Uploaded July 2025 | Updated September 2026, 2 days ago
Highland Laddie / Bonnie Maggie / Donkey Riding / Hieland Laddie (Roud No. 4691) (1982) - Performed on the bagpipes by the Travelling Stewart family of Blair at a ceilidh. Bonnie MacGregor was the dancer. From the documentary "Gypsies Sing Long Ballads" (1982). Filmed and recorded by John Cohen in Blairgowrie, Perthshire, Scotland.
The complete movie can be watched here:
folkstreams.net/films/gypsies-sing-long-ballads
I extracted the songs and used my knowledge on video editing to share them on Youtube in the highest possible quality, I used manual video upscaling (no AI was used!) for this, to further document variants of traditional ballads and songs which has been my hobby for many years. I claim no ownership of the video, all the rights belong with John Cohen.
Note about the film:
Scotland’s Travellers have lived outside mainstream society for more than 500 years. Although some of the Travelling People still live by the sides of roads, most live today in houses and are under pressure to abandon their culture. This film celebrates their traditional music, especially the long unaccompanied ballads that date back hundreds of years and have been handed down by memory through the generations.
Note by Kevin W.:
I was delighted to discover this video documentation of Scotland's greatest tradition bearers. The often poorly treated Scottish Travellers honor the memories of their ancestors through songs, music and storytelling. They are proud of their culture and kept old traditions alive for hundreds of years. Many of our most gifted traditional singers and storytellers are Travellers.
Scottish Travellers are an indigenous ethnic minority in Scotland who live or traditionally lived a nomadic lifestyle and for centuries were unfairly shunned by the settled population. For that reason the singing culture of the Travelling people had not been well documented before the 20th century when non-Travellers with an interest in folklore visited and befriended Travellers and started recording their songs, music and stories.
Transcription:
[John Cohen] At a party in Blairgowrie, the Stewart family celebrates their son's return home from Australia with songs and dances. But these are not ordinary Scotch people. They are gypsies, who've been forced to live on the edge of society for more than 500 years.
Highland Laddie / Bonnie Maggie / Donkey Riding / Hieland Laddie (Roud No. 4691) (1982) - Performed on the bagpipes by the Travelling Stewart family of Blair at a ceilidh. Bonnie MacGregor was the dancer. From the documentary "Gypsies Sing Long Ballads" (1982). Filmed and recorded by John Cohen in Blairgowrie, Perthshire, Scotland.
The complete movie can be watched here:
folkstreams.net/films/gypsies-sing-long-ballads
I extracted the songs and used my knowledge on video editing to share them on Youtube in the highest possible quality, I used manual video upscaling (no AI was used!) for this, to further document variants of traditional ballads and songs which has been my hobby for many years. I claim no ownership of the video, all the rights belong with John Cohen.
Note about the film:
Scotland’s Travellers have lived outside mainstream society for more than 500 years. Although some of the Travelling People still live by the sides of roads, most live today in houses and are under pressure to abandon their culture. This film celebrates their traditional music, especially the long unaccompanied ballads that date back hundreds of years and have been handed down by memory through the generations.
Note by Kevin W.:
I was delighted to discover this video documentation of Scotland's greatest tradition bearers. The often poorly treated Scottish Travellers honor the memories of their ancestors through songs, music and storytelling. They are proud of their culture and kept old traditions alive for hundreds of years. Many of our most gifted traditional singers and storytellers are Travellers.
Scottish Travellers are an indigenous ethnic minority in Scotland who live or traditionally lived a nomadic lifestyle and for centuries were unfairly shunned by the settled population. For that reason the singing culture of the Travelling people had not been well documented before the 20th century when non-Travellers with an interest in folklore visited and befriended Travellers and started recording their songs, music and stories.
Transcription:
[John Cohen] At a party in Blairgowrie, the Stewart family celebrates their son's return home from Australia with songs and dances. But these are not ordinary Scotch people. They are gypsies, who've been forced to live on the edge of society for more than 500 years.

![The Two Brothers (Child 49) - Orilla Keyton
Two Brothers / Twa Brithers / Two Pretty Boys / Rolling of the Stones / Little Schoolboy / Jessel Town / The Twa Brothers (Child No. 49) - Sung by Mrs. Orilla Orella Mildred Madison Keyton (1880–1953) of Mount Fair, Albemarle County, Virginia, USA. Recorded by Arthur Kyle Davis Jr. on March 10, 1933. Cecil Sharp and Maud Karpeles collected songs from Mrs. Keeton (s.p) in 1916 but they seem to have missed her version of this ballad.
00:00:00 The Two Brothers - Orilla Keyton
00:03:41 The Two Brothers - Mary Wood Shiflett
00:07:27 The Two Brothers (Old Transfer) - Florence Puckett
00:09:22 The Two Brothers (New Transfer) - Florence Puckett
An excellent article by Mike Yates on Cecil Sharps and Maud Karpeles Appalachia trip in the 1910s can be read here: https://www.mustrad.org.uk/articles/sharp.htm
A selection of 1930s phonograph recordings made by folklorist Arthur Kyle Davis Jr. (1897–1972) of Virginia ballad singers has been digitised and made available for listening online: https://avalon.lib.virginia.edu/collections/7m01bk901
We get a chance to listen to some of the very same people Cecil Sharp and Maud Karpeles met and noted songs from in the 1910s.
The audio quality of these recordings is relatively poor, being made with portable equipment at that time, but the songs are interesting and worthy of attention. I had the idea of creating small compilations of related versions of each song for these videos. This is because I noticed that I often had more than one recording of each song available from singers who were related or lived in the same area.
Arthur K. Davis Jr. published the hundreds of Virginia ballads he collected in two books, Folk-Songs of Virginia (1949), and More Traditional Ballads of Virginia (1960) with the editorial assistance of Paul Clayton Worthington.
Note by Kevin W.:
This is an old version of The Twa Brothers (Child 49). It has a ghost ending resembling The Unquiet Grave (Child 78), like Childs Version B text. It had some currency in Albemarle County, Virginia and was noted from members of the Shiflett family and other singers in the area. Its the most complete text of this interesting form of the ballad known to me. The Unquiet Grave as its own ballad is also rare in America.
George Foss account of the Browns Cove, Albemarle County singers is well worth a read: http://www.klein-shiflett.com/shifletfamily/HHI/GeorgeFoss/whall.html
Compare this text to Child 49 Version B, from Motherwells Manuscript, noted in 1825: http://71.174.62.16/Demo/LongerHarvest?Text=Child_d04902
The ending with Loving Susie raising the dead brother from the grave and asking for a kiss seems strangely incongruent with the opening which suggests little boys going to school. The brothers were meant to be young noblemen, not little boys. A similar degradation happened to US texts of The Wife of Ushers Well (Child 79). The murder may have happened out of rivalry over Loving Susie in this version. This is different from Scottish texts of recent tradition where the killing is accidental and no female love interest is mentioned.
Song transcription:
There were two brothers in one school.
One evening coming home
The oldest said to the youngest one,
Lets have a wrastle and fall.
The oldest threw the youngest one,
He threw him to the ground,
And out of his pocket he drew a penknife
And gave him a deadly wound.
Pull off, pull off, your woolen shirt,
And tear it from gore to gore,
And wrap it around your bleeding wound,
Then you will bleed no more.
So he pulled off his woolen shirt,
And tore it from gore to gore,
An-a wrapped it around his bleeding wound,
Till he did bleed no more.
Pick me all up upon your back,
And carry me to yonders churchyard,
And dig my grave both wide and deep,
And gently lay me down.
What must I tell your loving father,
When he calls for his son John?
Tell him Im in some lonely green wood,
Teaching young hounds to run.
What must I tell your loving mother,
When she calls for her son John?
Tell her Im in some graded school,
Say, A good scholar never returns.
What must I tell your loving Sue,
When she calls for her dear John?
Tell her Im in my lowly grave,
My books to carry back home.
When-a this young Susy heard of this,
She took the horn and blew,
She charmed the birds all from the nest
And the fishes out of the sea.
She charmed young Johnny from his grave,
Said, Susy, what do you want?
One sweet kiss from your sweet lips
Is all my heart does crave.
Go home, go home, my loving Susy,
And weep no more for me,
For one sweet kiss from my sweet lips
Will solve your day short on. [*]
[*] short on = shorten. Kissing the lips of the dead will shorten your days (it will kill you) The Two Brothers (Child 49) - Orilla Keyton](https://i.ytimg.com/vi/Oq6pKQT7DUU/mqdefault.jpg)




![Love Henry and Lady Margaret (Child 68) - Orilla Keyton / Mary Bird McAllister
Sir Henry / Lord Henry / Love Henry / Loving Henry Lee / Lady Margaret / Young Hunting (Child No. 68) - Sung by Mrs. Orilla Orella Mildred Madison Keyton (1880–1953) of Mount Fair, Albemarle County, Virginia, USA. Recorded by Arthur Kyle Davis Jr. on March 10, 1933. Previously collected by Cecil Sharp and Maud Karpeles from Mrs. Keeton (s.p) on September 26, 1916. This version was covered by Hedy West on the LP Ballads (1967) Topic Records - 12T163.
00:00:00 Lady Margaret (1st Take) - Orilla Keyton
00:05:00 Lady Margaret (2nd Take) - Orilla Keyton
00:09:21 Love Henry - Mary Bird McAllister
00:14:10 You Murdered Your Love In The Hall - Hannah Gatts Rogers
A selection of 1930s phonograph recordings made by folklorist Arthur Kyle Davis Jr. (1897–1972) of Virginia ballad singers has been digitised and made available for listening online: https://avalon.lib.virginia.edu/collections/7m01bk901
We get a chance to listen to some of the very same people Cecil Sharp and Maud Karpeles met and noted songs from in the 1910s.
The audio quality of these recordings is relatively poor, being made with portable equipment at that time, but the songs are interesting and worthy of attention. I had the idea of creating small compilations of related versions of each song for these videos. This is because I noticed that I often had more than one recording of each song available from singers who were related or lived in the same area.
Arthur K. Davis Jr. published the hundreds of Virginia ballads he collected in two books, Folk-Songs of Virginia (1949), and More Traditional Ballads of Virginia (1960) with the editorial assistance of Paul Clayton Worthington.
Note by Kevin W.:
A beautiful, carefully preserved text with a fine tune. This stands as one of the best versions of Young Hunting (Child 68) recorded in modern times. It has the rare bugle horn opening and the bribery of the maid servant.
The later half of Young Hunting with the kings divers being instructed to search for the body by the talking bird has only once been recorded in America in a fragment titled Sir Robin, distinct from all other US texts: http://bluegrassmessengers.com/sir-robin swetnam-ms-1936-hudson-a.aspx
I wonder if the shorter US texts arent closer to a speculative ur-form of the ballad, with the supernatural elements having been grafted onto the song by literary Scottish poets at a later date. If these elements were part of the ur-ballad wouldnt they show up in at least some of the US texts? Its likely the song arrived in Virginia with the early settlers in the 1600s-1700s and predates the Scottish texts printed by Prof. Child.
The scant surviving tradition of the ballad in Ireland and Canada agrees with the US texts.
Song transcription:
As Lady Margret she was going to bed
She heard the sound of a musical horn,
Which made her heart feel glad and sad
To think that it was her brother, brother John
Returning from his king,
But who should it be but her true-love Henery
Coming in from his wild hunting.
O light, O light, love Henery,
To stay all night with me,
And you shall have the cheers of the cheery cold girl, [*]
The best I can give thee.
I will not light nor I shall not light
To stay all night with thee,
For theres a pretty girl in Merry Green Lea
I love far better than thee.
He bended over her soft pillow
To give her a kiss so sweet,
But with a penknife in her right hand
She wounded him in full deep.
Woe be, woe be, Lady Margret, he cried,
Woe be, woe be to thee,
For dont you see my own hearts blood
Come twinkling down my knee?
She called unto a maid of hers:
Keep a secret, keep a secret on me.
All these fine robes on my body
Shall always be to thee.
One taken him by his long yellow hair
And the other one by his feet,
And they threw him into the well waters
Which was so cold and deep.
Lie there, lie there, love Henery,
Till the flesh rots off your bones,
And that pretty girl in Merry Green Lea
Thinks long of your coming home.
Up spoke, up spoke a pretty little parrot
Exceeding on a willow tree:
There never was a girl in Merry Green Lea
He loved so well as thee.
Come down, come down, my pretty little parrot,
And sit upon my knee,
And you shall have a cage of a pure, pure gold
Instead of the willow tree.
[ I wont come down, nor I shant come down
To sit upon your knee,
For you have murdered your true love Henery,
More sooner you would kill me. ] [**]
If I had my arrow in my hand,
My bow on tuneful string,
Id shoot a dart that would win your heart,
So you could no longer sing.
If you had your arrow in your hand,
Your bow on tuneful string,
Id take a flight and fly, fly away
And tune my voice to sing.
[*] In Scottish texts this line runs more properly you shall have cheer with charcoal clear
[**] This stanza was noted by Cecil Sharp in 1916 but wasnt sung in 1933 Love Henry and Lady Margaret (Child 68) - Orilla Keyton / Mary Bird McAllister](https://i.ytimg.com/vi/PuRi-5Re7ok/mqdefault.jpg)



