Uploaded November 2019 | Updated September 2026, 2 weeks ago
UPDATE 31 March 2022: Based on many comments and suggestions, I decided to make a series of three videos in which I explain some basic concepts relating to temperaments, provide demonstrations of intervals, chords, and short passages played in different temperaments, and discuss how temperaments enhance musical expression. The links to the first two videos are below, and I will update this notice when I post the third video. I am grateful for your input, and hope you will find these videos helpful!
Exploring Temperaments, Part 1: youtube.com/watch?v=X0qtKpsNsIs
Exploring Temperaments, Part 2, Listening Strategies and Demonstration: youtube.com/watch?v=5zXWXZIiuT8
Support the channel at patreon.com/johnmoraitis
Thank you for your support!
Chapters:
0:00 Introduction
2:18 Quarter-comma meantone presentation
4:40 Rameau presentation
5:38 Well Tempered Clavier and circulating temperaments
6:48 Kirnberger III presentation
8:00 Why this prelude?
9:11 Concluding remarks
10:22 Performance in quarter-comma meantone
12:36 Performance in Rameau
14:45 Performance in Kirnberger III
Johann Sebastian Bach: Prelude in C major, BWV 846 (from The Well-Tempered Clavier, Book I).
Performed in three different temperaments:
I. Quarter-comma meantone
II. Rameau
III. Kirnberger III
John Moraitis, spinet.
Spinet: Neupert "Zenti" (Bamberg, 2008). A=415 Hz.
UPDATE 31 March 2022: Based on many comments and suggestions, I decided to make a series of three videos in which I explain some basic concepts relating to temperaments, provide demonstrations of intervals, chords, and short passages played in different temperaments, and discuss how temperaments enhance musical expression. The links to the first two videos are below, and I will update this notice when I post the third video. I am grateful for your input, and hope you will find these videos helpful!
Exploring Temperaments, Part 1: youtube.com/watch?v=X0qtKpsNsIs
Exploring Temperaments, Part 2, Listening Strategies and Demonstration: youtube.com/watch?v=5zXWXZIiuT8
Support the channel at patreon.com/johnmoraitis
Thank you for your support!
Chapters:
0:00 Introduction
2:18 Quarter-comma meantone presentation
4:40 Rameau presentation
5:38 Well Tempered Clavier and circulating temperaments
6:48 Kirnberger III presentation
8:00 Why this prelude?
9:11 Concluding remarks
10:22 Performance in quarter-comma meantone
12:36 Performance in Rameau
14:45 Performance in Kirnberger III
Johann Sebastian Bach: Prelude in C major, BWV 846 (from The Well-Tempered Clavier, Book I).
Performed in three different temperaments:
I. Quarter-comma meantone
II. Rameau
III. Kirnberger III
John Moraitis, spinet.
Spinet: Neupert "Zenti" (Bamberg, 2008). A=415 Hz.





![Valentin Strobel (?): Suite in c minor. John Moraitis, harpsichord.
Support the channel at https://www.patreon.com/johnmoraitis
Thank you for your support!
Valentin Strobel (?): Suite in c minor:
I. Allemande [fragment]
II. Gigue
III. Courante [fragment]
John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: Rameau. A=415 Hz. Valentin Strobel (?): Suite in c minor. John Moraitis, harpsichord.](https://i.ytimg.com/vi/m1n2IkVqe_I/mqdefault.jpg)
![Clérambault: Suite in c minor (complete). John Moraitis, harpsichord.
Support the channel at https://www.patreon.com/johnmoraitis
Thank you for your support!
A complete recording of Clérambaults Suite in c minor. Three of the movements (the Prélude, the Allemande, and the Courante) have been posted in previous videos. For this video, I recorded the Gigue for the first time, made a new recording of the Sarabande Grave to match the sound quality of the other movements, realigned the score that accompanies the recordings, and included a short introduction that examines the publication of Clérambaults 1er Livre de Pièces de Clavecin. I am extremely grateful to Jon Baxendale, who provided me with the preface of his forthcoming edition of Clérambaults Pièces de Clavecin. His preface addresses the background to Clérambaults original publication, and the information I present in my introduction is based on Jons findings.
Louis-Nicolas Clérambault: Suite in c minor (from 1er Livre de Pièces de Clavecin [1704]):
I. Prélude
II. Allemande
III. Courante
IV. Sarabande Grave
V. Gigue
John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: Rameau. A=415 Hz. Clérambault: Suite in c minor (complete). John Moraitis, harpsichord.](https://i.ytimg.com/vi/mGEwUM5dORE/mqdefault.jpg)



