Uploaded March 2021 | Updated September 2026, 6 days ago
This ends the first chapter "Our God, Our Hope" in Carl Sandburg's 1950 New American Songbag. Sandburg was feeling patriotic because World War II not only came to its conclusion, Sandburg had hopes it was time for peace to be ushered in. . . and the "family of man" recognized.
Sandburg writes: "Often the saying goes in these days, "There is a search for God now as never before." Among the varied religions of mankind there are different names and interpretations of a Supreme Being, an absolute and universal Higher Intelligence having a hand: m. the affairs of men and nations. Around this Mystic Power, Isaac Watts wrote his psalm of faith in God as related to The Peoples who are now more vast and restless over the earth than in any previous age. Watts is a towering figure among hymn writers. He couldn't have known that of his hundreds of hymns this one would wear better and longer than any other. For more than three hundred years the English-speaking people and their changing rulers and servants have kept this hymn. Among trials and triumphs—and trials again—they go on singing it.
"You might say it is an antique that never goes out of use. On VE day and the war's ending in Europe in 1945, in St. Paul's Cathedral in London, England, "Our God, Our Help in Ages Past" was sung with depths of fervor by a congregation overflowing that famous structure which had been a target of Nazi bombers. Among the singers there that day was the late Joseph Fort Newton, pastor of the Church of St. Luke and Epiphany in Philadelphia. Next to Dr. Newton stood another singer, the playwright and paradoxist, George Bernard Shaw.· The last lines of the time-honored hymn had rolled out sonorous and resounding from the throats of men and women who had heard and seen the appalling "buzz bombs."
"In a moment of quiet, when the singing ended, George Bernard Shaw turned to the Reverend Dr. Newton of Philadelphia and said, "Do you know, I think I would rather have written that little thing than all my plays?" Thus Dr. Newton gave the incident to his longtime valued friend Abby Sutherland, head of Ogontz School. G. B. S. of course, did go in for much foolery in his time. Yet he had his solemn moments and this may have been one."
This ends the first chapter "Our God, Our Hope" in Carl Sandburg's 1950 New American Songbag. Sandburg was feeling patriotic because World War II not only came to its conclusion, Sandburg had hopes it was time for peace to be ushered in. . . and the "family of man" recognized.
Sandburg writes: "Often the saying goes in these days, "There is a search for God now as never before." Among the varied religions of mankind there are different names and interpretations of a Supreme Being, an absolute and universal Higher Intelligence having a hand: m. the affairs of men and nations. Around this Mystic Power, Isaac Watts wrote his psalm of faith in God as related to The Peoples who are now more vast and restless over the earth than in any previous age. Watts is a towering figure among hymn writers. He couldn't have known that of his hundreds of hymns this one would wear better and longer than any other. For more than three hundred years the English-speaking people and their changing rulers and servants have kept this hymn. Among trials and triumphs—and trials again—they go on singing it.
"You might say it is an antique that never goes out of use. On VE day and the war's ending in Europe in 1945, in St. Paul's Cathedral in London, England, "Our God, Our Help in Ages Past" was sung with depths of fervor by a congregation overflowing that famous structure which had been a target of Nazi bombers. Among the singers there that day was the late Joseph Fort Newton, pastor of the Church of St. Luke and Epiphany in Philadelphia. Next to Dr. Newton stood another singer, the playwright and paradoxist, George Bernard Shaw.· The last lines of the time-honored hymn had rolled out sonorous and resounding from the throats of men and women who had heard and seen the appalling "buzz bombs."
"In a moment of quiet, when the singing ended, George Bernard Shaw turned to the Reverend Dr. Newton of Philadelphia and said, "Do you know, I think I would rather have written that little thing than all my plays?" Thus Dr. Newton gave the incident to his longtime valued friend Abby Sutherland, head of Ogontz School. G. B. S. of course, did go in for much foolery in his time. Yet he had his solemn moments and this may have been one."


![Ain Gon to Study War No Mo
Day 302 of the American Songbag Stay-at-Home Series
The tune in Sandburg is a little different from a more common version.
Sandburg writes: Among spirituals used by blacks as work songs this is to be mentioned. “They sing it by the hour,” students at the University of Alabama told me, referring to “Ain’ Go’n’ to Study War No Mo’.”
As they go on, hour by hour, they bring in lines from many other spirituals. The tempo is vital, never actually monotonous, never ecstatic, yet steady in its onflow, sure of its pulses. It is a work song-spiritual. . . . [with] black economy of vocables in speech and song.
ADDITIONAL INFO: Some scholars believe that the song was inspired by the famous verse in Isaiah (2:4) and Micah (4:5), the former of which reads in the (American printings of) the King James Version,
and they shall beat their swords into plowshares,
and their spears into pruninghooks;
nation shall not lift up sword against nation,
neither shall they learn war any more.
These verses have inspired many songs (too bad they havent inspired more politicians!), although in this case I would consider the song an allusion, not an actual quote.
Incidentally, although the King James translation is so influential that many more accurate translations are afraid to change it. . . . (from the Traditional Ballad Index) Ain Gon to Study War No Mo](https://i.ytimg.com/vi/pTeyrsLlExc/mqdefault.jpg)







