Uploaded September 2026 | Updated September 2026, 2 weeks ago
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The Miraculous Mandarin (Hungarian: A csodálatos mandarin) Op. 19, Sz. 73, is a one act pantomime ballet composed by Béla Bartók between 1918 and 1924, and based on the 1916 story by Melchior Lengyel. Premiered on 27 November 1926 conducted by Eugen Szenkar at the Cologne Opera, Germany, it caused a scandal and was subsequently banned on moral grounds. Although more successful at its Prague premiere, it was generally performed during the rest of Bartók's life in the form of a concert suite, which preserves about two-thirds of the original pantomime's music.
The Miraculous Mandarin is scored for three flutes (2nd and 3rd doubling piccolo), three oboes (3rd doubling English horn), three clarinets (second doubling E-flat clarinet and third doubling bass clarinet), three bassoons (third doubling contrabassoon), four horns (second and fourth doubling Wagner tuba), three trumpets in C, three trombones, bass tuba, timpani, snare drum, tenor drum, bass drum, cymbals, triangle, tam-tam, xylophone, celesta, harp, piano, organ, choir, and strings.
Performers:
- Members of the Saint Louis Symphony Chorus
- Thomas Peck (Choir director)
- Saint Louis Symphony Orchestra
- Leonard Slatkin (Conductor)
New videos and pieces everyday.
Like and subscribe to our channel: youtube.com/channel/UCnecaf9_nSWT__lhfu4EYpg
The Miraculous Mandarin (Hungarian: A csodálatos mandarin) Op. 19, Sz. 73, is a one act pantomime ballet composed by Béla Bartók between 1918 and 1924, and based on the 1916 story by Melchior Lengyel. Premiered on 27 November 1926 conducted by Eugen Szenkar at the Cologne Opera, Germany, it caused a scandal and was subsequently banned on moral grounds. Although more successful at its Prague premiere, it was generally performed during the rest of Bartók's life in the form of a concert suite, which preserves about two-thirds of the original pantomime's music.
The Miraculous Mandarin is scored for three flutes (2nd and 3rd doubling piccolo), three oboes (3rd doubling English horn), three clarinets (second doubling E-flat clarinet and third doubling bass clarinet), three bassoons (third doubling contrabassoon), four horns (second and fourth doubling Wagner tuba), three trumpets in C, three trombones, bass tuba, timpani, snare drum, tenor drum, bass drum, cymbals, triangle, tam-tam, xylophone, celesta, harp, piano, organ, choir, and strings.
Performers:
- Members of the Saint Louis Symphony Chorus
- Thomas Peck (Choir director)
- Saint Louis Symphony Orchestra
- Leonard Slatkin (Conductor)





![Beethoven - Piano Concerto in B-Flat Major No. 2, Op. 19 (1º Mov., Allegro con brio)
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The Piano Concerto No. 2 in B♭ major, Op. 19, by Ludwig van Beethoven was composed primarily between 1787 and 1789, although it did not attain the form in which it was published until 1795. Beethoven did write a second finale for it in 1798 for performance in Prague, but that is not the finale that was published. It was used by the composer as a vehicle for his own performances as a young virtuoso, initially intended with the Bonn Hofkapelle. It was published in December 1801 as Op. 19, later than the publication in March that year of his later composition the Piano Concerto No. 1 in C major as Op. 15, and thus became designated as his second piano concerto.
The B♭ major Piano Concerto was an important display piece for the young Beethoven as he sought to establish himself after moving from Bonn to Vienna. He may have premiered it on 29 March 1795, at Viennas Burgtheater in a concert marking his public debut. Prior to that, he had performed only in the private salons of the Viennese nobility. While the work as a whole is very much in the concerto style of Mozart, there is a sense of drama and contrast that would be present in many of Beethovens later works.
Beethoven himself apparently did not rate this work particularly highly, remarking to the publisher Franz Anton Hoffmeister that, along with the Piano Concerto No. 1, it was not one of my best. He revised the concerto repeatedly, in 1790, 1793, 1794–95, 1798 and 1801. However, the pianist Peter Serkin has noted that Beethovens writing of the cadenza of the first movement much later than the concerto proper indicates [his] own regard for his early concerto. The version that he may have premiered in 1795 is the version that is performed and recorded today.
Performers:
- Martha Argerich (Piano)
- Symphoniker Hamburg
- Sylvain Cambreling (Conductor) Beethoven - Piano Concerto in B-Flat Major No. 2, Op. 19 (1º Mov., Allegro con brio)](https://i.ytimg.com/vi/Ugx4QaFN28E/mqdefault.jpg)




