Uploaded September 2017 | Updated September 2026, 2 weeks ago
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Johann Sebastian Bach: Suite in g minor, BWV 995 – Courante. John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: Rameau. A=415 Hz.
The Suite in g minor, BWV 995 is Bach's own transcription for lute of his 5th cello suite in c minor, BWV 1011. While technically not a harpsichord composition, both the lute and the harpsichord are plucked instruments, the predominantly low range highlights the wonderful resonance of the harpsichord's bass register, and, perhaps most importantly, this is too beautiful of a suite to resist performing it. There is still some debate regarding the use of notes inégales when performing Bach (and most other German repertory, for that matter), but this courante definitely seems to be asking for it :)
Support the channel at patreon.com/johnmoraitis
Thank you for your support!
Johann Sebastian Bach: Suite in g minor, BWV 995 – Courante. John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: Rameau. A=415 Hz.
The Suite in g minor, BWV 995 is Bach's own transcription for lute of his 5th cello suite in c minor, BWV 1011. While technically not a harpsichord composition, both the lute and the harpsichord are plucked instruments, the predominantly low range highlights the wonderful resonance of the harpsichord's bass register, and, perhaps most importantly, this is too beautiful of a suite to resist performing it. There is still some debate regarding the use of notes inégales when performing Bach (and most other German repertory, for that matter), but this courante definitely seems to be asking for it :)
