Uploaded November 2020 | Updated September 2026, 1 week ago
Day 230 of the American Songbag Stay-at-Home Series
"The crying out loud is heard here; over smash-ups, head-on collisions, cow-catchers telescoped in cabooses, the iron horse meeting a broken rail and taking a tumble down an embankment, the undertakers' harvest that came after someone was asleep at the switch the crying out loud is heard here. ...
"It is the landlubber brother of the sailor windlass song A Hundred Years Is A Very Long Time. . . ."
Day 230 of the American Songbag Stay-at-Home Series
"The crying out loud is heard here; over smash-ups, head-on collisions, cow-catchers telescoped in cabooses, the iron horse meeting a broken rail and taking a tumble down an embankment, the undertakers' harvest that came after someone was asleep at the switch the crying out loud is heard here. ...
"It is the landlubber brother of the sailor windlass song A Hundred Years Is A Very Long Time. . . ."



![When the Curtains of Night are Pinned Back
Day 162 of the American Songbag Stay-at-Home Series
This begins the Great Open Spaces.
Sandburg writes: The cowboys of Colorado took a garrulous popular song of the 1870s (Ill Remember You, Love, in my Prayers), and kept a fragment, the hearts essence of it.
It is impressive when sung by a lone horseman silhouetted against a distant horizon. Given any where with ease, feeling, control, it may leave echoes as thin and air- hung as certain apparitions of a clear nights sky of stars. That is, it holds an honest and independent poetry. . . .
Text and tune are from Jane Ogle of Rock Island, Illinois.
NOTES from the Traditional Ballad Index: Hazel Fellemans 1936 book The Best Loved Poems of the American People, p. 32, has a long version of this with the title Ill Remember You, Love, in My Prayers. That version looks very composed, but she lists no author. It appears, however, that the original was by the well-known composer Will S. Hays. The first sheet music printing was apparently titled Ill Remember You [Love] in my prayers. - RBW When the Curtains of Night are Pinned Back](https://i.ytimg.com/vi/mWF3hNG8s54/mqdefault.jpg)



![O Fare Thee Well
NOTES: Hes Gone Away from Carl Sandburgs 1927 The American Songbag.
Sandburg begins his first chapter DRAMAS AND PORTRAITS with the song Hes Gone Away. In studying the roots of Sandburgs selection, several songs show up as closely related.
According to The Traditional Ballad Index, William A. Larkins notebook of lyrics is the earliest date of this song in their collective index.
This song (which includes the variation represented in Carl Sandburgs 1927 American Songbag), is officially a catch-all. Other song titles in this category are The True Lovers Farewell, Red Rosy Bush, and Turtle Dove.
The Traditional Ballad Index When William A. Larkin started his book of all songs in April, I866, he may not have realized that he was making a valuable contribution to folklore. Like Chaucers young squire, he was twenty years of age at the time, and did considerable singing when called upon by his friends. Evidently he wrote these [45] old album songs down to sing at such times.
His statement, These are selected from the best songs he knows, which he believes to be the best selected songs in this country seems to indicate that his judgment did not err too far, inasmuch as folk song scholarship [later] confirmed . . . . (The Old Album of William A. Larkin by Ruth Ann Musick, Journal of American Folklore Volume 60, No. 237, July-September 1947).
I took Larkins lyrics and put it to a tune collected by Cecil Sharpe and Maude Karpeles in his English Folk-Songs from the Southern Appalachians. There are tentacles going back to the British Isles, but this will be elaborated upon at a later date. O Fare Thee Well](https://i.ytimg.com/vi/o-5PuxsG_PY/mqdefault.jpg)


