Uploaded August 2026 | Updated September 2026, 3 weeks ago
U.F.O.s, also released as GNAP in parts of Europe, is a 1997 point-and-click adventure developed by Artech Digital Entertainment and published by Corel Corporation and Hoffmann + Associates for Windows and Macintosh. It is a short, deliberately bizarre cartoon adventure built around gross-out humor, slapstick violence, surreal puzzles and exaggerated 1990s animation.
Rating: 7/10
You play as Gnap, a one-eyed purple alien who crash-lands in a rural American setting after his spaceship runs into trouble. To get back into space, he needs to explore the surrounding area and collect the parts required to repair his ship. Early in the adventure he is joined by a duck-billed platypus, who becomes both a companion and an important tool for solving puzzles.
The story is extremely simple, but that is largely intentional. U.F.O.s is more interested in delivering one visual gag after another than in developing characters or building a complicated plot. Gnap barely communicates in normal language, instead relying on gibberish, exaggerated expressions and cartoon reactions. This gives the game the feel of an interactive animated comedy rather than a dialogue-heavy adventure.
Gameplay follows the traditional point-and-click structure. You move between static locations, examine objects, interact with characters and collect inventory items. The interface uses familiar actions such as looking, talking and using objects, while inventory and other functions are accessed through a remote-control-style menu.
The platypus is one of the more distinctive mechanics. He can effectively be used like an inventory item, usually by sending him into situations that Gnap does not want to deal with himself. This often results in slapstick abuse or elaborate animations, and the game gets plenty of mileage out of treating the poor animal as a disposable problem-solving tool.
Puzzle design is intentionally absurd. Solutions rarely follow realistic logic, instead requiring you to understand the game's particular brand of cartoon reasoning. You may have to experiment with strange item combinations or use objects on seemingly unrelated characters before the intended solution becomes clear. Most puzzles are not especially difficult, but a few fall into the classic adventure-game problem of encouraging you to try everything on everything.
The game also includes several arcade-style sequences that interrupt the standard exploration. These add variety, but they are generally weaker than the point-and-click sections. Driving and timing-based challenges can feel clumsy, and the tongue-fighting sequence in particular is more irritating than clever. Fortunately, these sections are brief.
Presentation is the game's strongest feature. The characters are highly animated and expressive, with plenty of exaggerated movements, reaction shots and failure animations. The backgrounds combine cartoon characters with rendered environments, producing a distinctive late-1990s look. Clicking on objects often triggers completely unnecessary jokes or animations, which encourages experimentation even when you already know what you are supposed to do.
The humor is deliberately low-brow. Expect bodily-function jokes, cartoon violence, drinking, smoking and generally tasteless behavior. Its tone feels closer to Ren & Stimpy or other edgy 1990s animation than to a family-oriented adventure game. Whether that works is entirely dependent on your tolerance for this particular style.
The biggest weakness is the length. U.F.O.s can be completed in only a few hours, and once the puzzles are solved there is little reason to return beyond seeing missed animations. The story is thin, the world is small and the game ends before its ideas have much time to develop.
Still, U.F.O.s is an entertaining cult curiosity. It does not offer the depth, length or sophistication of the best point-and-click adventures, but its energetic animation, strange puzzles and relentless cartoon stupidity give it a personality of its own. For players who enjoy short, irreverent adventure games and 1990s gross-out humor, it is well worth experiencing at least once.
U.F.O.s, also released as GNAP in parts of Europe, is a 1997 point-and-click adventure developed by Artech Digital Entertainment and published by Corel Corporation and Hoffmann + Associates for Windows and Macintosh. It is a short, deliberately bizarre cartoon adventure built around gross-out humor, slapstick violence, surreal puzzles and exaggerated 1990s animation.
Rating: 7/10
You play as Gnap, a one-eyed purple alien who crash-lands in a rural American setting after his spaceship runs into trouble. To get back into space, he needs to explore the surrounding area and collect the parts required to repair his ship. Early in the adventure he is joined by a duck-billed platypus, who becomes both a companion and an important tool for solving puzzles.
The story is extremely simple, but that is largely intentional. U.F.O.s is more interested in delivering one visual gag after another than in developing characters or building a complicated plot. Gnap barely communicates in normal language, instead relying on gibberish, exaggerated expressions and cartoon reactions. This gives the game the feel of an interactive animated comedy rather than a dialogue-heavy adventure.
Gameplay follows the traditional point-and-click structure. You move between static locations, examine objects, interact with characters and collect inventory items. The interface uses familiar actions such as looking, talking and using objects, while inventory and other functions are accessed through a remote-control-style menu.
The platypus is one of the more distinctive mechanics. He can effectively be used like an inventory item, usually by sending him into situations that Gnap does not want to deal with himself. This often results in slapstick abuse or elaborate animations, and the game gets plenty of mileage out of treating the poor animal as a disposable problem-solving tool.
Puzzle design is intentionally absurd. Solutions rarely follow realistic logic, instead requiring you to understand the game's particular brand of cartoon reasoning. You may have to experiment with strange item combinations or use objects on seemingly unrelated characters before the intended solution becomes clear. Most puzzles are not especially difficult, but a few fall into the classic adventure-game problem of encouraging you to try everything on everything.
The game also includes several arcade-style sequences that interrupt the standard exploration. These add variety, but they are generally weaker than the point-and-click sections. Driving and timing-based challenges can feel clumsy, and the tongue-fighting sequence in particular is more irritating than clever. Fortunately, these sections are brief.
Presentation is the game's strongest feature. The characters are highly animated and expressive, with plenty of exaggerated movements, reaction shots and failure animations. The backgrounds combine cartoon characters with rendered environments, producing a distinctive late-1990s look. Clicking on objects often triggers completely unnecessary jokes or animations, which encourages experimentation even when you already know what you are supposed to do.
The humor is deliberately low-brow. Expect bodily-function jokes, cartoon violence, drinking, smoking and generally tasteless behavior. Its tone feels closer to Ren & Stimpy or other edgy 1990s animation than to a family-oriented adventure game. Whether that works is entirely dependent on your tolerance for this particular style.
The biggest weakness is the length. U.F.O.s can be completed in only a few hours, and once the puzzles are solved there is little reason to return beyond seeing missed animations. The story is thin, the world is small and the game ends before its ideas have much time to develop.
Still, U.F.O.s is an entertaining cult curiosity. It does not offer the depth, length or sophistication of the best point-and-click adventures, but its energetic animation, strange puzzles and relentless cartoon stupidity give it a personality of its own. For players who enjoy short, irreverent adventure games and 1990s gross-out humor, it is well worth experiencing at least once.
![Space Quest I: Roger Wilco in the Sarien Encounter [VGA] (PC) Playthrough](https://i.ytimg.com/vi/jOkOt6B8snQ/mqdefault.jpg "Space Quest I: Roger Wilco in the Sarien Encounter [VGA] (PC) Playthrough
Space Quest I: Roger Wilco in the Sarien Encounter [VGA] (PC) Playthrough")
