Uploaded July 2026 | Updated September 2026, 2 weeks ago
From '' Rock'n'Roll Party ''
Label: New Lifeshark Records – NLR 028
Format: CD, Album
Country: Germany
Released: 2002
Tracklist
01. Rama Lama Ding Dong
02. Under The Boardwalk
03. Stop In The Name Of Love
04. Needles And Pins
05. Locomotion
06. Daddy Cool
07. Mr. Postman
08. Tainted Love
09. Do You Love Me
10. Denis Denis
11. Shoop Shoop Song
12. Gimme Gimme Gimme
13. Radar Love
14. Shout
15. Rockaway Beach
16. Blitzkrieg Bop
Acoustic Guitar – Tim Buktu (tracks: 7, 10)
Piano – Tim Buktu (tracks: 9, 14)
Saxophone – Carlos (track: 3)
Producer, Recorded By – Tim Buktu
Notes
Recorded and produced April 2002 at Studio Manufaktur Wuppertal by Tim Buktu and the Band.
℗ New Lifeshark Records
🎵 [SONG INFO]
"Gimme! Gimme! Gimme! (A Man After Midnight)" is a song by Swedish band ABBA.
It was recorded in August 1979 in order to help promote their North American and European tour of that year, and was released on ABBA's Greatest Hits Vol. 2 album as the brand new track.
History
"Gimme! Gimme! Gimme! (A Man After Midnight)" was written and composed by Benny Andersson and Björn Ulvaeus, with the lead vocal sung by Agnetha Fältskog.
Fältskog, as the narrator, weaves the image of a lonely woman who longs for a romantic relationship and views her loneliness as a forbidding darkness of night, even drawing parallels to how the happy endings of movie stars are so different from her own existence.
The melody line of the song was played on an ARP Odyssey synthesizer.
Originally, ABBA had recorded another song, "Rubber Ball Man", which was planned as a single.
It featured the typical "ABBA-arrangement" with both Fältskog and Anni-Frid Lyngstad on lead vocals and the use of classical strings.
This song was also performed by the group during rehearsals for its 1979 tour as "Under My Sun".
However, the group felt that "Gimme! Gimme! Gimme!", with its disco sound, would be a better choice, and thus, "Rubber Ball Man" remained nothing more than a demo.
Reception
Cash Box called it "another exercise of sparkling euro-pop, with the slightest hint of boogie bottom to give the song an edge."
The song is notable as being one of two works in ABBA's discography (the other being Dancing Queen) that have gone on to become gay anthems.
"Gimme! Gimme! Gimme! (A Man After Midnight)" was another highly successful song for ABBA.
It hit no. 1 in Belgium, Finland, France, Ireland, and Switzerland, while reaching the top 3 in Austria, West Germany, the United Kingdom, the Netherlands, and Norway.
It also proved to be ABBA's most successful song in Japan, hitting no. 17.
Cover versions
"Gimme! Gimme! Gimme! (A Man After Midnight)" was A-Teens' third single (fourth in other territories) from their first album The ABBA Generation, a collection of ABBA cover versions.
When the single was released in 1999 in Sweden, it earned a Gold certification. It also became their third top ten hit there and the band's third top 40 hit in Germany. The song peaked at no. 51 in Switzerland, no. 27 in the Netherlands, no. 20 in Mexico, and no. 22 in Argentina and Chile.
In 2001, the song was covered by the first edition of the French TV reality show Star Academy 1.
The song was credited to Olivia Ruiz, Jenifer Bartoli and Carine Haddadou, three of the contestants.
This version went straight to no. 1 in France, dislodging Star Academy's previous hit, "La Musique (Angelica)", and stayed atop for two weeks.
American singer and actress Cher covered the song on her album Dancing Queen, released on 28 September 2018.
Cher's version is the lead single on the album.
The accompanying audio video for "Gimme! Gimme! Gimme! (A Man After Midnight)" was premiered through Cher's official YouTube channel on 9 August 2018.
An extended version of the track was later released on 14 September 2018.
The song peaked at number 4 on the Hot Dance Club Songs chart.
"Gimme! Gimme! Gimme! (A Man After Midnight)" was the first single released from the soundtrack for the 2008 film version of Mamma Mia! by American actress Amanda Seyfried, who plays Sophie in the film.
In the film, only the chorus is sung while the rest of the song is instrumental, much like the original stage play.
On the soundtrack, Seyfried sings the complete song as a solo performance, and also does the same in a music video to promote the movie.
The version on the soundtrack is a minute shorter than the version featured on the film's tie-in website.
In 1986, Erasure released a live version of the song as a B-side to their single Oh L'amour and then in 1987 on their US version of the album The Two Ring Circus.
Abbacadabra released a cover of the song on their album "Abbasalute" through Almighty Records in 1992. Mixes of the group's cover version were most recently included on its 2008 compilation We Love ABBA: The Mamma Mia Dance Compilation.
🔗 [LINKS]
newlifeshark.de
newlifeshark.bandcamp.com/album/1
#thesobersisters
#thedirtyfour
#gimmegimmegimme
#alternativerock
#abbacover
From '' Rock'n'Roll Party ''
Label: New Lifeshark Records – NLR 028
Format: CD, Album
Country: Germany
Released: 2002
Tracklist
01. Rama Lama Ding Dong
02. Under The Boardwalk
03. Stop In The Name Of Love
04. Needles And Pins
05. Locomotion
06. Daddy Cool
07. Mr. Postman
08. Tainted Love
09. Do You Love Me
10. Denis Denis
11. Shoop Shoop Song
12. Gimme Gimme Gimme
13. Radar Love
14. Shout
15. Rockaway Beach
16. Blitzkrieg Bop
Acoustic Guitar – Tim Buktu (tracks: 7, 10)
Piano – Tim Buktu (tracks: 9, 14)
Saxophone – Carlos (track: 3)
Producer, Recorded By – Tim Buktu
Notes
Recorded and produced April 2002 at Studio Manufaktur Wuppertal by Tim Buktu and the Band.
℗ New Lifeshark Records
🎵 [SONG INFO]
"Gimme! Gimme! Gimme! (A Man After Midnight)" is a song by Swedish band ABBA.
It was recorded in August 1979 in order to help promote their North American and European tour of that year, and was released on ABBA's Greatest Hits Vol. 2 album as the brand new track.
History
"Gimme! Gimme! Gimme! (A Man After Midnight)" was written and composed by Benny Andersson and Björn Ulvaeus, with the lead vocal sung by Agnetha Fältskog.
Fältskog, as the narrator, weaves the image of a lonely woman who longs for a romantic relationship and views her loneliness as a forbidding darkness of night, even drawing parallels to how the happy endings of movie stars are so different from her own existence.
The melody line of the song was played on an ARP Odyssey synthesizer.
Originally, ABBA had recorded another song, "Rubber Ball Man", which was planned as a single.
It featured the typical "ABBA-arrangement" with both Fältskog and Anni-Frid Lyngstad on lead vocals and the use of classical strings.
This song was also performed by the group during rehearsals for its 1979 tour as "Under My Sun".
However, the group felt that "Gimme! Gimme! Gimme!", with its disco sound, would be a better choice, and thus, "Rubber Ball Man" remained nothing more than a demo.
Reception
Cash Box called it "another exercise of sparkling euro-pop, with the slightest hint of boogie bottom to give the song an edge."
The song is notable as being one of two works in ABBA's discography (the other being Dancing Queen) that have gone on to become gay anthems.
"Gimme! Gimme! Gimme! (A Man After Midnight)" was another highly successful song for ABBA.
It hit no. 1 in Belgium, Finland, France, Ireland, and Switzerland, while reaching the top 3 in Austria, West Germany, the United Kingdom, the Netherlands, and Norway.
It also proved to be ABBA's most successful song in Japan, hitting no. 17.
Cover versions
"Gimme! Gimme! Gimme! (A Man After Midnight)" was A-Teens' third single (fourth in other territories) from their first album The ABBA Generation, a collection of ABBA cover versions.
When the single was released in 1999 in Sweden, it earned a Gold certification. It also became their third top ten hit there and the band's third top 40 hit in Germany. The song peaked at no. 51 in Switzerland, no. 27 in the Netherlands, no. 20 in Mexico, and no. 22 in Argentina and Chile.
In 2001, the song was covered by the first edition of the French TV reality show Star Academy 1.
The song was credited to Olivia Ruiz, Jenifer Bartoli and Carine Haddadou, three of the contestants.
This version went straight to no. 1 in France, dislodging Star Academy's previous hit, "La Musique (Angelica)", and stayed atop for two weeks.
American singer and actress Cher covered the song on her album Dancing Queen, released on 28 September 2018.
Cher's version is the lead single on the album.
The accompanying audio video for "Gimme! Gimme! Gimme! (A Man After Midnight)" was premiered through Cher's official YouTube channel on 9 August 2018.
An extended version of the track was later released on 14 September 2018.
The song peaked at number 4 on the Hot Dance Club Songs chart.
"Gimme! Gimme! Gimme! (A Man After Midnight)" was the first single released from the soundtrack for the 2008 film version of Mamma Mia! by American actress Amanda Seyfried, who plays Sophie in the film.
In the film, only the chorus is sung while the rest of the song is instrumental, much like the original stage play.
On the soundtrack, Seyfried sings the complete song as a solo performance, and also does the same in a music video to promote the movie.
The version on the soundtrack is a minute shorter than the version featured on the film's tie-in website.
In 1986, Erasure released a live version of the song as a B-side to their single Oh L'amour and then in 1987 on their US version of the album The Two Ring Circus.
Abbacadabra released a cover of the song on their album "Abbasalute" through Almighty Records in 1992. Mixes of the group's cover version were most recently included on its 2008 compilation We Love ABBA: The Mamma Mia Dance Compilation.
🔗 [LINKS]
newlifeshark.de
newlifeshark.bandcamp.com/album/1
#thesobersisters
#thedirtyfour
#gimmegimmegimme
#alternativerock
#abbacover
![Dimensional Sound - Fly Robin Fly (Silver Convention Cover)
From The Big 50
Label: T.E.J. Records – 2004
Format: 3 x Vinyl, LP
Country: US
Released: 1977
Tracklist
A1 Saturday Night
A2 The Hustle
A3 Fox On The Run
A4 Nights On Broadway
A5 Get Down Tonight
A6 Thats The Way I Like It
A7 Fly Robin Fly
A8 Ease On Down The Road
A9 Love Will Keep Us Together
B1 Convoy
B2 Swearin To God
B3 Get Up And Boogie
B4 Shop Around
B5 Fool To Cry
B6 Boogie Fever
B7 Fooled Around And Fell In Love
B8 Only Sixteen
C1 Welcome Back
C2 Disco Lady
C3 Right Back Where We Started From
C4 Love Hangover
C5 More, More, More
C6 50 Ways To Leave Your Lover
C7 Making Our Dreams Come True
C8 You Should Be Dancing
C9 (Shake, Shake, Shake) Shake Your Booty
D1 Say You Love Me
D2 Best Disco In Town
D3 A Fifth Of Beethoven
D4 Disco Duck (Part I)
D5 Still The One
D6 Dont Go Breaking My Heart
D7 Ill Play The Fool
D8 If You Leave Me Now
E1 Heaven Must Be Missing An Angel
E2 Play That Funky Music
E3 Shes Gone
E4 Id Really Love To See You Tonight
E5 Getaway
E6 Love Is Like A Heat Wave
E7 S.O.S.
E8 Hijack
F1 Sara Smile
F2 Afternoon Delight
F3 Thatll Be The Day
F4 Never Gonna Fall In Love Again
F5 I Love Music (Part I)
F6 Silly Love Songs
F7 Get The Funk Out Ma Face
F8 Lowdown
Phonographic Copyright ℗ – T.E.J. Records
🎵 [SONG INFO]
Fly, Robin, Fly is a song by the German disco group Silver Convention from their debut studio album Save Me (1975).
Sylvester Levay and Stephan Prager wrote the song, and the latter produced it.
Fly, Robin, Fly was released as the third single from Save Me in September 1975, reaching number one on the United States Billboard Hot 100.
Thanks to the success of Fly, Robin, Fly, Silver Convention became the second German act to have a number one song on the American music charts.
The song received a Grammy Award for Best R&B Instrumental Performance in 1976.
Fly, Robin, Fly carries the distinction of being a Billboard chart-topper with only six words: the chorus simply repeats Fly, Robin, fly three times, with an ending of Up, up to the sky.
During a segment on VH1s 100 Greatest Dance Songs, it was revealed that the original working title was Run, Rabbit, Run.
Chart and commercial performances
In the United States, it rose to number one on the Billboard Hot 100 in November 1975, staying there for three weeks. It was both preceded and succeeded by Thats the Way (I Like It) by KC and the Sunshine Band. The single was also number one on the Soul Singles Chart for one week.
Fly, Robin, Fly also spent three weeks at number one on the Dance/Disco Chart.
In Canada, the song also reached the pole position in the charts, hitting number one in the RPM Top Singles Chart on 17 January 1976, knocking the Bay City Rollers Saturday Night from the top slot, managing to keep it for a single week before being replaced by C. W. McCalls Convoy a week later.
As of February 1976, the single sold 1.5 million copies in the United States.
Charts
Weekly charts
Chart (1975–1976) / Peak position
Australia (Kent Music Report) / 11
Austria (Ö3 Austria Top 40) / 9
Belgium (Ultratop 50 Flanders) / 3
Canada Adult Contemporary (RPM) / 6
Canada Top Singles (RPM) / 1
France (IFOP) / 28
Germany (GfK) / 3
Netherlands (Dutch Top 40) / 5
Netherlands (Single Top 100) / 8
New Zealand (Recorded Music NZ) / 16
Norway (VG-lista) / 8
Sweden (Sverigetopplistan) / 16
Switzerland (Schweizer Hitparade) / 5
UK Singles (OCC) / 28
US Billboard Adult Contemporary / 6
US Billboard Hot 100 / 1
US Billboard Hot Disco Singles / 1
US Billboard Hot Soul Singles / 1
US Cash Box / 1
US Record World / 1
Year-end charts
Chart (1975) / Rank
Australia (Kent Music Report) / 89
Canada Top Singles (RPM) / 103
US Cash Box / 44
Chart (1976) / Rank
Belgium (Ultratop 50 Flanders) / 47
Canada Top Singles (RPM) / 31
US Billboard Hot 100 / 14
Uses
In the 1997 drama film Boogie Nights.
The song is used in King of the Hill Season 4, Episode 21 Nancy Boys at the roller rink scene.
In April 2016, students and teachers from Methodist College, a Hong Kong secondary school, produced an educational campus television video by introducing four geometry methods in determining the congruence of triangles (SAS, SSS, ASA, AAS; Side-Angle-Side, Side-Side-Side, Angle-Side-Angle, Angle-Angle-Side), through a song playfully naming RHS (Right-angle-Hypotenuse-Side, the fifth evidence for proving congruent triangles) which lines to the tune of Fly, Robin, Fly. Resembling the members of the band, choreographed arm and legs movements are also featured by the Hong Kong students, in order to introduce the mathematical concepts together with the lyrics (Side angle side, side side side, angle side angle, angle angle side.). The clip has become a viral video which garnered over 800,000 views and over 50,000 likes on Facebook within a week, becoming one of the temporary hot topics in Hong Kong during late April, with various online parodies and social kusos provoked.
#silverconvention
#disco
#flyrobinfly Dimensional Sound - Fly Robin Fly (Silver Convention Cover)](https://i.ytimg.com/vi/l5JqNyXRuMg/mqdefault.jpg)
![Früt - Be-Bop-A-Lu-La (Gene Vincent and His Blue Caps Cover)
From Keep On Truckin
Label: Westbound Records – WB 2005
Format: Vinyl, LP, Album
Country: US
Released: 1971
Tracklist
A1 Keep On Truckin
Written-By – Bob Crunchy Cristals Holley, George Moseman, Norman Panama Lieberman
A2 This Time
Written-By – Chips Moman
A3 Bristol Stomp
Written-By – Dave Appell, Kal Mann
A4 Be-Bop-A-Lu-La
Written-By – Gene Vincent, Sheriff Tex Davis
A5 Donna
Written-By – Ritchie Valens
A6 I Love You Baby (But You Dont Dress Cool)
Written-By – Bob Crunchy Cristals Holley, George Moseman, Norman Panama Lieberman
B1 Chiffon Baby
Written-By – Bob Crunchy Cristals Holley, George Moseman, Norman Panama Lieberman
B2 Are We Really Going Steady?
Written-By – Bob Crunchy Cristals Holley, George Moseman, Norman Panama Lieberman
B3 Come Go With Me
Written-By – Clarence E. Quick
B4 Buzz Buzz-A-Diddle It
Written-By – Bob Crewe, Frank Slay Jnr.
B5 Take Your Clothes Off, And Ill Love You!
Written-By – Bob Crunchy Cristals Holley, George Moseman, Norman Panama Lieberman
B6 Running Bear
Written-By – J.P. Richardson
Lead Vocals – Norman Panama Lieberman
Lead Guitar – Bob Crunchy Cristals Holley
Drums – Dave Snidley Whiplash West
Bass – John Kozmo Kosloskey
Baritone Vocals – George Moseman
Soprano Vocals – Dennis Rapucci
Tenor Vocals – Neil Brenner
Artwork By – Joel Nank
Producer [Supervision] – Bob Scerbo
Be-Bop-A-Lula is a rockabilly song first recorded in 1956 by Gene Vincent and His Blue Caps.
Origins of the song
The writing of the song is credited to Gene Vincent and his manager, Bill Sheriff Tex Davis. Evidently the song originated in 1955, when Vincent was recuperating from a motorcycle accident at the US Navy hospital in Norfolk, Virginia.
There, he met Donald Graves, who supposedly wrote the words to the song while Vincent wrote the tune. (Cf. Money Honey by the Drifters, 1953).
The song came to the attention of Davis, who allegedly bought out Graves rights to the song for some $50 (sources vary as to the exact amount), and had himself credited as the lyric writer. Davis claimed that he wrote the song with Gene Vincent after listening to the song Dont Bring Lulu.
Vincent himself sometimes claimed that he wrote the words inspired by the comic strip, Little Lulu: I come in dead drunk and stumble over the bed. And me and Don Graves were looking at this bloody book; it was called Little Lulu. And I said, Hell, man, its Be-Bop-a-Lulu. And he said, Yeah, man, swinging. And we wrote this song.
The phrase Be-Bop-A-Lula is similar to Be-Baba-Leba, the title of a No.3 R&B chart hit for Helen Humes in 1945, which became a bigger hit when recorded by Lionel Hampton as Hey! Ba-Ba-Re-Bop.
This phrase, or something very similar, was widely used in jazz circles in the 1940s, giving its name to the bebop style, and possibly being ultimately derived from the shout of Arriba! Arriba! used by Latin American bandleaders to encourage band members.
Recording by Gene Vincent
In early 1956, Gene Vincent performed the song on a radio show in Norfolk, Virginia, and recorded a demo version which was passed to Capitol Records, who were looking for a young singer to rival Elvis Presley.
Capitol invited Vincent to record the song and it was recorded at Owen Bradleys studio in Nashville, Tennessee on May 4, 1956. Cliff Gallup (lead guitar), Wee Willie Williams (rhythm guitar), Jumpin Jack Neal (string bass), and Dickie Be Bop Harrell (drums) comprised the band.
When the song was being recorded, Harrell screamed in the background, he said because he wanted to be sure his family could hear it was him on the record.
The song was released in June 1956 on Capitol Records single F3450, and immediately sold well.
The song was successful on three American singles charts: it peaked at No.7 on the US Billboard pop music chart, No.8 on the R&B chart, and also made the top ten on the C&W Best Seller chart peaking at No.5.
In the UK, it peaked at No.16 in August 1956.
In April 1957, the record company announced that over 2 million copies had been sold to date.
The original demo for the song, probably recorded at radio station WCMS, has never been located and presumed lost.
The song drew comparisons to Presley and is listed as No.103 on Rolling Stones 500 Greatest Songs of All Time.
Vincent recorded a new version of the song in 1962 which appeared on the flip-side of the single The King of Fools.
Vincent sang the song in the movie The Girl Cant Help It.
Cover versions
The Everly Brothers
Cliff Richard
Jerry Lee Lewis
Carl Perkins
The Beatles
John Lennon
The 77s
David Cassidy
Demented Are Go
Elvis Presley
Foghat
Gene Summers
Orion
Queen
Raul Seixas
Stray Cats
Suicide
Boney M.
https://westboundrecords.com/
https://westboundrecords.bandcamp.com/artists
#bluesrock
#rockandroll Früt - Be-Bop-A-Lu-La (Gene Vincent and His Blue Caps Cover)](https://i.ytimg.com/vi/lcxlXaGSisI/mqdefault.jpg)
![The Beau-Jives - Shake A Tail Feather (The Five Du-Tones Cover)
From Shake A Tail Feather
Label: Tamio – 900, Tamio – 901
Format: Vinyl, 7, 45 RPM, Single
Country: US
Released: 1965
Tracklist
A Shake A Tail Feather
Written-By – Andre Williams, Otha Hayes, Verlie Rice
B Somethings Wrong
Written-By – Harvey Shapiro, Joel Warren
Published By – Vapac Music Co.
Published By – Old School Music
🎵 [SONG INFO]
Shake a Tail Feather is a song written by Otha Hayes, Verlie Rice, and Andre Williams and originally recorded in 1963 by the Chicago-based group the Five Du-Tones.
The original recording reached number 28 on Billboards Hot R&B Singles chart and number 51 on the Billboard Hot 100.
Background
The song references a number of dance styles/moves, including the Boogaloo, The Twist, The fly, The Bird, Monkey, the Mashed Potato, the duck, the swim, the Boney Maroney, and the Watusi.
Notable cover versions
Shake a Tail Feather has been covered by many other artists over the years:
A 1967 version by James & Bobby Purify reached number 25 on the Billboard Hot 100.
Ike & Tina Turner recorded their version in 1968 for their album So Fine. It is also performed in the movie about their lives, Whats Love Got To Do With It.
Ray Charles covered and performed the song during his scenes in the 1980 film The Blues Brothers where he was surrounded by dancers performing the move referenced in the song while he played a piano and sang.
#thebeaujives
#shakeatailfeather
#thefivedutones The Beau-Jives - Shake A Tail Feather (The Five Du-Tones Cover)](https://i.ytimg.com/vi/lm3vxTubE_0/mqdefault.jpg)
![Roy Richards & Soul Vendors - Summertime (Rocksteady/Reggae, Abbie Mitchell Cover)
From The Righteous Flames / Roy Richards & The Soul Vendors – You Dont Know / Summertime
Label: Coxsone Records – CS 7061
Format: Vinyl, 7
Country: UK
Released: 2 Aug 1968
Tracklist
A The Righteous Flames - You Dont Know
B Roy Richards & The Soul Vendors - Summertime
Producer – Clement Coxsone Dodd
© 2022 Soul Jazz Records Ltd
℗ 2022 Soul Jazz Records Ltd
© 2022 Jamaica Recording & Publishing Studio Ltd. t/a Studio One
℗ 2022 Jamaica Recording & Publishing Studio Ltd. t/a Studio One
💿 [SONG INFO]
Summertime is an aria composed in 1934 by George Gershwin for the 1935 opera Porgy and Bess. The lyrics are by DuBose Heyward, the author of the novel Porgy on which the opera was based, and Ira Gershwin.
The song soon became a popular and much-recorded jazz standard, described as without doubt ... one of the finest songs the composer ever wrote ... Gershwins highly evocative writing brilliantly mixes elements of jazz and the song styles of African-Americans in the South-East United States from the early twentieth century.
Composer and lyricist Stephen Sondheim characterized Heywards lyrics for Summertime and My Mans Gone Now as the best lyrics in the musical theater.
Porgy and Bess
Gershwin began composing the song in December 1933, attempting to create his own spiritual in the style of the African American folk music of the period.
Gershwin had completed setting DuBose Heywards poem to music by February 1934, and spent the next 20 months completing and orchestrating the score of the opera.
The song is sung several times throughout Porgy and Bess. Its lyrics are the first words heard in act 1 of the opera, following the communal wa-do-wa. It is sung by Clara as a lullaby.
The song theme is reprised soon after as counterpoint to the craps game scene, in act 2 in a reprise by Clara, and in act 3 by Bess, singing to Claras now-orphaned baby after both parents died in the storm.
The song was recorded for the first time by Abbie Mitchell on July 19, 1935, with George Gershwin playing the piano and conducting the orchestra (on: George Gershwin Conducts Excerpts from Porgy & Bess, Mark 56 667).
The 1959 movie version of the musical featured Loulie Jean Norman singing the song. That rendition finished at No.52 in AFIs 100 Years...100 Songs survey of top tunes in American cinema.
Analysis
Lyrics
Heywards inspiration for the lyrics was the southern folk spiritual-lullaby All My Trials, of which he had Clara sing a snippet in his play Porgy.
The lyrics have been highly praised by Stephen Sondheim. Writing of the opening line, he says:
That and is worth a great deal of attention. I would write Summertime when but that and sets up a tone, a whole poetic tone, not to mention a whole kind of diction that is going to be used in the play; an informal, uneducated diction and a stream of consciousness, as in many of the songs like My Mans Gone Now. Its the exact right word, and that word is worth its weight in gold. Summertime when the livin is easy is a boring line compared to Summertime and. The choices of ands [and] buts become almost traumatic as you are writing a lyric – or should, anyway – because each one weighs so much.
Music
Musicologist K. J. McElrath wrote of the song:
Gershwin was remarkably successful in his intent to have this sound like a folk song. This is reinforced by his extensive use (one exception: the note B under the word high) of the pentatonic scale (C–D–E–G–A) in the context of the A minor tonality and a slow-moving harmonic progression that suggests a blues.
While in his own description, Gershwin did not use any previously composed spirituals in his opera, Summertime is often considered an adaptation of the African American spiritual Sometimes I Feel Like a Motherless Child, which ended the play version of Porgy.
Other prominent versions include those by:
In September 1936, a recording by Billie Holiday was the first to hit the US pop charts, reaching number 12.
The Chris Columbo Quintet (US number 93, 1963).
The most commercially successful version was by Billy Stewart, whose scat-laden R&B version reached number 10 on the Billboard Hot 100 and number 7 on the R&B chart in 1966; his version also reached number 39 in the UK and number 13 in Canada.
Janis Joplin recorded a version for her band Big Brother and The Holding Companys 1968 Cheap Thrills album. The album charted at number 1 for eight weeks on the Billboard 200 chart; however, the song was not released as a single.
In the UK, a version by the Fun Boy Three reached number 18 on the UK Singles Chart in 1982.
A version by Louis Armstrong and Ella Fitzgerald, released on their 1959 album Porgy and Bess.
🔗 [LINKS]
Available on Spotify:
https://open.spotify.com/track/6XHq5jwfJhOIixH8G6zHbl
https://open.spotify.com/track/4ljsiVTWzx4ywx3h4T0ElZ
and Deezer:
https://www.deezer.com/en/track/1803225097
#reggae
#reggaecover
#rocksteady
#rocksteadycover
#instrumentalcover Roy Richards & Soul Vendors - Summertime (Rocksteady/Reggae, Abbie Mitchell Cover)](https://i.ytimg.com/vi/lqcMbpPKADc/mqdefault.jpg)
![Jerry Foster - Youre Right, Im Left, Shes Gone (Country, Elvis Presley cover)
From Dont Be Cruel
Label: Metromedia Records – MM-201, MMS-201
Format: Vinyl, 7, 45 RPM, Promo
Country: US
Released: Nov 1970
Tracklist
A Dont Be Cruel
Written-By – Otis Blackwell
B Youre Right, Im Left, Shes Gone
Written-By – Bill Taylor, Stan Kesler
Produced and Arranged by Scotty Moore.
Notes
Feauting Scotty Moore on guitar.
© 1970 © Metromedia Records™ a division of 43 North Broadway, LLC. WARNING: All Rights Reserved. Unauthorized duplication is a violation of applicable laws.
℗ 1970 © Metromedia Records™ a division of 43 North Broadway, LLC. WARNING: All Rights Reserved. Unauthorized duplication is a violation of applicable laws.
🎵 [SONG INFO]
Im Left, Youre Right, Shes Gone (sometimes called Youre Right, Im Left, Shes Gone) is a song written by Bill Taylor and Stan Kesler, and originally recorded by Elvis Presley for Sun Records.
Released as a single in April 1955 (with Baby Lets Play House on the opposite side), the song made it into the top 10 of US Billboards C&W Best Sellers in Stores chart.
Composition
The song was written by Bill Taylor and Stan Kesler, members of a Sun Records band called Snearly Ranch Boys.
Recording
The commercial (released) version was recorded by Elvis in February–March 1955 at Sun Records Studio in Memphis.
The recording features Elvis on acoustic guitar and his regular sidemen Scotty Moore on electric guitar and Bill Black on bass.
Both are credited on the records label (as Scotty & Bill).
Session drummer Jimmie Lott was brought in for this recording by Sam Phillips.
Description and critical analysis
The songs lyrics deal with a heartbreak, but in a humorous way.
The singer says to his friend that the friend was right in warning him that the girl would break his heart. But the singer still had to find out for himself if she was the one for him.
According to Susan M. Doll in her book Understanding Elvis, the song features a common characteristic of country music — the passive acceptance of the singers fate and the subsequent melancholy it brings, as the person who sings the song passively resigns himself to the fact that his girl is gone.
Musically, it is a rockabilly ballad.
Originally Elvis Presley recorded it in a blues arrangement, but the version that was released was something of a novelty, which was more in line with the commercial considerations of the day.
Mike Eder in his Elvis Music FAQ finds the recording too polished and too similar to other Elvis songs of that time:
In the case of Im Left, Youre Right, Shes Gone, the rough edges should perhaps have been left on. Its unwise to place the blame for this totally on Sam [Phillips], since Elvis did after all willingly work on the completed master. Yet its almost uncanny how close this flip side sounded, mood-wise, to Youre a Heartbreaker before it and I Forgot to Remember to Forget after. That Im Left, Youre Right, Shes Gone has more of a sparkle to it than the other two titles shouldnt be overlooked, but upon hearing the outtake, one cant help but feel that some of the life was ultimately polished out of it.
At about the one-minute mark, the song features Elvis trademark hiccup vocal break.
Charts
Chart (1958) / Peak position
UK Singles (OCC) / 21
Giorgio Moroders Im Left, Youre Right, Shes Gone
Giorgio Moroder and Pete Bellotte also wrote a song with the same title that is a totally different song!
Cover versions
1957
Joey Castell
1959
Johnny Cash
1961
The Rolling Stones (Unreleased recording)
1971
Hayden Thompson
1973
Jerry Lee Lewis
1974
Per Granberg and New Jordal Swingers
The Ropers
1976
Jussi & The Boys
1977
Carl Mann
Don Sawyer and Kevin Olson
Terry Cobb
1978
Michael Kroll
1979
Ral Donner
1980
Jussi Raittinen
Larry Donn
1981
Terry Ray Bradley
Henry Turtle
Ralph Carlson & Country Mile
1984
Friends
1987
Sun Cats (or Suncats)
1988
Barry Stanton
1990
The Sun Rhythm Section
1991
Charlie Feathers
1994
Jody Reynolds
1996
John Paul Young
The Silhouets
Denis Westmorland
1997
The Quarrymen (John Lennons Original Quarrymen)
The Beatniks
1998
Terry Dene And The Dene Aces
The White Lines
1999
Tom Jones With James Dean Bradfield
Billy Swan (As part of his Sun Medley)
2000
Country Cattin
2002
Billy Fury
Rhythm 55
2004
Huelyn Duvall And The Troublesome Three
2005
Chris Helbling
2007
Teddy Thompson
Robert Gordon and Chris Spedding
Adam Cotton And Howard Hughes
2008
Yuichi & The Hilltone Boys
2011
Jacen Bruce
2014
Daniele Stallone & His Loud Roll Shuffle
2016
Johnny Hallyday
Little Boy Blue And The Blue Boys
Biel Alimanya and The Folsom Rockers
Lolo & The Brigidas
2021
Chickenforce
unknown date
Manic Street Preachers feat. Tom Jones
The Golden Ring
Rockers band
The Tri-County Bluegrass Boys
Danny Vernon
🔗 [LINKS]
Available on Spotify:
https://open.spotify.com/album/23JfZQQPRWWZJzN6C9kv5c
#elvispresleycover
#countrymusic
#imleftyourerightshesgone
#jerryfoster Jerry Foster - Youre Right, Im Left, Shes Gone (Country, Elvis Presley cover)](https://i.ytimg.com/vi/m5nJa865q64/mqdefault.jpg)
![Mr. Bunch - Twenty Flight Rock (Eddie Cochran Cover)
From Mr. Bunchs Contaminating Rock
Label: Derby – DBR 69101
Format: Vinyl, LP
Country: Italy
Released: 1975
Tracklist
A1 The Famous Brest
Written-By – Bronco, Favrich, Gaar
A2 Bird Dog
Written-By – Boudleaux Bryant
A3 Let Us Pray And Trust In Him
Written-By – Bronco, Favrich, Gaar
A4 Twenty Flight Rock
Written-By – Eddie Cochran, Ned Fairchild
A5 Mule Skinner Blues
Written-By – George Vaughn, Jimmie Rodgers
A6 Rolling And Rocking
Written-By – Bronco, Favrich
B1 The Joy Of Dreaming And Thinking
Written-By – Bronco, Favrich, Gaar
B2 Cryin In The Rain
Written-By – Carole King, Howard Greenfield
B3 Rock And Roll Doll
Written-By – Bronco, Favrich
B4 You Cant Help Loving This World
Written-By – Favrich
B5 We Want
Written-By – Bronco, Favrich
B6 Good Golly Miss Molly
Written-By – John Marascalco, Robert Blackwell
Lucio Lorenzini
Phonographic Copyright ℗ – CBS Sugar Compagnia Generale Del Disco S.p.A.
Distributed By – Messaggerie Musicali
Made By – CBS Sugar S.p.A.
🎵 [SONG INFO]
Twenty Flight Rock is a song originally performed by Eddie Cochran in the 1956 film comedy The Girl Cant Help It, and released as a single the following year.
The song was published in 1957 as written by Ned Fairchild and Eddie Cochran, by American Music Incorporated and Campbell, Connelly and Company.
Cochrans contribution was primarily on the music.
Background
The first version of Twenty Flight Rock was recorded by Cochran in July 1956 at Gold Star Studios, with Connie Smith on the bull fiddle and Jerry Capehart thumping a soup carton.
Cochran re-recorded the song sometime between May and August 1957. This later version was released in the United States (Liberty 55112) with Cradle Baby as a flipside. It was a moderate seller, but was more popular in Europe and had steady sales for a long period.
The song is from the point of view of a boyfriend whose girlfriend has an apartment on the twentieth floor; the building elevator is not operating; consequently the boyfriend has to climb the stairs, making him too tired to “rock” by the time he reaches her.
The song follows the twelve-bar blues format, using the device of counting upwards (One flight, two flight, three flight, four/five, six, seven flight, eight flight, more) in the refrain in a manner similar to Rock Around the Clock. The final verse ends on a surprisingly morbid note compared to other pop songs of the time: All this climbin is a-gettin me down. Theyll find my corpse draped over a rail.
The barely 15-year-old Paul McCartney used Twenty Flight Rock as his first song when he auditioned for John Lennon on July 6, 1957, in Liverpool, England. The 16-year-old Lennon, introduced that day to McCartney at St. Peters Church Hall prior to a church garden fete, was impressed by his new acquaintances ability to play the song on the guitar.
The good first impression of McCartneys performance led to an invitation to join the Quarrymen—Lennons band that would eventually evolve into the Beatles. On The Beatles Anthology, McCartney noted that: I think what impressed him most was that I knew all the words.
Cochran appeared in the film The Girl Cant Help It performing Twenty Flight Rock as a tongue-in-cheek example of the supposed lack of talent required to perform rock and roll. The guitar solo was edited out in the movie. The song also featured in the film The Delinquents (1989).
Musicians, 1956 version
Eddie Cochran – Guitar, Vocals
Connie Guybo Smith – Double Bass
Jerry Capehart – Box Slapping
Musicians, 1957 version
Eddie Cochran – Guitars, Vocals
Perry Botkin Sr. – Rhythm Guitar
Connie Guybo Smith – Double Bass
The Johnny Mann Chorus – Backing Vocals
Notable cover versions
Cliff Richard and The Shadows recorded a rendition on Richards 1959 debut album Cliff Sings.
Paul McCartney would record a studio version on the 1988 album, CHOBA B CCCP, and a live version was included in the 1999 concert film, Live at the Cavern Club.
Vince Taylor released a version on 1961s Le Rock Cest Ça!.
Dickie Rock and the Miami Showband released a version on a 7 single in 1964 on Piccadilly Records.
Commander Cody and His Lost Planet Airmen released a version on their 1971 album Lost in the Ozone.
Montrose released a version on their 1975 album Warner Bros. Presents Montrose!.
Robert Gordon and Link Wray recorded a version on their 1978 album Fresh Fish Special.
The Rolling Stones released a version on their 1982 album Still Life. Recorded during the bands American Tour 1981.
Tiger Army included a version on its 1999 debut album Tiger Army.
Conan OBrien performed it as a duet with Jack White at the Nashville date of the formers Legally Prohibited from Being Funny on Television Tour in 2010, which was included on the live album, Conan O’Brien – Live At Third Man. The two would repeat this rendition on the first episode of Conan. Mr. Bunch - Twenty Flight Rock (Eddie Cochran Cover)](https://i.ytimg.com/vi/mD51DOXXSgw/mqdefault.jpg)

![7 Seconds - These Boots Are Made For Walking (Hardcore/Punk, Nancy Sinatra Cover)
From Old School
Label: Headhunter Records – HED-005
Format: Vinyl, LP, Album
Country: US
Released: 1991
Tracklist
A1 You Lose
A2 What If Theres War In America?
A3 Heres Your Warning
A4 Heavy Metal Jocks
A5 These Boots Are Made For Walking
Written-By – Lee Hazlewood
A6 Boss
A7 Young til I Die
A8 War In The Head
B1 No Class, No Way!
B2 Definate Choice
B3 I Have A Dream
B4 Wasted Life (Aint No Crime)
B5 No.1 Rule
B6 Out Of Touch
B7 Red And Black
B8 Diehard
B9 Clenched Fists, Black Eyes
Guitar, Vocals – Kevin Seconds
Drums, Backing Vocals – Troy Mowat
Bass, Backing Vocals – Steve Youth
Engineer – Jon Bell
Lacquer Cut By – Carol Hibbs
Photography By [Front Photo By] – Al Flipside
Producer – 7 Seconds, Jim D.
Notes
Recorded at Nobs Studio, Reno in March 1983.
This recording was supposed to be put out in 1983 as their first 12 titled United We Stand on Alternative Tentacles Records but the release was eventually shelved.
Tracks A5, A8 & B5 were previously released on the Blasts From The Past E.P. in 1985.
💿 [SONG INFO]
These Boots Are Made for Walkin is a pop song written by Lee Hazlewood and recorded by Nancy Sinatra.
It was released in February 1966 and hit No.1 in the United States and United Kingdom Pop charts.
Selected list of recorded versions
1966 Nancy Sinatra, U.S. No.1, UK No.1
1966 Lee Hazlewood.
1966 The Artwoods.
1966 The Beau Brummels.
1966 The New Christy Minstrels.
1966 Mrs. Miller.
1966 Jane Morgan.
1966 The Supremes.
1966 Eileen Goldsen, a French version titled Ces bottes sont faites pour marcher. It is featured on the Gossip Girl Season 4 promo.
1966 Yvonne Přenosilová as Boty proti lásce
1967 Loretta Lynn, a country version
1967 Annet Hesterman, a Dutch version.
1969 Symarip, a Skinhead Reggae version
1969 Balsara & His Singing Sitars (sitar instrumental music version)
1974 The Residents, avant garde music group
1977 Amanda Lear, on the album I Am a Photograph
1978 Nick Caves first band The Boys Next Door, a noise rock version
1980 The Fast, early punk rock band, on the album The Fast For Sale
1980 Marianne Asher new wave version, Uniwave records Canada W-12014
1982 Paula Yates
1984 Adriano Celentano as Bisogna Far Qualcosa
1984 Government Issue
1985 Raymonde
1985 Megadeth features in the soundtrack for the punk movie Dudes
1986 Man 2 Man featuring Jessica Williams
1988 DC Lacroix
1989 Operation Ivy, a version titled One of These Days from the album Energy
1989 Kon Kan, a dance music remix/remake
1989 Crispin Glover
1991 Georgie Parker and the Channel 7 Australia ensemble Farmhouse. Reached No.58 on the Australian ARIA Chart.
1991 7 Seconds, on the album Old School
1991 Anita Lane and Barry Adamson
1991 Jewel on the album Revolution in Heaven
1992 Billy Ray Cyrus, on the album Some Gave All. Reached No.27 in Denmark.
1993 Lisa Germano
1993 Shillelagh Sisters
1994 La Toya Jackson
1994 Sam Phillips, on the soundtrack album Robert Altmans Pret-A-Porter (Ready To Wear): Music From The Motion Picture
1995 Boy George, on the single Il Adore and on the Culture Club Box Set
1997 Candye Kane, on the album Diva la Grande
1998 Geri Halliwell, on the single CD Bag It Up; also used in the movie Rugrats in Paris: The Movie and on its soundtrack
1999 Trish Murphy, on the album Rubies on the Lawn
1999 Amanda Lear, on the album Amanda 98 - Follow Me Back in My Arms (Bang! mix)
1999 Bad Manners, on the album Rare & Fatty (as Boots)
1999 Delbert McClinton, on the album The Crazy Cajun Recordings
2000 Sarge, on the album Distant
2001 Eläkeläiset, on the album Humppa! (as Astuva Humppa)
2001 French Affair
2001 La Grande Sophie
2001 Popa Chubby (feat. Galea)
2002 KMFDM
2002 The Fixx
2002 Shillelagh Sisters
2003 Star Academy 3
2003 Bree Sharp, for the 11:14 soundtrack
2004 Antonio Banderas as Puss in Boots, for a bonus feature on the Shrek 2 DVD
2004 David Hasselhoff, on the album David Hasselhoff Sings America
2004 The Fog Band as part of their live sets.
2005 Lil Kim, the theme for the TV show Growing Up Gotti
2005 Little Birdy
2005 Jessica Simpson, for The Dukes of Hazzard soundtrack, U.S. No.14.
2006 Fulham Flurries
2006 Yuna Ito, a single in Japan for a Daihatsu commercial
2006 Faster Pussycat
2007 Ira Losco
2008 The Coconutz, translated into the Hawaiian Language and included on the soundtrack to the movie Forgetting Sarah Marshall
2009 Siouxsie, on the DVD Finale: The Last Mantaray and More Show
2009 The Humans, a project featuring Toyah Willcox, Bill Rieflin, Chris Wong and guest collaborator Robert Fripp.
2009 Duet with Maria de Medeiros and The Legendary Tigerman.
2009 [The Then]DrumnBass/Rock version by Bath (UK).
🔗 [LINKS]
7 Seconds on Facebook:
https://www.facebook.com/official7seconds
Instagram:
https://www.instagram.com/official7seconds/
Spotify:
https://open.spotify.com/artist/1ByqGbfU0crCY2zEr0U8Sv
Apple Music:
https://music.apple.com/us/artist/7seconds/14676940
and Deezer:
https://www.deezer.com/en/artist/194266
#punkcover
#hardcorepunk 7 Seconds - These Boots Are Made For Walking (Hardcore/Punk, Nancy Sinatra Cover)](https://i.ytimg.com/vi/mfSKg5MQmLc/mqdefault.jpg)
![Campfire Walkers - Modern Dance (Pere Ubu Cover)
From Ubu Dance Party (A Tribute To Pere Ubu)
Label: Datapanik Records – DATACD 2, DATACD2
Format: 2 x CD, Compilation
Country: US
Released: May 5, 1997
Tracklist
1-01. David Thomas - Untitled
1-02. The Oxymorons - Honeymoon
1-03. Gary Lou Pico - We Have The Technology
1-04. Puff Tube - I Will Wait
1-05. Revellers - Heaven
1-06. Blue - 30 Seconds Over Tokyo
1-07. Cobra Verde - Chinese Radiation
1-08. Haynes Boys - Kathleen
1-09. Syrup - On The Surface
1-10. Vivians - Codex
1-11. Clay - George Had A Hat
1-12. Muzzle - Bus Called Happiness
1-13. Campfire Walkers - Modern Dance
1-14. Steamshovel - Caligaris Mirror
1-15. Sosumi - Humor Me
1-16. Flaming Telepath - Non Alignment Pact
1-17. Dock Ellis - Laughing
1-18. Supie T - Jones
1-19. Lord Burger - Final Solution (Slight Return)
2-01. Cage - Goodnight Irene
2-02. Wax Tadpole - Turpentine
2-03. Scrawl - Go
2-04. Rainy Day Saints - Heart of Darkness
2-05. Brainiac - Petrified
2-06. Skullbank - Streetwaves
2-07. Quazimodo - Non Alignment Pact
2-08. New Bomb Turks - Life Stinks
2-09. G-Spot Tornados - Come Home
2-10. Kaj Mi Nuka - New Broom
2-11. Creature - Heaven
2-12. Satellites - Real World
2-13. Ass Ponys - Not Happy
2-14. RC Mob - My Dark Ages
2-15. Pet UFO - Race The Sun
2-16. One Riot One Ranger - Cloud 149
2-17. Girly Machine - Misery Goats
2-18. Honk, Wail & Moan - Thoughts Go By Steam
2-19. Gem - Blow Daddy-O
2-20. Gaunt - ...
Songwriter [All Songs By] – Pere Ubu
Liner Notes – Chad Van Wagner
Glass Mastered At – Nimbus
Manufactured By – Dutch East India Trading
Distributed By – Dutch East India Trading
Copyright © – Songs of PolyGram
Phonographic Copyright ℗ – Songs of PolyGram
Copyright © – Virgin
Phonographic Copyright ℗ – Virgin
Copyright Songs Of Polygram, p&c, for all tracks composed after 1986 (We Have The Technology, George Had A Hat, Bus Called Happiness, Race The Sun, Goodnight Irene, Turpentine, Come Home, Honeymoon, Kathleen) Everything else, ℗&© Virgin.
Notes
38 Ohio Bands Pay Tribute To Clevelands Legendary Pop Combo.
Tribute to Cleveland, Ohio originated Pere Ubu features only Ohio bands covering Pere Ubu songs.
Packaged in a slim double jewel case with a 4-panel folded insert. Track durations are not printed on the release.
Track 1-1 is not listed on the release; it consists of David Thomas saying This is a song about a song, another song. Thats the sort of things you get these days - you dont get the original songs anymore, Im afraid.
🎵 [SONG INFO]
The Modern Dance is a song by Pere Ubu.
It is the title track of their debut album released in February 1978 through Blank Records. (track A2)
An earlier version of the song was released as a 7-inch, 45 RPM single in August 1977 on the Hearthan label (HR 104), with the B-side Heaven.
The album version (and the single) was recorded in January 1977 at Cleveland Recording, engineered by Ken Hamann.
The song is notable for its use of field recordings of crowd noise and street traffic, which were made in Downtown Cleveland by synthesist Allen Ravenstine and incorporated into the track.
The original single mix of the track reportedly contained a repetitive doll squeak on the rhythm track. This element was later mixed out of the album version and reportedly replaced with a railroad spike sound. This original squeak was later rectified on the 2015 compilation, Elitism For The People 1975-1978.
David Thomas: Vocals, Percussion, Musette.
Tom Herman: Guitar.
Allen Ravenstine: EML 101 and 200 Analog Synthesizers.
Tony Maimone: Bass. Scott Krauss: Drums. Campfire Walkers - Modern Dance (Pere Ubu Cover)](https://i.ytimg.com/vi/mrzNLJH1Yes/mqdefault.jpg)
![John Buck Wilkin - Me And Bobby McGee (Roger Miller Cover)
From In Search Of Food Clothing Shelter And Sex
Label: Liberty – LST-7639
Format: Vinyl, LP, Album, Stereo, All Disc Pressing, Gatefold
Country: US
Released: 1970
Tracklist
A1 Apartment Twenty-One
Written-By – John Buck Wilkin
A2 Faces And Places
Written-By – Jane Leichardt
A3 My God And I
Written-By – John Buck Wilkin
A4 Boy Of The Country
Written-By – John Buck Wilkin
A5 Apocalypse 1969
Written-By – John Buck Wilkin, Kris Kristofferson
B1 Me And Bobby McGee
Written-By – Fred Foster, Kris Kristofferson
B2 The Daydream
Written-By – John Buck Wilkin
B3 Mary Jackson
Written-By – John Buck Wilkin
Medley
B4.1 Long Black Veil
Written-By – Danny Dill, Marijohn Wilkin
B4.2 The Nashville Sun
Written-By – John Buck Wilkin
Medley
B5.1 About Time
Written-By – John Buck Wilkin
B5.2 Nashville Sun Reprise
Written-By – John Buck Wilkin
Musician, Vocals – John Buck Wilkin
Arranged By, Conductor, Producer, Musician – Don Tweedy
Musician – Anne Soodman, Billy Sanford, Bob Phillips, Brenton Banks, Bruce Naterman, Byron Bach, Charlie Hayward, Chuck Leavell, Courtland Pickett, Dave Pell, Dick Kathan, Don Sheffield, Frank Beach, Frank Friedman, Gary Vanosdale, Gene Cipriano, George Tidwell, Glen Butts, Gloria Strassner, Jerry Carrigan, Jesse Ehrlich, Jim Horn, John Wyker, Kenny Buttrey, Larry Butler, Leonard Malarsky, Lew McCreary, Lillian Hunt, Lloyd Ulyate, Lou Mullenix, Marvin Chantry, Myron Sandler, Norbert Putnam, Ollie Mitchell, Paul Hubinon, Paulo Alencar, Richard Nash, Sam Ghossian, Sam Ross, Samuel Boghossian, Shari Zippert, Sheldon Curtland, Solie Fott, Spiro Stamos, Tom Scott, Wayne Butler, Wayne Moss, Wilbert Nuttycombe, William Green
Photography By [Black and White] – Joel Franklin, Ron Wolin
Photography By [Color] – Tommy Tucker
Art Direction, Design – Ron Wolin
Liner Notes – Roger Schutt
Engineer – Bert Agudelo, Jimmy Johnson, Lee Hazen
Mixed By [Liberty] – Bert Agudelo
Mixed By [Muscle Shoals] – Jimmy Johnson
Mixed By [Woodland] – Lee Hazen
Producer – John Buck Wilkin (tracks: A5, B1), John Wyker (tracks: A5, B1)
Notes
The album was reissued and remastered by Big Pink in 2016 (BIG PINK 417)
Coordinator [Reissue Cooridinator] – Youngjun Kim
Remastered By, Supervised By [Digital remastering and Reissue Supervisor] – Joohyung Lee
🎵 [SONG INFO]
Me and Bobby McGee is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller.
Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster.
Versions
Roger Miller was the first artist to record the song (in May 1969), and it appeared at No. 12 on the U.S. country chart in 1969.
Kenny Rogers and the First Edition recorded the song in May/June 1969, and released it on their album Ruby, Dont Take Your Love To Town in 1969.
On the Canadian charts, Gordon Lightfoots version (recorded in November 1969) hit No. 13 on the pop music chart and No. 1 on the country music chart in 1970.
A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after (Sittin On) The Dock of the Bay by Otis Redding. Billboard ranked Joplins version as the No. 11 song for 1971.
She recorded the song for inclusion on her Pearl album only a few days before her death in October 1970. Singer Bob Neuwirth taught it to her while Kristofferson was in Peru filming The Last Movie with Dennis Hopper. Kristofferson did not know she had recorded the song until after her death. The first time he heard her recording of it was the day after she died. Record World called it a perfect matching of performer and material. Joplins version topped the charts to become her only number one single; her version was later ranked No. 148 on Rolling Stones 2004 list of The 500 Greatest Songs of All Time.
In 2002, the 1971 version of the song by Janis Joplin on Columbia Records was inducted into the Grammy Hall of Fame.
Kristofferson recorded his own version of the song on his debut album Kristofferson in 1970. Later that year, his version of the song appeared in Monte Hellmans psychedelic road movie Two-Lane Blacktop.
Kristofferson also appears briefly singing the song in the 1971 Dennis Hopper film The Last Movie.
Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972.
History
The suggestion for the title was a cordial challenge from producer and Monument Records founder Fred Foster to Kris Kristofferson.
The titular character was named for a studio secretary, Barbara Bobbie McKee, but Kristofferson had misheard her surname.
He explained that he was trying to convey the despair of the last scene of Federico Fellinis La Strada in which a broken, war-torn, inebriated man (Anthony Quinn) stares up from the beach at the nights stars, and breaks down sobbing.
#johnbuckwilkin
#meandbobbymcgee
#rogermiller John Buck Wilkin - Me And Bobby McGee (Roger Miller Cover)](https://i.ytimg.com/vi/n0fylLpQBIo/mqdefault.jpg)
![The Have Nots - Bad Romance (Alternative Rock, Lady Gaga Cover)
👥 [BAND INFO]
Richard Ewing
- Vocals
- Rhythm Guitar
- Temporary Lead Guitar
- Temporary Drums
John Safier
- Bass Guitar
- Audio Engineering
Canton, Ohio
🎵 [SONG INFO]
Bad Romance is a song by American singer-songwriter Lady Gaga from her third extended play (EP), The Fame Monster (2009)—the reissue of her debut studio album, The Fame (2008). Following an unauthorized demo leak, Gaga premiered the final version of the song during Alexander McQueens 2010 Paris Fashion Week show in October 2009. Written and co-produced by Gaga alongside Moroccan-Swedish record producer RedOne, Bad Romance was released as the lead single from The Fame Monster on October 19, 2009.
Inspired by German house and techno music, the song was developed as an experimental pop record. Lyrically, Gaga drew from the paranoia she experienced while on tour and wrote about her attraction to unhealthy romantic relationships.
Bad Romance received widespread acclaim from music critics, who praised its chorus, beat and hook. Commercially, the song was a global success, topping the record charts in more than 20 countries. It peaked at number two on the US Billboard Hot 100 and was certified eleven-times Platinum by the Recording Industry Association of America (RIAA), having sold 5.9 million digital downloads as of 2019. Bad Romance has sold 12 million copies worldwide, becoming one of the best-selling digital singles of all time. The song won a Grammy Award for Best Female Pop Vocal Performance, and was included in annual best-of lists of Rolling Stone and Pitchfork; the former named it one of the 100 Greatest Songs of the 21st Century and 500 Greatest Songs of All Time. In a 2017 journal, which studied structural patterns in melodies of earworm songs, the American Psychological Association (APA) called Bad Romance one of the worlds catchiest.
The accompanying music video for Bad Romance, directed by Francis Lawrence, features Gaga inside a surreal white bathhouse where she is kidnapped and drugged by supermodels who sell her to the Russian mafia for sexual slavery. It ends as Gaga immolates the man who bought her. The video garnered acclaim from critics for its fashion, choreography, costumes and symbolism. Briefly becoming the most-viewed YouTube video in 2010, it received a record ten nominations at the MTV Video Music Awards, winning seven, including Video of the Year. It received the Grammy Award for Best Music Video and was named the best music video of the 21st century by Billboard. Gaga has performed Bad Romance at television shows, award ceremonies, her concert tours and residency shows, and the Super Bowl LI halftime show.
Music and lyrics
Bad Romance combines house and techno influences with new wave synths, and has been described as an electropop, dance-pop and dark pop song.
Sociologist Mathieu Deflem recognized rock influences in the song, while BBC critic Paul Lester noted the rave-inspired synthesizer sounds. Musicnotes published this song in common time with a tempo of 119 beats per minute in the key of A minor. Gagas vocal range spans from the low note of E3 to the high note of C5. The song follows in the chord progression Am–C–F–Am-C–G in the verses and F–G–Am–C–F–G–E–Am in the chorus.
Critical reception
Bad Romance received widespread critical acclaim. It was named the best song on The Fame Monster by Maureen Lee Lanker of Entertainment Weekly. It was included in lists of best songs of 2009 by Pitchfork (which called it epic in construction), MTV News, and Rolling Stone. Calling it one of the most memorable pop singles of the late 2000s, NME credits the song with establishing Gaga as an icon. In his review of the album, Scott Plagenhoef of Pitchfork found it arguably the best pop single of 2009.
Bad Romance was praised for its chorus, beat, and hook. Kaufman lauded the drastic transition into a bombastic beat during the chorus, which was called catchy by Rolling Stones Jody Rosen, one of Gagas best by MusicOMHs Michael Hubbard, and so wonderfully big it dwarfs the industry of a million angry dudes with guitars by NMEs Emily Mackay. Christopher John Farley from The Wall Street Journal praised the Jabberwockian catchiness of the hook. Other reviewers commented on the songs sex appeal, praised it for making Gagas name a Teutonic chant,[40] and called it a turbocharged Euro-soul and a club-friendly tune that possessed a sordid underbelly.
~more info about the song here: https://en.wikipedia.org/wiki/Bad_Romance
🔗 [LINKS]
Available on bandcamp:
https://thehavenotsrock.bandcamp.com/track/bad-romance-lady-gaga-cover
#thehavenots
#badromance
#alternativerock
#ladygagacover The Have Nots - Bad Romance (Alternative Rock, Lady Gaga Cover)](https://i.ytimg.com/vi/n2gV4KMhsxI/mqdefault.jpg)