Uploaded July 2018 | Updated September 2026, 2 weeks ago
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Thomas Tomkins: A Sad Paven for these Distracted Tymes (February 14, 1649). John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: quarter-comma meantone. A=415 Hz.
Support the channel at patreon.com/johnmoraitis
Thank you for your support!
Thomas Tomkins: A Sad Paven for these Distracted Tymes (February 14, 1649). John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: quarter-comma meantone. A=415 Hz.




![Lebègue: Suite en D la ré sol, part 2. John Moraitis, harpsichord.
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Thank you for your support!
Nicolas Lebègue: Suite en D la ré sol (from Les Pièces de Clavessin [1677]):
V. Sarabande
VI. Gavotte
VII. Menuet
VIII. Canaris
John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: Rameau. A=415 Hz. Lebègue: Suite en D la ré sol, part 2. John Moraitis, harpsichord.](https://i.ytimg.com/vi/jwqssvGU-Lg/mqdefault.jpg)
![Armand-Louis Couperin: LAffligée. John Moraitis, harpsichord.
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Thank you for your support!
Chapters:
0:00 The Pre-Classical style in (modern) music history
1:40 Shortcomings of the modern view
3:06 The Rococo style
5:37 The Pièces de clavecin of 1751
7:21 The expressive content of LAffligée
8:03 Rhythmic flexibility and choice of tempo
10:09 Notes inégales
10:38 Adding ornaments
11:05 Grace notes
12:38 Separating phrases and approaching cadences
17:25 Performance
Armand-Louis Couperin: LAffligée (from Pièces de clavecin [1751]).
John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: Rameau. A=415 Hz Armand-Louis Couperin: LAffligée. John Moraitis, harpsichord.](https://i.ytimg.com/vi/kGw9PpzmUdE/mqdefault.jpg)




