Uploaded December 2025 | Updated September 2026, 4 hours ago
Can a portrait show more than just a physical likeness? Gustav Adolf Mossa dared to go deeper when he revealed a glimpse of his mental state in this self-portrait. A bloody handprint, scorpion, and snake coiled around the artist’s neck insinuate a dark, tortured interior lurking just below the surface.
Learn more about “Self-Portrait or Psychological Portrait of the Artist” with Jamie Vaught-Karasek, co-curator of “Strange Realities: The Symbolist Imagination,” on view through Jan 5.
Can a portrait show more than just a physical likeness? Gustav Adolf Mossa dared to go deeper when he revealed a glimpse of his mental state in this self-portrait. A bloody handprint, scorpion, and snake coiled around the artist’s neck insinuate a dark, tortured interior lurking just below the surface.
Learn more about “Self-Portrait or Psychological Portrait of the Artist” with Jamie Vaught-Karasek, co-curator of “Strange Realities: The Symbolist Imagination,” on view through Jan 5.










![Georgia OKeeffe: My New Yorks | Exhibition Stories
Hear the story of Georgia OKeeffes New Yorks from curators Sarah Kelly Oehler and Annelise K. Madsen—these early career paintings reveal the artists perspective on the citys rapidly changing landscape through the 1920s and are essential to the ambitious and wide-ranging aesthetic for which shes remembered. As OKeeffe herself put it, “One can’t paint New York as it is, but rather as it is felt.”
Learn more about Georgia OKeeffe: My New Yorks on our website:
https://www.artic.edu/exhibitions/9539/georgia-o-keeffe-my-new-yorks
Thumbnail Credit: Alfred Stieglitz. Georgia OKeeffe, 1930. copy print. Georgia OKeeffe Museum. Gift of The Georgia OKeeffe Foundation. [2006.6.934] Georgia OKeeffe: My New Yorks | Exhibition Stories](https://i.ytimg.com/vi/cM3amfiuTts/mqdefault.jpg)