Uploaded August 2026 | Updated September 2026, 3 weeks ago
I recently spoke with Emmy Award–nominated supervising sound editor and sound designer Luke Gibleon about the art and craft of cinematic sound exploring how he discovers, records, manipulates and creates the sounds that bring fantastical worlds and unforgettable moments to life.
As Co-Supervising Sound Editor and Sound Designer on Netflix’s “Avatar: The Last Airbender,” Gibleon earned a 2024 Primetime Emmy Award nomination for Outstanding Sound Editing for creating the immersive soundscape behind the series’ elemental bending, creatures, and expansive fantasy world.
A four-time Motion Picture Sound Editors (MPSE) Golden Reel Award winner, Gibleon’s honors recognize his contributions to “El Camino: A Breaking Bad Movie” (Outstanding Achievement in Sound Editing for Single Presentation Broadcast Media), “Togo” (Outstanding Achievement in Sound Editing for Non-Theatrical Feature Film Broadcast Media), “Greyhound” (Outstanding Achievement in Sound Editing – Feature Effects/Foley), and “The Underground Railroad” (Outstanding Achievement in Sound Editing – Limited Series or Anthology).
Across a career spanning acclaimed productions including “Masters of the Air”, “John Wick: Chapter 4”, “Twin Peaks”, “Bullet Train” and “The Continental,” Gibleon has earned a reputation for blending technical precision with cinematic storytelling through sound, transforming everything from subtle environmental textures to larger-than-life action into immersive auditory experiences.
Seasons one and two of “Avatar: The Last Airbender,” are streaming now on Netflix.
#lukegibleon #avatar #soundengineer #interview #fanboynation
I recently spoke with Emmy Award–nominated supervising sound editor and sound designer Luke Gibleon about the art and craft of cinematic sound exploring how he discovers, records, manipulates and creates the sounds that bring fantastical worlds and unforgettable moments to life.
As Co-Supervising Sound Editor and Sound Designer on Netflix’s “Avatar: The Last Airbender,” Gibleon earned a 2024 Primetime Emmy Award nomination for Outstanding Sound Editing for creating the immersive soundscape behind the series’ elemental bending, creatures, and expansive fantasy world.
A four-time Motion Picture Sound Editors (MPSE) Golden Reel Award winner, Gibleon’s honors recognize his contributions to “El Camino: A Breaking Bad Movie” (Outstanding Achievement in Sound Editing for Single Presentation Broadcast Media), “Togo” (Outstanding Achievement in Sound Editing for Non-Theatrical Feature Film Broadcast Media), “Greyhound” (Outstanding Achievement in Sound Editing – Feature Effects/Foley), and “The Underground Railroad” (Outstanding Achievement in Sound Editing – Limited Series or Anthology).
Across a career spanning acclaimed productions including “Masters of the Air”, “John Wick: Chapter 4”, “Twin Peaks”, “Bullet Train” and “The Continental,” Gibleon has earned a reputation for blending technical precision with cinematic storytelling through sound, transforming everything from subtle environmental textures to larger-than-life action into immersive auditory experiences.
Seasons one and two of “Avatar: The Last Airbender,” are streaming now on Netflix.
#lukegibleon #avatar #soundengineer #interview #fanboynation








![Jon S. Baird & Steven Rogers Talk Everythings Going to be Great - Interview
Everything’s Going to Be Great is a warm, sharply funny dramedy about the families we build through art and the chaos that comes with them. Allison Janney and Bryan Cranston lead as Macy and Buddy Smart, lifelong partners in love and in their scrappy regional theater company, who’ve spent decades raising two boys and staging shows across the country. Their sons, Derrick (Jack Champion) and Lester (Benjamin Evan Ainsworth), are polar opposites, yet equally shaped by their parents’ relentless optimism and offbeat lifestyle. When a long-shot opportunity arises, the family is forced to confront whether their dream is still worth chasing—or whether it’s time to let go.
The film is directed by Jon S. Baird [Tetris, Stan & Ollie (a personal favorite)] and written by Steven Rogers (I, Tonya), who spoke with me about the personal roots and tonal tightrope of the story. Rogers, whose father worked in regional theater, shared that the script began as a love letter to a world rarely shown on screen. He chuckled when I brought up his name’s more famous Marvel namesake—something he’s heard his entire life and assured me he is, in fact, not Captain America.
Baird was impressed that I pronounced his surname in the proper Scottish fashion (something that was truly a shot in the dark). He said he was drawn in immediately by the script’s emotional shifts, laughing on one page, tearing up the next. The film’s central idea, that the family business is the dream, resonated deeply with him.
Produced by Bryan Unkeless, Alex Lalonde, and Rogers, with an ensemble that also includes Simon Rex and Chris Cooper, Everything’s Going to Be Great lives up to its title—not because the road is easy, but because it’s worth the ride. Through setbacks and setbacks (including COVID-era delays), the team held onto the belief that this was a story worth telling. That passion is all over the screen.
Everything’s Going to Be Great comes to theaters on Friday, June 20, 2025.
#allisonjanney #bryancranston #comedy #interview #jonsbaird #steverogers #fanboynation Jon S. Baird & Steven Rogers Talk Everythings Going to be Great - Interview](https://i.ytimg.com/vi/yqMzE_7-cuI/mqdefault.jpg)

