Uploaded February 2020 | Updated September 2026, 3 weeks ago
A(B)G
By Ariana Grande
Arr. Rita Rangchaikul '17
ARIANA GRANDE aka. AG aka. A(B)G but not ABG as in Asian Baby Girl but ABG as in ARIANA Baby Girl because aren't we all Ariana Baby Girls??! (I'm sorry).
A tribute to the power diva's turbulent dating life. We start off with an original orchestration for "Raindrops" - the opening song on her Sweetener album. Our girl Ari is heartbroken ["an angel cried"] but then realizes that although she has 99 "Problems", he can't be one.
Being Ari, she continues to be "Greedy" for love and falls for the "Moonlight" kind of man of her dreams ["sweet like candy"]. Unfortunately, she is once again disappointed and says "Thank U, Next" ["look what you've taught me"]. Ari recognizes that she needs to "Break Free" of all her toxic relationships ["I'm stronger than I've been before"]. But when all is said and done, she ends up finding another man who makes her feel like a "Dangerous Woman" ["makes me wanna do things that I shouldn't"].
At the end of the day, boi or no boi, Ari makes us all believe that "God is a Woman".
Program Notes by Rita Rangchaikul
Full program: drive.google.com/file/d/1cdT4aV6WD4afzNAwNUjo7vNailWBWwGG/view?usp=sharing
A(B)G
By Ariana Grande
Arr. Rita Rangchaikul '17
ARIANA GRANDE aka. AG aka. A(B)G but not ABG as in Asian Baby Girl but ABG as in ARIANA Baby Girl because aren't we all Ariana Baby Girls??! (I'm sorry).
A tribute to the power diva's turbulent dating life. We start off with an original orchestration for "Raindrops" - the opening song on her Sweetener album. Our girl Ari is heartbroken ["an angel cried"] but then realizes that although she has 99 "Problems", he can't be one.
Being Ari, she continues to be "Greedy" for love and falls for the "Moonlight" kind of man of her dreams ["sweet like candy"]. Unfortunately, she is once again disappointed and says "Thank U, Next" ["look what you've taught me"]. Ari recognizes that she needs to "Break Free" of all her toxic relationships ["I'm stronger than I've been before"]. But when all is said and done, she ends up finding another man who makes her feel like a "Dangerous Woman" ["makes me wanna do things that I shouldn't"].
At the end of the day, boi or no boi, Ari makes us all believe that "God is a Woman".
Program Notes by Rita Rangchaikul
Full program: drive.google.com/file/d/1cdT4aV6WD4afzNAwNUjo7vNailWBWwGG/view?usp=sharing









![Hans Zimmer Medley (ft. Interstellar, Inception, Dark Knight) - DPops
BRAAAWWWMMM: A HANS ZIMMER MEDLEY
Arranged by Bettina Cheung SM16, Kevin Nguyen ES16, Linus Lu DC19
Conducted by Harry Kane, BR18
Performed at DPops Finds Love in Battell Chapel on March 4, 2017
0:00 Flying Drone - Interstellar
0:42 No Time for Caution - Interstellar
1:19 Is She With You? - Batman v Superman
2:35 Like a Dog Chasing Cars - The Dark Knight
3:53 Im Not a Hero - The Dark Knight
4:46 Mombasa - Inception
6:39 Dream is Collapsing - Inception
8:20 Escape - The Little Prince
10:45 Time - Inception
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This medley is affectionately named for the heavy brass blasts featured in the score for Inception which became ubiquitous across movie trailers as well as subsequently earning an iconic place in DPops YouTube history. Alongside this intense drama, we sought to exhibit the vast emotional range of Hans Zimmer’s work, from the brooding undercurrents of The Dark Knight to the childlike innocence of The Little Prince.
We begin with the ethereal and delicate theme “Flying Drone” from Interstellar representing the wonder of space exploration and Cooper’s love for his daughter, Murph. However, as our intrepid travelers journey on to distant stars, they encounter the mounting urgency and larger-than-life organ line of “No Time for Caution.” The drama continues to build in Wonder Woman’s percussive theme “Is She With You?” from Batman v Superman: Dawn of Justice, slipping into Batman’s appropriately dark and moody strains of “I’m Not a Hero” from The Dark Knight. From there, we crash headlong into the high-energy percussion of the Inception chase scene “Mombasa” before slipping into the dreamy-turned-dramatic world of “Dream is Collapsing.” An interlude into the triumphantly playful “Escape” of The Little Prince is closed out by an encore from Inception. “Time” with its lush and emotional waves of melody fades to a quietly reflective duet between piano and strings.
In Hans Zimmer’s words, “I do films because I like big speakers. I like hearing things on big speakers. I’m not that interested in hearing anything on my laptop speakers. [...] I’m not saying this won’t work on little speakers. But this, you know. Go big or go home.”
Program notes by Bettina Cheung Hans Zimmer Medley (ft. Interstellar, Inception, Dark Knight) - DPops](https://i.ytimg.com/vi/VqtCbZxDxs4/mqdefault.jpg)
