. just to give a quick example of how this mike records something other than voice. [guitar chord]
This is the microphone youre hearing now, and its pretty tinny-sounding, Ill bet. This is an Astatic N-30 crystal microphone. I started collecting microphones back when I was a kid. And this was one of the first I found. Mikes like this youd find in a thrift stores or junk shops for a dollar or so. Theyd be cast-offs from cheap public address systems, or from Shortwave or CB radio operators who had upgraded their gear. Dispatchers would use these kinds of mikes. Or youd see them used in a store for announcements blue light specials and clean up on aisle 4 and all that. The frequency range of this mike is quite limited as its designed mainly for voice, not really for any kind of music recording. Crystal microphones are perhaps the cheapest category of microphones. Lets hear how this one sounds. [guitar chord] Well, its a thin sound, but quite crisp.
And heres a mike with a similar story to the one we just looked at. But this one has no name, and no room for a nameplate. I think its a crystal mike, and American made but I cant say for sure. [guitar chord]
I started recording my own music when I was 14 and put out a record when I was 15, in 1969. There was no way I could afford professional microphones, so I used the mikes I had, like this one, and this one. These are indeed my original microphones from those days. My best mike then was this Elecro-Voice 664, but it was still only a public address mike made primarily for public speaking, not music recording. Well hear that one later. So with nothing but cheap mikes, I hit upon the idea of making records that were deliberately tinny and sounded old-fashioned. I just embraced what I had to work with. AND,..there had been a recent hit record at the time, in 1967, Winchester Cathedral, that had an old-fashioned 1930s kind of sound too. So that validated for me that what I was doing was an OK thing to do. Heres a snippet of.. my first record. And heres another, even tinnier recording from 1969, made using my cheap mikes. Now if this sounds to you like a really stupid idea, making old-timey records in the 1960s, let me point out that the 1967 Grammy Award for Best Rock & Roll Recording went that year.. not to runners up Good Vibrations by the Beach Boys, or Cherish by the Association, or Last Train To Clarksville by the Monkees. No. The winner for Best Rock & Roll Recording that year was... this... ...Winchester Cathedral.
Now heres that Electro-Voice 664. This mike was the standard public address microphone in that era. Schools had them, churches had them. They were everywhere. It was said of them that you could drive nails with one if you had misplaced your hammer. The ones I managed to get ahold of were used, of course, and they looked like someone had tested out that hammer theory. They dont look so bad now. I swear they must have healed somehow over the years. Though still basically a public address microphone, this ones frequency response was much better than my cheapie microphones, with the suggestion that they would be better for music. As to the actual sound of it, well... [guitar chord] The design of this mike is said to have been based on Electro-Voices professional model 666. So lets hear what that one sounds like.
[guitar chord] OK, that.. and this narration..is the Electro-Voice 666. This example was cast off from KNX Radio in Los Angeles, the CBS affiliate. They really marked their property. I got this one from a swap meet held at a radio club meeting. It should sound better than the 664, but these sound tests are not going to give a full picture of any mikes potential, by the way. What youre hearing is going to tell you what this particular mike sounds...
RCA 77-DX
Astatic N-30
Unknown, crystal?
Electro-Voice 664
Electro-Voice 666
Shure 330
Shure 55C (Shure 55SH)
Lafayette studio crystal
Astatic 600S Conneaut
Shure ball mike 565SD
RCA 44-BX 11 Vintage Microphones and How They Sound - POWER - RCA 77-DX 44-BX Astatic Shure EV toy guns Mattel](https://i.ytimg.com/vi/FBvCBbqyzQI/mqdefault.jpg)




