Uploaded April 2025 | Updated September 2026, 2 days ago
Unst Boat Song (Shetland Norn Song) - Sung by Kitty Anderson of Lerwick, Shetland. Recorded by Francis M. Collinson for the School of Scottish Studies in September 1955. School of Scottish Studies, rec. No 1955/145/1.
Notes by Kevin W.:
Norn is an extinct Scandinavian language that was once spoken on the Shetland Islands and Orkney. After Orkney and Shetland were pledged to Scotland by Norway in 1468–69 it was gradually replaced by Scots. Norn is thought to have become extinct around 1850, after the death of Walter Sutherland, the language's last known speaker.
Fragments of Norn, words, sayings and place names persisted into modern times.
Both John Stickle of Baltasound, Unst in 1947 and Kitty Anderson of Lerwick in 1955 sang the Unst Boat Song which is completely in Norn and also Child Ballad No. 19, King Orfeo, a ballad with verses in Shetland Scots and a refrain in Norn. They are the only recorded examples of Norn language singing known to me.
Song transcription:
Starka virna vestalie,
Obadeea, obadeea.
Starka virna vestalie,
Obadeea monye.
Ståla, stoita, stonga raer.
Litra mae vee, drengie,
Saina papa wara.
Obadeea, monye.
Here's an attempt at a translation with notes by my Danish speaking friend Spring:
Starka virna vestalie, obadeea, obadeea
Strong western winds, great trouble, great trouble
(The Danish word "uhadada" which is just a generic expression of trouble, resembles "obadeea", but it's likely a coincidence. "uhadada" isn't a common Danish word today. It does have a similar meaning to how "obadeea" is translated.)
Starka virna vestalie, obadeea, monye.
Strong western winds, great trouble, men.
Ståla, stoita, stonga raero,
Put in order, brace the mast,
Whit saes du, da bunshka baero?
What say you, the boat will hold?
(This line is a mix of Shetland Scots and Norn. "baero" is like Danish "bære", eg. "carry". "bunshka" might be a garbled word.)
Litra maevi, drenghie.
A little more, boys.
("litra maevie, drenghie" really sounds like Danish "lidt mere, drenge", eg. "a little more, boys")
Saina papa, wara, obadeea, obadeea
Blessed father, watch over us, great trouble, great trouble
("saina" sounds like Danish "signet", eg. "blessed")
Saina papa, wara, obadeea monye.
Blessed father, watch over us, great trouble, men.
(We'd wager a guess that modern day Faroese is probably quite similar to Norn, if not its direct descendant. The Faroe Islands, Orkney and Shetland were all part of the Norwegian Kingdom. So the language of the Faroe Islands which is still a Norse language today is probably the most similar to Norn.)
Again, without the notes:
Starka virna vestalie, obadeea, obadeea
Strong western winds, great trouble, great trouble
Starka virna vestalie, obadeea, monye.
Strong western winds, great trouble, men.
Ståla, stoita, stonga raero,
Put in order, brace the mast,
Whit saes du, da bunshka baero?
What say you, the boat will hold?
Litra maevi, drenghie.
A little more, boys.
Saina papa, wara, obadeea, obadeea
Blessed father, watch over us, great trouble, great trouble
Saina papa, wara, obadeea monye.
Blessed father, watch over us, great trouble, men.
Unst Boat Song (Shetland Norn Song) - Sung by Kitty Anderson of Lerwick, Shetland. Recorded by Francis M. Collinson for the School of Scottish Studies in September 1955. School of Scottish Studies, rec. No 1955/145/1.
Notes by Kevin W.:
Norn is an extinct Scandinavian language that was once spoken on the Shetland Islands and Orkney. After Orkney and Shetland were pledged to Scotland by Norway in 1468–69 it was gradually replaced by Scots. Norn is thought to have become extinct around 1850, after the death of Walter Sutherland, the language's last known speaker.
Fragments of Norn, words, sayings and place names persisted into modern times.
Both John Stickle of Baltasound, Unst in 1947 and Kitty Anderson of Lerwick in 1955 sang the Unst Boat Song which is completely in Norn and also Child Ballad No. 19, King Orfeo, a ballad with verses in Shetland Scots and a refrain in Norn. They are the only recorded examples of Norn language singing known to me.
Song transcription:
Starka virna vestalie,
Obadeea, obadeea.
Starka virna vestalie,
Obadeea monye.
Ståla, stoita, stonga raer.
Litra mae vee, drengie,
Saina papa wara.
Obadeea, monye.
Here's an attempt at a translation with notes by my Danish speaking friend Spring:
Starka virna vestalie, obadeea, obadeea
Strong western winds, great trouble, great trouble
(The Danish word "uhadada" which is just a generic expression of trouble, resembles "obadeea", but it's likely a coincidence. "uhadada" isn't a common Danish word today. It does have a similar meaning to how "obadeea" is translated.)
Starka virna vestalie, obadeea, monye.
Strong western winds, great trouble, men.
Ståla, stoita, stonga raero,
Put in order, brace the mast,
Whit saes du, da bunshka baero?
What say you, the boat will hold?
(This line is a mix of Shetland Scots and Norn. "baero" is like Danish "bære", eg. "carry". "bunshka" might be a garbled word.)
Litra maevi, drenghie.
A little more, boys.
("litra maevie, drenghie" really sounds like Danish "lidt mere, drenge", eg. "a little more, boys")
Saina papa, wara, obadeea, obadeea
Blessed father, watch over us, great trouble, great trouble
("saina" sounds like Danish "signet", eg. "blessed")
Saina papa, wara, obadeea monye.
Blessed father, watch over us, great trouble, men.
(We'd wager a guess that modern day Faroese is probably quite similar to Norn, if not its direct descendant. The Faroe Islands, Orkney and Shetland were all part of the Norwegian Kingdom. So the language of the Faroe Islands which is still a Norse language today is probably the most similar to Norn.)
Again, without the notes:
Starka virna vestalie, obadeea, obadeea
Strong western winds, great trouble, great trouble
Starka virna vestalie, obadeea, monye.
Strong western winds, great trouble, men.
Ståla, stoita, stonga raero,
Put in order, brace the mast,
Whit saes du, da bunshka baero?
What say you, the boat will hold?
Litra maevi, drenghie.
A little more, boys.
Saina papa, wara, obadeea, obadeea
Blessed father, watch over us, great trouble, great trouble
Saina papa, wara, obadeea monye.
Blessed father, watch over us, great trouble, men.




![Hieland Laddie (Roud 4691) (1982) - Pipes & Ceilidh Dance by The Travelling Stewart Family of Blair
Highland Laddie / Bonnie Maggie / Donkey Riding / Hieland Laddie (Roud No. 4691) (1982) - Performed on the bagpipes by the Travelling Stewart family of Blair at a ceilidh. Bonnie MacGregor was the dancer. From the documentary Gypsies Sing Long Ballads (1982). Filmed and recorded by John Cohen in Blairgowrie, Perthshire, Scotland.
The complete movie can be watched here:
https://www.folkstreams.net/films/gypsies-sing-long-ballads
I extracted the songs and used my knowledge on video editing to share them on Youtube in the highest possible quality, I used manual video upscaling (no AI was used!) for this, to further document variants of traditional ballads and songs which has been my hobby for many years. I claim no ownership of the video, all the rights belong with John Cohen.
Note about the film:
Scotland’s Travellers have lived outside mainstream society for more than 500 years. Although some of the Travelling People still live by the sides of roads, most live today in houses and are under pressure to abandon their culture. This film celebrates their traditional music, especially the long unaccompanied ballads that date back hundreds of years and have been handed down by memory through the generations.
Note by Kevin W.:
I was delighted to discover this video documentation of Scotlands greatest tradition bearers. The often poorly treated Scottish Travellers honor the memories of their ancestors through songs, music and storytelling. They are proud of their culture and kept old traditions alive for hundreds of years. Many of our most gifted traditional singers and storytellers are Travellers.
Scottish Travellers are an indigenous ethnic minority in Scotland who live or traditionally lived a nomadic lifestyle and for centuries were unfairly shunned by the settled population. For that reason the singing culture of the Travelling people had not been well documented before the 20th century when non-Travellers with an interest in folklore visited and befriended Travellers and started recording their songs, music and stories.
Transcription:
[John Cohen] At a party in Blairgowrie, the Stewart family celebrates their sons return home from Australia with songs and dances. But these are not ordinary Scotch people. They are gypsies, whove been forced to live on the edge of society for more than 500 years. Hieland Laddie (Roud 4691) (1982) - Pipes & Ceilidh Dance by The Travelling Stewart Family of Blair](https://i.ytimg.com/vi/OT_UHiF83M0/mqdefault.jpg)

![The Two Brothers (Child 49) - Orilla Keyton
Two Brothers / Twa Brithers / Two Pretty Boys / Rolling of the Stones / Little Schoolboy / Jessel Town / The Twa Brothers (Child No. 49) - Sung by Mrs. Orilla Orella Mildred Madison Keyton (1880–1953) of Mount Fair, Albemarle County, Virginia, USA. Recorded by Arthur Kyle Davis Jr. on March 10, 1933. Cecil Sharp and Maud Karpeles collected songs from Mrs. Keeton (s.p) in 1916 but they seem to have missed her version of this ballad.
00:00:00 The Two Brothers - Orilla Keyton
00:03:41 The Two Brothers - Mary Wood Shiflett
00:07:27 The Two Brothers (Old Transfer) - Florence Puckett
00:09:22 The Two Brothers (New Transfer) - Florence Puckett
An excellent article by Mike Yates on Cecil Sharps and Maud Karpeles Appalachia trip in the 1910s can be read here: https://www.mustrad.org.uk/articles/sharp.htm
A selection of 1930s phonograph recordings made by folklorist Arthur Kyle Davis Jr. (1897–1972) of Virginia ballad singers has been digitised and made available for listening online: https://avalon.lib.virginia.edu/collections/7m01bk901
We get a chance to listen to some of the very same people Cecil Sharp and Maud Karpeles met and noted songs from in the 1910s.
The audio quality of these recordings is relatively poor, being made with portable equipment at that time, but the songs are interesting and worthy of attention. I had the idea of creating small compilations of related versions of each song for these videos. This is because I noticed that I often had more than one recording of each song available from singers who were related or lived in the same area.
Arthur K. Davis Jr. published the hundreds of Virginia ballads he collected in two books, Folk-Songs of Virginia (1949), and More Traditional Ballads of Virginia (1960) with the editorial assistance of Paul Clayton Worthington.
Note by Kevin W.:
This is an old version of The Twa Brothers (Child 49). It has a ghost ending resembling The Unquiet Grave (Child 78), like Childs Version B text. It had some currency in Albemarle County, Virginia and was noted from members of the Shiflett family and other singers in the area. Its the most complete text of this interesting form of the ballad known to me. The Unquiet Grave as its own ballad is also rare in America.
George Foss account of the Browns Cove, Albemarle County singers is well worth a read: http://www.klein-shiflett.com/shifletfamily/HHI/GeorgeFoss/whall.html
Compare this text to Child 49 Version B, from Motherwells Manuscript, noted in 1825: http://71.174.62.16/Demo/LongerHarvest?Text=Child_d04902
The ending with Loving Susie raising the dead brother from the grave and asking for a kiss seems strangely incongruent with the opening which suggests little boys going to school. The brothers were meant to be young noblemen, not little boys. A similar degradation happened to US texts of The Wife of Ushers Well (Child 79). The murder may have happened out of rivalry over Loving Susie in this version. This is different from Scottish texts of recent tradition where the killing is accidental and no female love interest is mentioned.
Song transcription:
There were two brothers in one school.
One evening coming home
The oldest said to the youngest one,
Lets have a wrastle and fall.
The oldest threw the youngest one,
He threw him to the ground,
And out of his pocket he drew a penknife
And gave him a deadly wound.
Pull off, pull off, your woolen shirt,
And tear it from gore to gore,
And wrap it around your bleeding wound,
Then you will bleed no more.
So he pulled off his woolen shirt,
And tore it from gore to gore,
An-a wrapped it around his bleeding wound,
Till he did bleed no more.
Pick me all up upon your back,
And carry me to yonders churchyard,
And dig my grave both wide and deep,
And gently lay me down.
What must I tell your loving father,
When he calls for his son John?
Tell him Im in some lonely green wood,
Teaching young hounds to run.
What must I tell your loving mother,
When she calls for her son John?
Tell her Im in some graded school,
Say, A good scholar never returns.
What must I tell your loving Sue,
When she calls for her dear John?
Tell her Im in my lowly grave,
My books to carry back home.
When-a this young Susy heard of this,
She took the horn and blew,
She charmed the birds all from the nest
And the fishes out of the sea.
She charmed young Johnny from his grave,
Said, Susy, what do you want?
One sweet kiss from your sweet lips
Is all my heart does crave.
Go home, go home, my loving Susy,
And weep no more for me,
For one sweet kiss from my sweet lips
Will solve your day short on. [*]
[*] short on = shorten. Kissing the lips of the dead will shorten your days (it will kill you) The Two Brothers (Child 49) - Orilla Keyton](https://i.ytimg.com/vi/Oq6pKQT7DUU/mqdefault.jpg)



