Uploaded August 2026 | Updated September 2026, 2 weeks ago
New videos and pieces everyday.
Like and subscribe to our channel: youtube.com/channel/UCnecaf9_nSWT__lhfu4EYpg
Charles Edward Ives (October 20, 1874 – May 19, 1954) was an American modernist composer, actuary and businessman. Ives was among the earliest renowned American composers to achieve recognition on a global scale. His music was largely ignored during his early career, and many of his works went unperformed for many years. Later in life, the quality of his music was publicly recognized through the efforts of contemporaries like Henry Cowell and Lou Harrison, and he came to be regarded as an "American original". He was also among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones. His experimentation foreshadowed many musical innovations that were later more widely adopted during the 20th century. Hence, he is often regarded as the leading American composer of art music of the 20th century.
Sources of Ives's tonal imagery included hymn tunes and traditional songs; he also incorporated melodies of the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster.
Performers:
- Jean-Efflam Bavouzet (Piano)
- Melbourne Symphony Orchestra
- Sir Andrew Davis (Conductor)
New videos and pieces everyday.
Like and subscribe to our channel: youtube.com/channel/UCnecaf9_nSWT__lhfu4EYpg
Charles Edward Ives (October 20, 1874 – May 19, 1954) was an American modernist composer, actuary and businessman. Ives was among the earliest renowned American composers to achieve recognition on a global scale. His music was largely ignored during his early career, and many of his works went unperformed for many years. Later in life, the quality of his music was publicly recognized through the efforts of contemporaries like Henry Cowell and Lou Harrison, and he came to be regarded as an "American original". He was also among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones. His experimentation foreshadowed many musical innovations that were later more widely adopted during the 20th century. Hence, he is often regarded as the leading American composer of art music of the 20th century.
Sources of Ives's tonal imagery included hymn tunes and traditional songs; he also incorporated melodies of the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster.
Performers:
- Jean-Efflam Bavouzet (Piano)
- Melbourne Symphony Orchestra
- Sir Andrew Davis (Conductor)









![Beethoven - Piano Concerto in B-Flat Major No. 2, Op. 19 (1º Mov., Allegro con brio)
New videos and pieces everyday.
Like and subscribe to our channel: https://www.youtube.com/channel/UCnecaf9_nSWT lhfu4EYpg
The Piano Concerto No. 2 in B♭ major, Op. 19, by Ludwig van Beethoven was composed primarily between 1787 and 1789, although it did not attain the form in which it was published until 1795. Beethoven did write a second finale for it in 1798 for performance in Prague, but that is not the finale that was published. It was used by the composer as a vehicle for his own performances as a young virtuoso, initially intended with the Bonn Hofkapelle. It was published in December 1801 as Op. 19, later than the publication in March that year of his later composition the Piano Concerto No. 1 in C major as Op. 15, and thus became designated as his second piano concerto.
The B♭ major Piano Concerto was an important display piece for the young Beethoven as he sought to establish himself after moving from Bonn to Vienna. He may have premiered it on 29 March 1795, at Viennas Burgtheater in a concert marking his public debut. Prior to that, he had performed only in the private salons of the Viennese nobility. While the work as a whole is very much in the concerto style of Mozart, there is a sense of drama and contrast that would be present in many of Beethovens later works.
Beethoven himself apparently did not rate this work particularly highly, remarking to the publisher Franz Anton Hoffmeister that, along with the Piano Concerto No. 1, it was not one of my best. He revised the concerto repeatedly, in 1790, 1793, 1794–95, 1798 and 1801. However, the pianist Peter Serkin has noted that Beethovens writing of the cadenza of the first movement much later than the concerto proper indicates [his] own regard for his early concerto. The version that he may have premiered in 1795 is the version that is performed and recorded today.
Performers:
- Martha Argerich (Piano)
- Symphoniker Hamburg
- Sylvain Cambreling (Conductor) Beethoven - Piano Concerto in B-Flat Major No. 2, Op. 19 (1º Mov., Allegro con brio)](https://i.ytimg.com/vi/Ugx4QaFN28E/mqdefault.jpg)
