Uploaded July 2026 | Updated September 2026, 2 weeks ago
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Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, La Tosca, is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias.
Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. Tosca premiered at a time of unrest in Rome, and its first performance was delayed for a day for fear of disturbances. Despite indifferent reviews from the critics, the opera was an immediate success with the public.
Musically, Tosca is structured as a through-composed work, with arias, recitative, choruses and other elements musically woven into a seamless whole. Puccini used Wagnerian leitmotifs to identify characters, objects and ideas. The dramatic force of Tosca and its characters continues to fascinate both performers and audiences, and the work remains one of the most frequently performed operas. Many recordings of the work have been issued, both of studio and live performances.
Performers:
- Renata Tebaldi
- Ferruccio Tagliavini
- Tito Gobbi
- The Covent Garden Opera Chorus
- The Covent Garden Orchestra
- Francesco Molinari-Pradelli (Conductor)
New videos and pieces everyday.
Like and subscribe to our channel: youtube.com/channel/UCnecaf9_nSWT__lhfu4EYpg
Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, La Tosca, is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias.
Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. Tosca premiered at a time of unrest in Rome, and its first performance was delayed for a day for fear of disturbances. Despite indifferent reviews from the critics, the opera was an immediate success with the public.
Musically, Tosca is structured as a through-composed work, with arias, recitative, choruses and other elements musically woven into a seamless whole. Puccini used Wagnerian leitmotifs to identify characters, objects and ideas. The dramatic force of Tosca and its characters continues to fascinate both performers and audiences, and the work remains one of the most frequently performed operas. Many recordings of the work have been issued, both of studio and live performances.
Performers:
- Renata Tebaldi
- Ferruccio Tagliavini
- Tito Gobbi
- The Covent Garden Opera Chorus
- The Covent Garden Orchestra
- Francesco Molinari-Pradelli (Conductor)







![Beethoven - Piano Concerto in B-Flat Major No. 2, Op. 19 (1º Mov., Allegro con brio)
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The Piano Concerto No. 2 in B♭ major, Op. 19, by Ludwig van Beethoven was composed primarily between 1787 and 1789, although it did not attain the form in which it was published until 1795. Beethoven did write a second finale for it in 1798 for performance in Prague, but that is not the finale that was published. It was used by the composer as a vehicle for his own performances as a young virtuoso, initially intended with the Bonn Hofkapelle. It was published in December 1801 as Op. 19, later than the publication in March that year of his later composition the Piano Concerto No. 1 in C major as Op. 15, and thus became designated as his second piano concerto.
The B♭ major Piano Concerto was an important display piece for the young Beethoven as he sought to establish himself after moving from Bonn to Vienna. He may have premiered it on 29 March 1795, at Viennas Burgtheater in a concert marking his public debut. Prior to that, he had performed only in the private salons of the Viennese nobility. While the work as a whole is very much in the concerto style of Mozart, there is a sense of drama and contrast that would be present in many of Beethovens later works.
Beethoven himself apparently did not rate this work particularly highly, remarking to the publisher Franz Anton Hoffmeister that, along with the Piano Concerto No. 1, it was not one of my best. He revised the concerto repeatedly, in 1790, 1793, 1794–95, 1798 and 1801. However, the pianist Peter Serkin has noted that Beethovens writing of the cadenza of the first movement much later than the concerto proper indicates [his] own regard for his early concerto. The version that he may have premiered in 1795 is the version that is performed and recorded today.
Performers:
- Martha Argerich (Piano)
- Symphoniker Hamburg
- Sylvain Cambreling (Conductor) Beethoven - Piano Concerto in B-Flat Major No. 2, Op. 19 (1º Mov., Allegro con brio)](https://i.ytimg.com/vi/Ugx4QaFN28E/mqdefault.jpg)


