Uploaded December 2025 | Updated September 2026, 3 weeks ago
With 'Kaantha' now in theaters, I spoke with director Selvamani Selvaraj about the film’s lush period-noir world and its fictionalized take on the lives and ambitions of mid-century Indian celebrities revolving around the legendary director Ayya (Samuthirakani) and his strained relationship with T. K. Mahadevan (Dulquer Salmaan), a film star he helped establish and popularize.. Our conversation explored how he shaped this 1950s post-colonial Madras drama, why he was drawn to these imagined legends, and what it meant to place them inside a story charged with rivalry, desire, and shifting power.
'Kaantha' also stars Bhagyashri Borse as Kumari, Mahadevan's love interest. The uneasy professional bond between director and actor fractures further with the arrival of the debutante Kumari, entangling all three in a tense, emotionally volatile triangle. As ambition collides with insecurity, the film moves toward a dangerous contest of truth and deception.
The cinematography by Dani Sanchez-Lopez is particularly striking—an atmospheric blend of chiaroscuro shadows, period detail, and richly textured frames that deepen the film’s noir sensibility. Complemented by music from Jhanu Chanthar and Jakes Bejoy, the world of 'Kaantha' feels both mythic and intimate.
Produced by Rana Daggubati, Dulquer Salmaan, Prashanth Potluri and Jom Varghese under Spirit Media and Wayfarer Films, the film arrives as Selvaraj’s return to fiction filmmaking. Known for merging realism with emotional complexity, his past work includes assisting Ang Lee on Life of Pi and directing the acclaimed Netflix documentary series The Hunt for Veerappan. With Kaantha, he channels those sensibilities into an ambitious tale of identity, legacy, and the cost of artistic pursuit.
In speaking with with Selvamani Selvaraj, whose reflections illuminate the drama behind the film’s beautifully crafted façade.
'Kaantha' is in theaters now.
#kaantha #dulquersalmaan #samuthirakani #selvamaniselvaraj #bhagyashriborse #tamillanguage #interview #fanboynation
With 'Kaantha' now in theaters, I spoke with director Selvamani Selvaraj about the film’s lush period-noir world and its fictionalized take on the lives and ambitions of mid-century Indian celebrities revolving around the legendary director Ayya (Samuthirakani) and his strained relationship with T. K. Mahadevan (Dulquer Salmaan), a film star he helped establish and popularize.. Our conversation explored how he shaped this 1950s post-colonial Madras drama, why he was drawn to these imagined legends, and what it meant to place them inside a story charged with rivalry, desire, and shifting power.
'Kaantha' also stars Bhagyashri Borse as Kumari, Mahadevan's love interest. The uneasy professional bond between director and actor fractures further with the arrival of the debutante Kumari, entangling all three in a tense, emotionally volatile triangle. As ambition collides with insecurity, the film moves toward a dangerous contest of truth and deception.
The cinematography by Dani Sanchez-Lopez is particularly striking—an atmospheric blend of chiaroscuro shadows, period detail, and richly textured frames that deepen the film’s noir sensibility. Complemented by music from Jhanu Chanthar and Jakes Bejoy, the world of 'Kaantha' feels both mythic and intimate.
Produced by Rana Daggubati, Dulquer Salmaan, Prashanth Potluri and Jom Varghese under Spirit Media and Wayfarer Films, the film arrives as Selvaraj’s return to fiction filmmaking. Known for merging realism with emotional complexity, his past work includes assisting Ang Lee on Life of Pi and directing the acclaimed Netflix documentary series The Hunt for Veerappan. With Kaantha, he channels those sensibilities into an ambitious tale of identity, legacy, and the cost of artistic pursuit.
In speaking with with Selvamani Selvaraj, whose reflections illuminate the drama behind the film’s beautifully crafted façade.
'Kaantha' is in theaters now.
#kaantha #dulquersalmaan #samuthirakani #selvamaniselvaraj #bhagyashriborse #tamillanguage #interview #fanboynation









![Jon S. Baird & Steven Rogers Talk Everythings Going to be Great - Interview
Everything’s Going to Be Great is a warm, sharply funny dramedy about the families we build through art and the chaos that comes with them. Allison Janney and Bryan Cranston lead as Macy and Buddy Smart, lifelong partners in love and in their scrappy regional theater company, who’ve spent decades raising two boys and staging shows across the country. Their sons, Derrick (Jack Champion) and Lester (Benjamin Evan Ainsworth), are polar opposites, yet equally shaped by their parents’ relentless optimism and offbeat lifestyle. When a long-shot opportunity arises, the family is forced to confront whether their dream is still worth chasing—or whether it’s time to let go.
The film is directed by Jon S. Baird [Tetris, Stan & Ollie (a personal favorite)] and written by Steven Rogers (I, Tonya), who spoke with me about the personal roots and tonal tightrope of the story. Rogers, whose father worked in regional theater, shared that the script began as a love letter to a world rarely shown on screen. He chuckled when I brought up his name’s more famous Marvel namesake—something he’s heard his entire life and assured me he is, in fact, not Captain America.
Baird was impressed that I pronounced his surname in the proper Scottish fashion (something that was truly a shot in the dark). He said he was drawn in immediately by the script’s emotional shifts, laughing on one page, tearing up the next. The film’s central idea, that the family business is the dream, resonated deeply with him.
Produced by Bryan Unkeless, Alex Lalonde, and Rogers, with an ensemble that also includes Simon Rex and Chris Cooper, Everything’s Going to Be Great lives up to its title—not because the road is easy, but because it’s worth the ride. Through setbacks and setbacks (including COVID-era delays), the team held onto the belief that this was a story worth telling. That passion is all over the screen.
Everything’s Going to Be Great comes to theaters on Friday, June 20, 2025.
#allisonjanney #bryancranston #comedy #interview #jonsbaird #steverogers #fanboynation Jon S. Baird & Steven Rogers Talk Everythings Going to be Great - Interview](https://i.ytimg.com/vi/yqMzE_7-cuI/mqdefault.jpg)
