Uploaded May 2023 | Updated September 2026, 2 weeks ago
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Chapters:
0:00 Introduction
0:38 The Ryge tablature and its notation
3:29 General remarks on tempo
5:01 Performance indications in Baroque scores
6:10 Choosing a tempo for the Allemande
9:51 Chordal texture
11:27 Rhythmic flexibility
13:52 Shaping musical gestures
17:44 Separating phrases in the Sarabande
20:17 Dislocation in the Gigue
25:06 Order of movements
25:18 Allemande
28:18 Courante
29:52 Sarabande
31:17 Gigue
32:52 Patreon information
Link to my previous performance of the suite: youtube.com/watch?v=03kT8J_Huzc
Dietrich Buxtehude, Suite in g minor, BuxWV 242:
I. Allemande
II. Courante
III. Sarabande
IV. Gigue
John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: Rameau. A=415 Hz
Support the channel at patreon.com/johnmoraitis
Thank you for your support!
Chapters:
0:00 Introduction
0:38 The Ryge tablature and its notation
3:29 General remarks on tempo
5:01 Performance indications in Baroque scores
6:10 Choosing a tempo for the Allemande
9:51 Chordal texture
11:27 Rhythmic flexibility
13:52 Shaping musical gestures
17:44 Separating phrases in the Sarabande
20:17 Dislocation in the Gigue
25:06 Order of movements
25:18 Allemande
28:18 Courante
29:52 Sarabande
31:17 Gigue
32:52 Patreon information
Link to my previous performance of the suite: youtube.com/watch?v=03kT8J_Huzc
Dietrich Buxtehude, Suite in g minor, BuxWV 242:
I. Allemande
II. Courante
III. Sarabande
IV. Gigue
John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: Rameau. A=415 Hz
![Lebègue: Suite en D la ré sol, part 2. John Moraitis, harpsichord.
Support the channel at https://www.patreon.com/johnmoraitis
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Nicolas Lebègue: Suite en D la ré sol (from Les Pièces de Clavessin [1677]):
V. Sarabande
VI. Gavotte
VII. Menuet
VIII. Canaris
John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: Rameau. A=415 Hz. Lebègue: Suite en D la ré sol, part 2. John Moraitis, harpsichord.](https://i.ytimg.com/vi/jwqssvGU-Lg/mqdefault.jpg)
![Armand-Louis Couperin: LAffligée. John Moraitis, harpsichord.
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Thank you for your support!
Chapters:
0:00 The Pre-Classical style in (modern) music history
1:40 Shortcomings of the modern view
3:06 The Rococo style
5:37 The Pièces de clavecin of 1751
7:21 The expressive content of LAffligée
8:03 Rhythmic flexibility and choice of tempo
10:09 Notes inégales
10:38 Adding ornaments
11:05 Grace notes
12:38 Separating phrases and approaching cadences
17:25 Performance
Armand-Louis Couperin: LAffligée (from Pièces de clavecin [1751]).
John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: Rameau. A=415 Hz Armand-Louis Couperin: LAffligée. John Moraitis, harpsichord.](https://i.ytimg.com/vi/kGw9PpzmUdE/mqdefault.jpg)







![Valentin Strobel (?): Suite in c minor. John Moraitis, harpsichord.
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Valentin Strobel (?): Suite in c minor:
I. Allemande [fragment]
II. Gigue
III. Courante [fragment]
John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: Rameau. A=415 Hz. Valentin Strobel (?): Suite in c minor. John Moraitis, harpsichord.](https://i.ytimg.com/vi/m1n2IkVqe_I/mqdefault.jpg)
![Clérambault: Suite in c minor (complete). John Moraitis, harpsichord.
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A complete recording of Clérambaults Suite in c minor. Three of the movements (the Prélude, the Allemande, and the Courante) have been posted in previous videos. For this video, I recorded the Gigue for the first time, made a new recording of the Sarabande Grave to match the sound quality of the other movements, realigned the score that accompanies the recordings, and included a short introduction that examines the publication of Clérambaults 1er Livre de Pièces de Clavecin. I am extremely grateful to Jon Baxendale, who provided me with the preface of his forthcoming edition of Clérambaults Pièces de Clavecin. His preface addresses the background to Clérambaults original publication, and the information I present in my introduction is based on Jons findings.
Louis-Nicolas Clérambault: Suite in c minor (from 1er Livre de Pièces de Clavecin [1704]):
I. Prélude
II. Allemande
III. Courante
IV. Sarabande Grave
V. Gigue
John Moraitis, harpsichord.
Harpsichord by Martine Argellies (Montpellier, 2012), after Dulcken.
Temperament: Rameau. A=415 Hz. Clérambault: Suite in c minor (complete). John Moraitis, harpsichord.](https://i.ytimg.com/vi/mGEwUM5dORE/mqdefault.jpg)