Uploaded July 2026 | Updated September 2026, 2 weeks ago
William MacDonald of Benbecula (1927-2010): 2/4 March in A Pentatonic Major, "Pipe Major Robert Rennie "
performance: Jordan Alexander Key
William "Willie" MacDonald of Benbecula (1927 – 2010) was one of the most respected traditional Scottish bagpipers of the twentieth century. Born in Glasgow on December 5, 1927, he spent his childhood on the Hebridean island of Benbecula, where he was raised by his grandparents. It was from this island that he acquired the lifelong distinction "of Benbecula," a title widely used throughout the piping world to distinguish him from several other notable pipers of the same name, including William M. MacDonald, better known as "Watery Willie." MacDonald remained closely associated with Benbecula throughout his life and passed away in Inverness in 2010 at the age of eighty-two.
Piping was an important part of MacDonald's family heritage. His father, Donald-James MacDonald, served as Pipe Major of the 1st Highland Light Infantry, and Willie began learning the pipes under the guidance of the local Benbecula tutor Lachlan Bàn MacCormick. As his talent developed, he studied with some of the greatest figures in Highland piping, including Pipe Major Donald MacLeod, John MacDonald of Inverness, and Pipe Major Willie Ross at Edinburgh Castle. These formative influences helped shape the refined musical style and technical excellence for which he later became renowned.
MacDonald's military and piping careers developed side by side. Enlisting as a teenager, he served with the Highland Light Infantry until 1958, with postings to Palestine, Egypt, and Cyprus, before returning to military service with the Cameron Highlanders until 1963. During this period he established himself as one of Scotland's foremost competitive solo pipers. His greatest achievements included winning the coveted Gold Medal at the Northern Meeting in 1965, the Clasp at the same competition in 1967, and the Open Piobaireachd at the Argyllshire Gathering in 1969. He was also notable for playing the bagpipes over his right shoulder, a rare characteristic shared by only a small minority of traditional pipers.
In addition to his accomplishments as a performer, MacDonald was a prolific and highly respected composer whose music reflected the elegance, strength, and traditional character of Highland piping. In 1987, he and his son, Roderick S. MacDonald, published "The Clanranald Collection of Music for the Great Highland Bagpipe", a collection featuring many of his own compositions alongside traditional tunes and works by other leading composers. Among his best-known compositions are the spirited reel "Mrs Patricia K. Cowell," the graceful jig "Moonlight on the Heather," and the classic 2/4 competition march "Pipe Major Robert Rennie," a tune that has become a standard in the solo piping repertoire. His marches, strathspeys, reels, jigs, airs, and slow marches continue to be performed by soloists and pipe bands throughout the world, ensuring that his musical legacy extends well beyond his distinguished performing career.
Following his retirement from competition, MacDonald remained a highly respected figure within the piping community. He became a sought-after judge at Scotland's leading solo piping events, including the Argyllshire Gathering, where his deep musical knowledge, fairness, and experience earned him widespread admiration. Remembered as both an outstanding performer and a trusted authority on Highland piping, Willie MacDonald of Benbecula left a lasting legacy that continues to inspire pipers around the world through both his performances and his compositions.
William MacDonald of Benbecula (1927-2010): 2/4 March in A Pentatonic Major, "Pipe Major Robert Rennie "
performance: Jordan Alexander Key
William "Willie" MacDonald of Benbecula (1927 – 2010) was one of the most respected traditional Scottish bagpipers of the twentieth century. Born in Glasgow on December 5, 1927, he spent his childhood on the Hebridean island of Benbecula, where he was raised by his grandparents. It was from this island that he acquired the lifelong distinction "of Benbecula," a title widely used throughout the piping world to distinguish him from several other notable pipers of the same name, including William M. MacDonald, better known as "Watery Willie." MacDonald remained closely associated with Benbecula throughout his life and passed away in Inverness in 2010 at the age of eighty-two.
Piping was an important part of MacDonald's family heritage. His father, Donald-James MacDonald, served as Pipe Major of the 1st Highland Light Infantry, and Willie began learning the pipes under the guidance of the local Benbecula tutor Lachlan Bàn MacCormick. As his talent developed, he studied with some of the greatest figures in Highland piping, including Pipe Major Donald MacLeod, John MacDonald of Inverness, and Pipe Major Willie Ross at Edinburgh Castle. These formative influences helped shape the refined musical style and technical excellence for which he later became renowned.
MacDonald's military and piping careers developed side by side. Enlisting as a teenager, he served with the Highland Light Infantry until 1958, with postings to Palestine, Egypt, and Cyprus, before returning to military service with the Cameron Highlanders until 1963. During this period he established himself as one of Scotland's foremost competitive solo pipers. His greatest achievements included winning the coveted Gold Medal at the Northern Meeting in 1965, the Clasp at the same competition in 1967, and the Open Piobaireachd at the Argyllshire Gathering in 1969. He was also notable for playing the bagpipes over his right shoulder, a rare characteristic shared by only a small minority of traditional pipers.
In addition to his accomplishments as a performer, MacDonald was a prolific and highly respected composer whose music reflected the elegance, strength, and traditional character of Highland piping. In 1987, he and his son, Roderick S. MacDonald, published "The Clanranald Collection of Music for the Great Highland Bagpipe", a collection featuring many of his own compositions alongside traditional tunes and works by other leading composers. Among his best-known compositions are the spirited reel "Mrs Patricia K. Cowell," the graceful jig "Moonlight on the Heather," and the classic 2/4 competition march "Pipe Major Robert Rennie," a tune that has become a standard in the solo piping repertoire. His marches, strathspeys, reels, jigs, airs, and slow marches continue to be performed by soloists and pipe bands throughout the world, ensuring that his musical legacy extends well beyond his distinguished performing career.
Following his retirement from competition, MacDonald remained a highly respected figure within the piping community. He became a sought-after judge at Scotland's leading solo piping events, including the Argyllshire Gathering, where his deep musical knowledge, fairness, and experience earned him widespread admiration. Remembered as both an outstanding performer and a trusted authority on Highland piping, Willie MacDonald of Benbecula left a lasting legacy that continues to inspire pipers around the world through both his performances and his compositions.




![Jordan Key (b. 1990): 9/8 Slip Jig in Modulation, Sue McIntyre (based on tunes by Sue McIntyre)
Sue MacIntyre was born in Inverness in 1929 as Farquhar McIntosh. Her mother, who was a ward sister in the town’s Craig Dunain hospital, died before her fourth birthday so Sue was sent to a children’s home in Aberlour. Some time later she returned to Inverness to live with her father who had re-married.
Sue began piping with the cadets in Inverness and in an interview from 1998 described how it all began. “Just after the war the Cameron Highlanders came back from a POW camp and I started as a cadet drummer with them in Inverness. I got kicked out. I was no good at all but then I was asked if I wanted to learn the pipes and within three months I was on the full pipes. I used to practice with John Allan who eventually became Director of Piping for the Army. He lived just around the corner from me and became a very good friend.”
In the late 1940s Sue became a founder member of the Inverness Piping Society and attended their meetings with the likes of Sheriff J. P. Grant of Rothiemurchus, Pipe Major Donald MacLeod, Mickey MacKay, William M. MacDonald and others. Sue then went into the Scots Guards and came under the instruction of Curly and John Roe.
While parachuting with the Scots Guards Pathfinder Company she had an accident damaging her back and breaking an arm. This was the cause of back and hand problems in later life. During Army service when helping the younger pipers in the regiment, Sue discovered a talent and a liking for teaching. After passing the Pipe Major’s Course with Willie Ross she was transferred to a Guards detachment in Oman as Pipe Major and tutor of the Trucial Oman Scouts.
On returning to the UK later, she was stationed at Pirbright in Surrey, England and taught at the Guards Piping School where Curly Roe was in charge. After leaving the army in 1961 Sue had a variety of jobs then in 1969 was appointed as schools piping instructor on the island of Skye, becoming the first official schools instructor of piping in Scotland. She taught at 19 schools throughout the whole of Skye and often drove 100 miles a day. During this time she formed the Skye Piping Society with Col. Jock MacDonald and others.
Sue had always felt there was something wrong with her sexuality and as she got older the feelings of being in the wrong body got stronger and she eventually reached the stage of becoming suicidal and had to stop teaching because of the pressure. After tests and medical consultations it was discovered that there was a hormonal problem going back to a pre-birth release of female hormones. Nothing could be done for three years until 1978 then, as Sue said: “I left Skye as Farquhar McIntosh and came back to the same village as Sue McIntyre. It was a difficult time but I got on with my life. I felt happier and never had any problems from that day. The most remarkable thing was the way Elizabeth [Sue’s wife since 1954 and mother of their two daughters] stuck by me. If it weren’t for her I wouldn’t have been able to carry on teaching. She made any success I had possible and deserves the highest praise.”
Although they divorced in 1980, Elizabeth retained the surname McIntosh and the couple continued to share the same house. As Elizabeth said, “Obviously, it took a bit of time getting used to it, but I thought well I’d married him for better or for worse and thought I’d better just get on with it.” There was some talk at the time but Sue said, “I did have the odd person doing the nudge and wink routine but I didn’t give any quarter?”
One of Sue’s Ayrshire pupils says his best memories are of her sense of humor and her quickness of reply. He remembers one time when another piper was making unnecessary personal comments to which Sue replied immediately: “I’m more of a man than you’ll ever be and more of a woman than you’ll ever get.”
Another instructor had been appointed in Skye so in 1980 Sue and Elizabeth moved to Dailly in Ayrshire, an area devoid of piping tuition at that time. Soon she was teaching local children and then began a period of warfare with the local educational authorities, with all the parents writing letters pushing for a full time instructor in the schools. At first Sue got two days teaching then a year later three days and after continual badgering and latter writing eventually was appointed full time.
Very soon, Sue and her group of excellent young players were regulars on the juvenile piping circuit. She also formed the Dailly and District Piping Society and all the top pipers rallied round in support and performed recitals. John Burgess was the first and was followed by Murray Henderson, John Wilson, Willie Morrison, Strathclyde Police Pipe Band, Fred Morrison and others.
In 2001, she was awarded the MBE for services to piping.
Sue died on June 3, 2010. At her funeral the cortege was led by a group of four of her pupils. Then Pipe Sgt. Ross McCrindle of the Scots Guards, one of Sue’s Ayrshire pupils, led the coffin into the crematorium. Jordan Key (b. 1990): 9/8 Slip Jig in Modulation, Sue McIntyre (based on tunes by Sue McIntyre)](https://i.ytimg.com/vi/wCfa3jmmIG8/mqdefault.jpg)





