Uploaded April 2025 | Updated September 2026, 2 weeks ago
From '' Mr. Bunch's Contaminating Rock ''
Label: Derby – DBR 69101
Format: Vinyl, LP
Country: Italy
Released: 1975
Tracklist
A1 The Famous Brest
Written-By – Bronco, Favrich, Gaar
A2 Bird Dog
Written-By – Boudleaux Bryant
A3 Let Us Pray And Trust In Him
Written-By – Bronco, Favrich, Gaar
A4 Twenty Flight Rock
Written-By – Eddie Cochran, Ned Fairchild
A5 Mule Skinner Blues
Written-By – George Vaughn, Jimmie Rodgers
A6 Rolling And Rocking
Written-By – Bronco, Favrich
B1 The Joy Of Dreaming And Thinking
Written-By – Bronco, Favrich, Gaar
B2 Cryin' In The Rain
Written-By – Carole King, Howard Greenfield
B3 Rock And Roll Doll
Written-By – Bronco, Favrich
B4 You Can't Help Loving This World
Written-By – Favrich
B5 We Want
Written-By – Bronco, Favrich
B6 Good Golly Miss Molly
Written-By – John Marascalco, Robert Blackwell
Lucio Lorenzini
Phonographic Copyright ℗ – CBS Sugar Compagnia Generale Del Disco S.p.A.
Distributed By – Messaggerie Musicali
Made By – CBS Sugar S.p.A.
🎵 [SONG INFO]
"Twenty Flight Rock" is a song originally performed by Eddie Cochran in the 1956 film comedy The Girl Can't Help It, and released as a single the following year.
The song was published in 1957 as written by Ned Fairchild and Eddie Cochran, by American Music Incorporated and Campbell, Connelly and Company.
Cochran's contribution was primarily on the music.
Background
The first version of "Twenty Flight Rock" was recorded by Cochran in July 1956 at Gold Star Studios, with Connie Smith on the bull fiddle and Jerry Capehart thumping a soup carton.
Cochran re-recorded the song sometime between May and August 1957. This later version was released in the United States (Liberty 55112) with "Cradle Baby" as a flipside. It was a moderate seller, but was more popular in Europe and had steady sales for a long period.
The song is from the point of view of a boyfriend whose girlfriend has an apartment on the twentieth floor; the building elevator is not operating; consequently the boyfriend has to climb the stairs, making him too tired to “rock” by the time he reaches her.
The song follows the twelve-bar blues format, using the device of counting upwards ("One flight, two flight, three flight, four/five, six, seven flight, eight flight, more") in the refrain in a manner similar to "Rock Around the Clock". The final verse ends on a surprisingly morbid note compared to other pop songs of the time: "All this climbin' is a-gettin' me down. They'll find my corpse draped over a rail."
The barely 15-year-old Paul McCartney used "Twenty Flight Rock" as his first song when he auditioned for John Lennon on July 6, 1957, in Liverpool, England. The 16-year-old Lennon, introduced that day to McCartney at St. Peter's Church Hall prior to a church garden fete, was impressed by his new acquaintance's ability to play the song on the guitar.
The good first impression of McCartney's performance led to an invitation to join the Quarrymen—Lennon's band that would eventually evolve into the Beatles. On The Beatles Anthology, McCartney noted that: "I think what impressed him most was that I knew all the words."
Cochran appeared in the film The Girl Can't Help It performing "Twenty Flight Rock" as a tongue-in-cheek example of the supposed lack of talent required to perform rock and roll. The guitar solo was edited out in the movie. The song also featured in the film The Delinquents (1989).
Musicians, 1956 version
Eddie Cochran – Guitar, Vocals
Connie "Guybo" Smith – Double Bass
Jerry Capehart – Box Slapping
Musicians, 1957 version
Eddie Cochran – Guitars, Vocals
Perry Botkin Sr. – Rhythm Guitar
Connie "Guybo" Smith – Double Bass
The Johnny Mann Chorus – Backing Vocals
Notable cover versions
Cliff Richard and The Shadows recorded a rendition on Richard's 1959 debut album Cliff Sings.
Paul McCartney would record a studio version on the 1988 album, CHOBA B CCCP, and a live version was included in the 1999 concert film, Live at the Cavern Club.
Vince Taylor released a version on 1961's Le Rock C'est Ça!.
Dickie Rock and the Miami Showband released a version on a 7" single in 1964 on Piccadilly Records.
Commander Cody and His Lost Planet Airmen released a version on their 1971 album Lost in the Ozone.
Montrose released a version on their 1975 album Warner Bros. Presents Montrose!.
Robert Gordon and Link Wray recorded a version on their 1978 album Fresh Fish Special.
The Rolling Stones released a version on their 1982 album Still Life. Recorded during the band's American Tour 1981.
Tiger Army included a version on its 1999 debut album Tiger Army.
Conan O'Brien performed it as a duet with Jack White at the Nashville date of the former's Legally Prohibited from Being Funny on Television Tour in 2010, which was included on the live album, Conan O’Brien – Live At Third Man. The two would repeat this rendition on the first episode of Conan.
From '' Mr. Bunch's Contaminating Rock ''
Label: Derby – DBR 69101
Format: Vinyl, LP
Country: Italy
Released: 1975
Tracklist
A1 The Famous Brest
Written-By – Bronco, Favrich, Gaar
A2 Bird Dog
Written-By – Boudleaux Bryant
A3 Let Us Pray And Trust In Him
Written-By – Bronco, Favrich, Gaar
A4 Twenty Flight Rock
Written-By – Eddie Cochran, Ned Fairchild
A5 Mule Skinner Blues
Written-By – George Vaughn, Jimmie Rodgers
A6 Rolling And Rocking
Written-By – Bronco, Favrich
B1 The Joy Of Dreaming And Thinking
Written-By – Bronco, Favrich, Gaar
B2 Cryin' In The Rain
Written-By – Carole King, Howard Greenfield
B3 Rock And Roll Doll
Written-By – Bronco, Favrich
B4 You Can't Help Loving This World
Written-By – Favrich
B5 We Want
Written-By – Bronco, Favrich
B6 Good Golly Miss Molly
Written-By – John Marascalco, Robert Blackwell
Lucio Lorenzini
Phonographic Copyright ℗ – CBS Sugar Compagnia Generale Del Disco S.p.A.
Distributed By – Messaggerie Musicali
Made By – CBS Sugar S.p.A.
🎵 [SONG INFO]
"Twenty Flight Rock" is a song originally performed by Eddie Cochran in the 1956 film comedy The Girl Can't Help It, and released as a single the following year.
The song was published in 1957 as written by Ned Fairchild and Eddie Cochran, by American Music Incorporated and Campbell, Connelly and Company.
Cochran's contribution was primarily on the music.
Background
The first version of "Twenty Flight Rock" was recorded by Cochran in July 1956 at Gold Star Studios, with Connie Smith on the bull fiddle and Jerry Capehart thumping a soup carton.
Cochran re-recorded the song sometime between May and August 1957. This later version was released in the United States (Liberty 55112) with "Cradle Baby" as a flipside. It was a moderate seller, but was more popular in Europe and had steady sales for a long period.
The song is from the point of view of a boyfriend whose girlfriend has an apartment on the twentieth floor; the building elevator is not operating; consequently the boyfriend has to climb the stairs, making him too tired to “rock” by the time he reaches her.
The song follows the twelve-bar blues format, using the device of counting upwards ("One flight, two flight, three flight, four/five, six, seven flight, eight flight, more") in the refrain in a manner similar to "Rock Around the Clock". The final verse ends on a surprisingly morbid note compared to other pop songs of the time: "All this climbin' is a-gettin' me down. They'll find my corpse draped over a rail."
The barely 15-year-old Paul McCartney used "Twenty Flight Rock" as his first song when he auditioned for John Lennon on July 6, 1957, in Liverpool, England. The 16-year-old Lennon, introduced that day to McCartney at St. Peter's Church Hall prior to a church garden fete, was impressed by his new acquaintance's ability to play the song on the guitar.
The good first impression of McCartney's performance led to an invitation to join the Quarrymen—Lennon's band that would eventually evolve into the Beatles. On The Beatles Anthology, McCartney noted that: "I think what impressed him most was that I knew all the words."
Cochran appeared in the film The Girl Can't Help It performing "Twenty Flight Rock" as a tongue-in-cheek example of the supposed lack of talent required to perform rock and roll. The guitar solo was edited out in the movie. The song also featured in the film The Delinquents (1989).
Musicians, 1956 version
Eddie Cochran – Guitar, Vocals
Connie "Guybo" Smith – Double Bass
Jerry Capehart – Box Slapping
Musicians, 1957 version
Eddie Cochran – Guitars, Vocals
Perry Botkin Sr. – Rhythm Guitar
Connie "Guybo" Smith – Double Bass
The Johnny Mann Chorus – Backing Vocals
Notable cover versions
Cliff Richard and The Shadows recorded a rendition on Richard's 1959 debut album Cliff Sings.
Paul McCartney would record a studio version on the 1988 album, CHOBA B CCCP, and a live version was included in the 1999 concert film, Live at the Cavern Club.
Vince Taylor released a version on 1961's Le Rock C'est Ça!.
Dickie Rock and the Miami Showband released a version on a 7" single in 1964 on Piccadilly Records.
Commander Cody and His Lost Planet Airmen released a version on their 1971 album Lost in the Ozone.
Montrose released a version on their 1975 album Warner Bros. Presents Montrose!.
Robert Gordon and Link Wray recorded a version on their 1978 album Fresh Fish Special.
The Rolling Stones released a version on their 1982 album Still Life. Recorded during the band's American Tour 1981.
Tiger Army included a version on its 1999 debut album Tiger Army.
Conan O'Brien performed it as a duet with Jack White at the Nashville date of the former's Legally Prohibited from Being Funny on Television Tour in 2010, which was included on the live album, Conan O’Brien – Live At Third Man. The two would repeat this rendition on the first episode of Conan.

![7 Seconds - These Boots Are Made For Walking (Hardcore/Punk, Nancy Sinatra Cover)
From Old School
Label: Headhunter Records – HED-005
Format: Vinyl, LP, Album
Country: US
Released: 1991
Tracklist
A1 You Lose
A2 What If Theres War In America?
A3 Heres Your Warning
A4 Heavy Metal Jocks
A5 These Boots Are Made For Walking
Written-By – Lee Hazlewood
A6 Boss
A7 Young til I Die
A8 War In The Head
B1 No Class, No Way!
B2 Definate Choice
B3 I Have A Dream
B4 Wasted Life (Aint No Crime)
B5 No.1 Rule
B6 Out Of Touch
B7 Red And Black
B8 Diehard
B9 Clenched Fists, Black Eyes
Guitar, Vocals – Kevin Seconds
Drums, Backing Vocals – Troy Mowat
Bass, Backing Vocals – Steve Youth
Engineer – Jon Bell
Lacquer Cut By – Carol Hibbs
Photography By [Front Photo By] – Al Flipside
Producer – 7 Seconds, Jim D.
Notes
Recorded at Nobs Studio, Reno in March 1983.
This recording was supposed to be put out in 1983 as their first 12 titled United We Stand on Alternative Tentacles Records but the release was eventually shelved.
Tracks A5, A8 & B5 were previously released on the Blasts From The Past E.P. in 1985.
💿 [SONG INFO]
These Boots Are Made for Walkin is a pop song written by Lee Hazlewood and recorded by Nancy Sinatra.
It was released in February 1966 and hit No.1 in the United States and United Kingdom Pop charts.
Selected list of recorded versions
1966 Nancy Sinatra, U.S. No.1, UK No.1
1966 Lee Hazlewood.
1966 The Artwoods.
1966 The Beau Brummels.
1966 The New Christy Minstrels.
1966 Mrs. Miller.
1966 Jane Morgan.
1966 The Supremes.
1966 Eileen Goldsen, a French version titled Ces bottes sont faites pour marcher. It is featured on the Gossip Girl Season 4 promo.
1966 Yvonne Přenosilová as Boty proti lásce
1967 Loretta Lynn, a country version
1967 Annet Hesterman, a Dutch version.
1969 Symarip, a Skinhead Reggae version
1969 Balsara & His Singing Sitars (sitar instrumental music version)
1974 The Residents, avant garde music group
1977 Amanda Lear, on the album I Am a Photograph
1978 Nick Caves first band The Boys Next Door, a noise rock version
1980 The Fast, early punk rock band, on the album The Fast For Sale
1980 Marianne Asher new wave version, Uniwave records Canada W-12014
1982 Paula Yates
1984 Adriano Celentano as Bisogna Far Qualcosa
1984 Government Issue
1985 Raymonde
1985 Megadeth features in the soundtrack for the punk movie Dudes
1986 Man 2 Man featuring Jessica Williams
1988 DC Lacroix
1989 Operation Ivy, a version titled One of These Days from the album Energy
1989 Kon Kan, a dance music remix/remake
1989 Crispin Glover
1991 Georgie Parker and the Channel 7 Australia ensemble Farmhouse. Reached No.58 on the Australian ARIA Chart.
1991 7 Seconds, on the album Old School
1991 Anita Lane and Barry Adamson
1991 Jewel on the album Revolution in Heaven
1992 Billy Ray Cyrus, on the album Some Gave All. Reached No.27 in Denmark.
1993 Lisa Germano
1993 Shillelagh Sisters
1994 La Toya Jackson
1994 Sam Phillips, on the soundtrack album Robert Altmans Pret-A-Porter (Ready To Wear): Music From The Motion Picture
1995 Boy George, on the single Il Adore and on the Culture Club Box Set
1997 Candye Kane, on the album Diva la Grande
1998 Geri Halliwell, on the single CD Bag It Up; also used in the movie Rugrats in Paris: The Movie and on its soundtrack
1999 Trish Murphy, on the album Rubies on the Lawn
1999 Amanda Lear, on the album Amanda 98 - Follow Me Back in My Arms (Bang! mix)
1999 Bad Manners, on the album Rare & Fatty (as Boots)
1999 Delbert McClinton, on the album The Crazy Cajun Recordings
2000 Sarge, on the album Distant
2001 Eläkeläiset, on the album Humppa! (as Astuva Humppa)
2001 French Affair
2001 La Grande Sophie
2001 Popa Chubby (feat. Galea)
2002 KMFDM
2002 The Fixx
2002 Shillelagh Sisters
2003 Star Academy 3
2003 Bree Sharp, for the 11:14 soundtrack
2004 Antonio Banderas as Puss in Boots, for a bonus feature on the Shrek 2 DVD
2004 David Hasselhoff, on the album David Hasselhoff Sings America
2004 The Fog Band as part of their live sets.
2005 Lil Kim, the theme for the TV show Growing Up Gotti
2005 Little Birdy
2005 Jessica Simpson, for The Dukes of Hazzard soundtrack, U.S. No.14.
2006 Fulham Flurries
2006 Yuna Ito, a single in Japan for a Daihatsu commercial
2006 Faster Pussycat
2007 Ira Losco
2008 The Coconutz, translated into the Hawaiian Language and included on the soundtrack to the movie Forgetting Sarah Marshall
2009 Siouxsie, on the DVD Finale: The Last Mantaray and More Show
2009 The Humans, a project featuring Toyah Willcox, Bill Rieflin, Chris Wong and guest collaborator Robert Fripp.
2009 Duet with Maria de Medeiros and The Legendary Tigerman.
2009 [The Then]DrumnBass/Rock version by Bath (UK).
🔗 [LINKS]
7 Seconds on Facebook:
https://www.facebook.com/official7seconds
Instagram:
https://www.instagram.com/official7seconds/
Spotify:
https://open.spotify.com/artist/1ByqGbfU0crCY2zEr0U8Sv
Apple Music:
https://music.apple.com/us/artist/7seconds/14676940
and Deezer:
https://www.deezer.com/en/artist/194266
#punkcover
#hardcorepunk 7 Seconds - These Boots Are Made For Walking (Hardcore/Punk, Nancy Sinatra Cover)](https://i.ytimg.com/vi/mfSKg5MQmLc/mqdefault.jpg)
![Campfire Walkers - Modern Dance (Pere Ubu Cover)
From Ubu Dance Party (A Tribute To Pere Ubu)
Label: Datapanik Records – DATACD 2, DATACD2
Format: 2 x CD, Compilation
Country: US
Released: May 5, 1997
Tracklist
1-01. David Thomas - Untitled
1-02. The Oxymorons - Honeymoon
1-03. Gary Lou Pico - We Have The Technology
1-04. Puff Tube - I Will Wait
1-05. Revellers - Heaven
1-06. Blue - 30 Seconds Over Tokyo
1-07. Cobra Verde - Chinese Radiation
1-08. Haynes Boys - Kathleen
1-09. Syrup - On The Surface
1-10. Vivians - Codex
1-11. Clay - George Had A Hat
1-12. Muzzle - Bus Called Happiness
1-13. Campfire Walkers - Modern Dance
1-14. Steamshovel - Caligaris Mirror
1-15. Sosumi - Humor Me
1-16. Flaming Telepath - Non Alignment Pact
1-17. Dock Ellis - Laughing
1-18. Supie T - Jones
1-19. Lord Burger - Final Solution (Slight Return)
2-01. Cage - Goodnight Irene
2-02. Wax Tadpole - Turpentine
2-03. Scrawl - Go
2-04. Rainy Day Saints - Heart of Darkness
2-05. Brainiac - Petrified
2-06. Skullbank - Streetwaves
2-07. Quazimodo - Non Alignment Pact
2-08. New Bomb Turks - Life Stinks
2-09. G-Spot Tornados - Come Home
2-10. Kaj Mi Nuka - New Broom
2-11. Creature - Heaven
2-12. Satellites - Real World
2-13. Ass Ponys - Not Happy
2-14. RC Mob - My Dark Ages
2-15. Pet UFO - Race The Sun
2-16. One Riot One Ranger - Cloud 149
2-17. Girly Machine - Misery Goats
2-18. Honk, Wail & Moan - Thoughts Go By Steam
2-19. Gem - Blow Daddy-O
2-20. Gaunt - ...
Songwriter [All Songs By] – Pere Ubu
Liner Notes – Chad Van Wagner
Glass Mastered At – Nimbus
Manufactured By – Dutch East India Trading
Distributed By – Dutch East India Trading
Copyright © – Songs of PolyGram
Phonographic Copyright ℗ – Songs of PolyGram
Copyright © – Virgin
Phonographic Copyright ℗ – Virgin
Copyright Songs Of Polygram, p&c, for all tracks composed after 1986 (We Have The Technology, George Had A Hat, Bus Called Happiness, Race The Sun, Goodnight Irene, Turpentine, Come Home, Honeymoon, Kathleen) Everything else, ℗&© Virgin.
Notes
38 Ohio Bands Pay Tribute To Clevelands Legendary Pop Combo.
Tribute to Cleveland, Ohio originated Pere Ubu features only Ohio bands covering Pere Ubu songs.
Packaged in a slim double jewel case with a 4-panel folded insert. Track durations are not printed on the release.
Track 1-1 is not listed on the release; it consists of David Thomas saying This is a song about a song, another song. Thats the sort of things you get these days - you dont get the original songs anymore, Im afraid.
🎵 [SONG INFO]
The Modern Dance is a song by Pere Ubu.
It is the title track of their debut album released in February 1978 through Blank Records. (track A2)
An earlier version of the song was released as a 7-inch, 45 RPM single in August 1977 on the Hearthan label (HR 104), with the B-side Heaven.
The album version (and the single) was recorded in January 1977 at Cleveland Recording, engineered by Ken Hamann.
The song is notable for its use of field recordings of crowd noise and street traffic, which were made in Downtown Cleveland by synthesist Allen Ravenstine and incorporated into the track.
The original single mix of the track reportedly contained a repetitive doll squeak on the rhythm track. This element was later mixed out of the album version and reportedly replaced with a railroad spike sound. This original squeak was later rectified on the 2015 compilation, Elitism For The People 1975-1978.
David Thomas: Vocals, Percussion, Musette.
Tom Herman: Guitar.
Allen Ravenstine: EML 101 and 200 Analog Synthesizers.
Tony Maimone: Bass. Scott Krauss: Drums. Campfire Walkers - Modern Dance (Pere Ubu Cover)](https://i.ytimg.com/vi/mrzNLJH1Yes/mqdefault.jpg)
![John Buck Wilkin - Me And Bobby McGee (Roger Miller Cover)
From In Search Of Food Clothing Shelter And Sex
Label: Liberty – LST-7639
Format: Vinyl, LP, Album, Stereo, All Disc Pressing, Gatefold
Country: US
Released: 1970
Tracklist
A1 Apartment Twenty-One
Written-By – John Buck Wilkin
A2 Faces And Places
Written-By – Jane Leichardt
A3 My God And I
Written-By – John Buck Wilkin
A4 Boy Of The Country
Written-By – John Buck Wilkin
A5 Apocalypse 1969
Written-By – John Buck Wilkin, Kris Kristofferson
B1 Me And Bobby McGee
Written-By – Fred Foster, Kris Kristofferson
B2 The Daydream
Written-By – John Buck Wilkin
B3 Mary Jackson
Written-By – John Buck Wilkin
Medley
B4.1 Long Black Veil
Written-By – Danny Dill, Marijohn Wilkin
B4.2 The Nashville Sun
Written-By – John Buck Wilkin
Medley
B5.1 About Time
Written-By – John Buck Wilkin
B5.2 Nashville Sun Reprise
Written-By – John Buck Wilkin
Musician, Vocals – John Buck Wilkin
Arranged By, Conductor, Producer, Musician – Don Tweedy
Musician – Anne Soodman, Billy Sanford, Bob Phillips, Brenton Banks, Bruce Naterman, Byron Bach, Charlie Hayward, Chuck Leavell, Courtland Pickett, Dave Pell, Dick Kathan, Don Sheffield, Frank Beach, Frank Friedman, Gary Vanosdale, Gene Cipriano, George Tidwell, Glen Butts, Gloria Strassner, Jerry Carrigan, Jesse Ehrlich, Jim Horn, John Wyker, Kenny Buttrey, Larry Butler, Leonard Malarsky, Lew McCreary, Lillian Hunt, Lloyd Ulyate, Lou Mullenix, Marvin Chantry, Myron Sandler, Norbert Putnam, Ollie Mitchell, Paul Hubinon, Paulo Alencar, Richard Nash, Sam Ghossian, Sam Ross, Samuel Boghossian, Shari Zippert, Sheldon Curtland, Solie Fott, Spiro Stamos, Tom Scott, Wayne Butler, Wayne Moss, Wilbert Nuttycombe, William Green
Photography By [Black and White] – Joel Franklin, Ron Wolin
Photography By [Color] – Tommy Tucker
Art Direction, Design – Ron Wolin
Liner Notes – Roger Schutt
Engineer – Bert Agudelo, Jimmy Johnson, Lee Hazen
Mixed By [Liberty] – Bert Agudelo
Mixed By [Muscle Shoals] – Jimmy Johnson
Mixed By [Woodland] – Lee Hazen
Producer – John Buck Wilkin (tracks: A5, B1), John Wyker (tracks: A5, B1)
Notes
The album was reissued and remastered by Big Pink in 2016 (BIG PINK 417)
Coordinator [Reissue Cooridinator] – Youngjun Kim
Remastered By, Supervised By [Digital remastering and Reissue Supervisor] – Joohyung Lee
🎵 [SONG INFO]
Me and Bobby McGee is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller.
Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster.
Versions
Roger Miller was the first artist to record the song (in May 1969), and it appeared at No. 12 on the U.S. country chart in 1969.
Kenny Rogers and the First Edition recorded the song in May/June 1969, and released it on their album Ruby, Dont Take Your Love To Town in 1969.
On the Canadian charts, Gordon Lightfoots version (recorded in November 1969) hit No. 13 on the pop music chart and No. 1 on the country music chart in 1970.
A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after (Sittin On) The Dock of the Bay by Otis Redding. Billboard ranked Joplins version as the No. 11 song for 1971.
She recorded the song for inclusion on her Pearl album only a few days before her death in October 1970. Singer Bob Neuwirth taught it to her while Kristofferson was in Peru filming The Last Movie with Dennis Hopper. Kristofferson did not know she had recorded the song until after her death. The first time he heard her recording of it was the day after she died. Record World called it a perfect matching of performer and material. Joplins version topped the charts to become her only number one single; her version was later ranked No. 148 on Rolling Stones 2004 list of The 500 Greatest Songs of All Time.
In 2002, the 1971 version of the song by Janis Joplin on Columbia Records was inducted into the Grammy Hall of Fame.
Kristofferson recorded his own version of the song on his debut album Kristofferson in 1970. Later that year, his version of the song appeared in Monte Hellmans psychedelic road movie Two-Lane Blacktop.
Kristofferson also appears briefly singing the song in the 1971 Dennis Hopper film The Last Movie.
Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972.
History
The suggestion for the title was a cordial challenge from producer and Monument Records founder Fred Foster to Kris Kristofferson.
The titular character was named for a studio secretary, Barbara Bobbie McKee, but Kristofferson had misheard her surname.
He explained that he was trying to convey the despair of the last scene of Federico Fellinis La Strada in which a broken, war-torn, inebriated man (Anthony Quinn) stares up from the beach at the nights stars, and breaks down sobbing.
#johnbuckwilkin
#meandbobbymcgee
#rogermiller John Buck Wilkin - Me And Bobby McGee (Roger Miller Cover)](https://i.ytimg.com/vi/n0fylLpQBIo/mqdefault.jpg)
![The Have Nots - Bad Romance (Alternative Rock, Lady Gaga Cover)
👥 [BAND INFO]
Richard Ewing
- Vocals
- Rhythm Guitar
- Temporary Lead Guitar
- Temporary Drums
John Safier
- Bass Guitar
- Audio Engineering
Canton, Ohio
🎵 [SONG INFO]
Bad Romance is a song by American singer-songwriter Lady Gaga from her third extended play (EP), The Fame Monster (2009)—the reissue of her debut studio album, The Fame (2008). Following an unauthorized demo leak, Gaga premiered the final version of the song during Alexander McQueens 2010 Paris Fashion Week show in October 2009. Written and co-produced by Gaga alongside Moroccan-Swedish record producer RedOne, Bad Romance was released as the lead single from The Fame Monster on October 19, 2009.
Inspired by German house and techno music, the song was developed as an experimental pop record. Lyrically, Gaga drew from the paranoia she experienced while on tour and wrote about her attraction to unhealthy romantic relationships.
Bad Romance received widespread acclaim from music critics, who praised its chorus, beat and hook. Commercially, the song was a global success, topping the record charts in more than 20 countries. It peaked at number two on the US Billboard Hot 100 and was certified eleven-times Platinum by the Recording Industry Association of America (RIAA), having sold 5.9 million digital downloads as of 2019. Bad Romance has sold 12 million copies worldwide, becoming one of the best-selling digital singles of all time. The song won a Grammy Award for Best Female Pop Vocal Performance, and was included in annual best-of lists of Rolling Stone and Pitchfork; the former named it one of the 100 Greatest Songs of the 21st Century and 500 Greatest Songs of All Time. In a 2017 journal, which studied structural patterns in melodies of earworm songs, the American Psychological Association (APA) called Bad Romance one of the worlds catchiest.
The accompanying music video for Bad Romance, directed by Francis Lawrence, features Gaga inside a surreal white bathhouse where she is kidnapped and drugged by supermodels who sell her to the Russian mafia for sexual slavery. It ends as Gaga immolates the man who bought her. The video garnered acclaim from critics for its fashion, choreography, costumes and symbolism. Briefly becoming the most-viewed YouTube video in 2010, it received a record ten nominations at the MTV Video Music Awards, winning seven, including Video of the Year. It received the Grammy Award for Best Music Video and was named the best music video of the 21st century by Billboard. Gaga has performed Bad Romance at television shows, award ceremonies, her concert tours and residency shows, and the Super Bowl LI halftime show.
Music and lyrics
Bad Romance combines house and techno influences with new wave synths, and has been described as an electropop, dance-pop and dark pop song.
Sociologist Mathieu Deflem recognized rock influences in the song, while BBC critic Paul Lester noted the rave-inspired synthesizer sounds. Musicnotes published this song in common time with a tempo of 119 beats per minute in the key of A minor. Gagas vocal range spans from the low note of E3 to the high note of C5. The song follows in the chord progression Am–C–F–Am-C–G in the verses and F–G–Am–C–F–G–E–Am in the chorus.
Critical reception
Bad Romance received widespread critical acclaim. It was named the best song on The Fame Monster by Maureen Lee Lanker of Entertainment Weekly. It was included in lists of best songs of 2009 by Pitchfork (which called it epic in construction), MTV News, and Rolling Stone. Calling it one of the most memorable pop singles of the late 2000s, NME credits the song with establishing Gaga as an icon. In his review of the album, Scott Plagenhoef of Pitchfork found it arguably the best pop single of 2009.
Bad Romance was praised for its chorus, beat, and hook. Kaufman lauded the drastic transition into a bombastic beat during the chorus, which was called catchy by Rolling Stones Jody Rosen, one of Gagas best by MusicOMHs Michael Hubbard, and so wonderfully big it dwarfs the industry of a million angry dudes with guitars by NMEs Emily Mackay. Christopher John Farley from The Wall Street Journal praised the Jabberwockian catchiness of the hook. Other reviewers commented on the songs sex appeal, praised it for making Gagas name a Teutonic chant,[40] and called it a turbocharged Euro-soul and a club-friendly tune that possessed a sordid underbelly.
~more info about the song here: https://en.wikipedia.org/wiki/Bad_Romance
🔗 [LINKS]
Available on bandcamp:
https://thehavenotsrock.bandcamp.com/track/bad-romance-lady-gaga-cover
#thehavenots
#badromance
#alternativerock
#ladygagacover The Have Nots - Bad Romance (Alternative Rock, Lady Gaga Cover)](https://i.ytimg.com/vi/n2gV4KMhsxI/mqdefault.jpg)
![TarantinosNYC - Little Green Bag (Surf, George Baker Selection Cover)
From Super Sounds Of The Cinema
Label: A Band Together Records – ABTR102392
Format: CD, Album
Country: US
Released: 2009
Tracklist
01. Mr. Wolf
02. Little Green Bag
03. Im Branded
04. Naked In Tahiti (With Marlon Brando)
05. The Last Race
06. The Ecstasy Of Gold
07. Monte Carlo Nights
08. Chick Habit
09. Haleiwa Sunset
10. Girl, Youll Be A Woman Soon
11. The Third Hand
12. The Lonely Surfer
13. Fistful Of Reverb
14. Grindhouse (Theme From)
Recorded By, Mixed By – Patrick McCarthy (tracks: 1 to 12, 14)
Recorded At – Seaside Lounge
Mixed At – Seaside Lounge
Mastered At – Salt Mastering
© 2009 A Band Together Records
℗ 2009 TarantinosNYC
🎵 [SONG INFO]
Little Green Bag is a 1969 song written by Dutch musicians Jan Visser and George Baker (born Hans Bouwens), and recorded by the George Baker Selection at the bands own expense.
The track was released as the George Baker Selections debut single by Dutch label Negram, the B-side being Pretty Little Dreamer.
Background
The tracks original title was Little Greenback, which is slang for a US dollar. However, the single was given the erroneous title Little Green Bag, which some took to be a bag of marijuana.
The lyrics of the song add to the belief that it is about marijuana, since it describes quite similarly the confusion of trying to find the bag.
The Little Green Bag title was then retained for all subsequently released versions of the single, as well as the groups 1970 debut album, also titled Little Green Bag.
The single peaked at No. 9 on the Dutch Top 40 singles chart and No. 3 in Belgium. In the United States, the single reached No. 16 in the middle of 1970 on the Cashbox chart and No. 21 on the US Billboard Hot 100.
In 1992, the song was used in Quentin Tarantinos film Reservoir Dogs with song writers cited as Jan Gerbrand Visser and Benjamino Bouwens.
Also that year, the song reached No. 1 in Japan after being used in a Japanese whiskey commercial.
Charts
Chart (1969–70) / Peak position
Argentina (CAPIF) / 2
Australia / 12
Belgium (Ultratop 50 Flanders) / 3
Belgium (Ultratop 50 Wallonia) / 12
Brazil / 24
Canada Top Singles (RPM) / 16
France (IFOP) / 48
Italy (Musica e dischi) / 13
Netherlands (Dutch Top 40) / 9
Netherlands (Single Top 100) / 6
New Zealand (Listener) / 15
South Africa (Springbok Radio) / 7
U.S. Billboard Hot 100 / 21
US Top 100 (Cash Box) / 16
Cover versions
In 1970, the group I Punti Cardinali released a version titled La borsetta verde.
In 1970, Quebec singer Bobby Le Clerc recorded a French cover titled Cest pourquoi.
In 1970, the Italian singer Nada recorded an Italian-language version with translated lyrics by Luigi Albertelli under the title Un passatempo.
In 1999, Tom Jones released a cover version of the song recorded with Canadian band the Barenaked Ladies, on his album Reload.
In 2007, The Ventures released a version on their album The Ventures – Rocky!
In 2008, meg released a version on her album Serpent.
In 2012, Garou recorded a cover for his album Rhythm and Blues.
In 2019, Cinemax / HBO Maxs Warrior (Season 1, Episode 10) features a partial Cantonese cover before the closing credits. Visuals are an homage to Reservoir Dogs opening credits. Musical artist is uncertain.
In 2023, the spanish talent show Operación Triunfo covered this song with contestants Paul and Martin.
🔗 [LINKS]
https://www.tarantinosnyc.com/
https://open.spotify.com/artist/1EYL79rYb9XeDGGLJKespq
https://music.apple.com/us/artist/tarantinosnyc/341680955
https://tarantinosnyc.bandcamp.com/
https://www.amazon.com/music/player/artists/B00302PJ2O/tarantinosnyc
https://www.deezer.com/us/artist/1081595
https://www.youtube.com/user/TarantinosNYC
https://www.facebook.com/TheTarantinosNYC/
info@tarantinosnyc.com
Available on Spotify:
https://open.spotify.com/album/5BeCMgIkPrHxQi7RPnRf3f
Apple Music:
https://music.apple.com/us/album/super-sounds-of-the-cinema/341680954
bandcamp:
https://tarantinosnyc.bandcamp.com/album/super-sounds-of-the-cinema-2009
Amazon Music:
https://www.amazon.com/music/player/albums/B00302KKFA
and Deezer:
https://www.deezer.com/us/album/778155
#georgebaker
#surf
#littlegreenbag
#instrumentalcover TarantinosNYC - Little Green Bag (Surf, George Baker Selection Cover)](https://i.ytimg.com/vi/nMJkivDEarg/mqdefault.jpg)
![Ian Lloyd - Time Of The Season (The Zombies Cover)
From Goose Bumps
Label: Scotti Bros. Records – SB 7104
Format: Vinyl, LP, Album, Monarch Pressing
Country: US
Released: Aug 1979
Tracklist
A1 She Broke Your Heart
Backing Vocals – Lou Gramm
Bass – Steve Buslowe
Drums, Keyboards – Jim Vallance
Lead Guitar – Mick Jones
Rhythm Guitar – Jimmy Crespo
Synthesizer [Prophet V] – Larry Fast
Written-By, Backing Vocals – Ian Lloyd
A2 Love Stealer
Backing Vocals – Bruce Fairbairn, Ian Lloyd, Lou Gramm
Bass – Steve Buslowe
Drums, Keyboards – Jim Vallance
Lead Guitar – Mick Jones
Percussion, Siren, Whistle – Jimmy Maelen
Rhythm Guitar – Jimmy Crespo
Written-By – Phil Wainman, Richard Myhill
A3 First Heartbreak
Backing Vocals – Bruce Fairbairn, Ian Lloyd, Lou Gramm
Bass – Steve Buslowe
Drums – Dennis Elliott
Synthesizer – Larry Fast
Written-By – Russ Ballard
A4 Slip Away
Backing Vocals – Bruce Fairbairn, Ian Lloyd
Bass – Benjamin Orr
Drums, Organ – Jim Vallance
Lead Guitar – Jimmy Crespo
Rhythm Guitar, Backing Vocals – Ric Ocasek
Synthesizer – Larry Fast
Written-By – Ric Ocasek
A5 Holiday
Backing Vocals – Bruce Fairbairn, Ian Lloyd, Lou Gramm
Drums, Bass, Keyboards – Jim Vallance
Written-By – Barry Gibb, Robin Gibb
A6 Open Soul Surgery
Bass – Steve Buslowe
Drums, Percussion, Synthesizer – Jim Vallance
Rhythm Guitar, Lead Guitar – Jimmy Crespo
Written-By – Jim Vallance
B1 Goosebumps
Backing Vocals – Bruce Fairbairn, Ian Lloyd
Drums, Rhythm Guitar, Bass, Keyboards – Jim Vallance
Lead Guitar – Lindsay Mitchell
Percussion – Jimmy Maelen
Written-By – Brian Robertson, Terry Britten
B2 Easy Money
Backing Vocals – Bruce Fairbairn, Ian Lloyd
Bass – Steve Buslowe
Drums, Keyboards – Jim Vallance
Percussion – Jimmy Maelen
Rhythm Guitar, Lead Guitar – Jimmy Crespo
Written-By – Corky Laing, Ian Hunter
B3 Time Of The Season
Backing Vocals – Bruce Fairbairn, Lou Gramm
Drums, Synthesizer, Rhythm Guitar – Jim Vallance
Lead Guitar – Jimmy Crespo
Percussion – Jimmy Maelen
Rhythm Guitar, Backing Vocals – Ian Lloyd
Synthesizer [Prophet V], Sequencer – Larry Fast
Written-By – Rod Argent
B4 New City Lights
Backing Vocals – Bruce Fairbairn, Ian Lloyd
Bass – Steve Buslowe
Drums, Keyboards – Jim Vallance
Lead Guitar – David Sinclair
Percussion – Jimmy Maelen
Rhythm Guitar – Jimmy Crespo
Tenor Saxophone – Michael Brecker
Written-By – Kevin Borich
B5 Im Ready
Backing Vocals – Ian Lloyd, Lou Gramm
Drums, Bass, Rhythm Guitar, Keyboards – Jim Vallance
Lead Guitar – Jimmy Crespo
Sequencer – Larry Fast
Written-By – Bryan Adams, Jim Vallance
B6 Love Is A Ship
Backing Vocals – Bruce Fairbairn
Bass – Steve Buslowe
Drums, Rhythm Guitar, Keyboards – Jim Vallance
Percussion – Jimmy Maelen
Written-By – Paul Da Vinci
Arranged By – Ian Lloyd (tracks: B3), Jim Vallance (tracks: A1 to A6, B1, B2, B4 to B6)
Lead Vocals – Ian Lloyd
Art Direction – Sandi Young
Photography By [Front Cover] – Chris Callis
Photography By [Back Cover] – Larry Williams
Engineer – David Thoener (tracks: A1 to A6, B2, B4 to B6), Geoff Turner (tracks: B1, B3)
Engineer [Assistant] – Gregg Caruso (tracks: A1 to A6, B2, B4 to B6), Paul MacDonald (tracks: B1, B3)
Producer – Bruce Fairbairn
℗ 1979 Scotti Brothers Records
Time of the Season is a song by the British rock band the Zombies, featured on their 1968 album Odessey and Oracle.
It was written by keyboardist Rod Argent and recorded at Abbey Road Studios (then known as EMI Studios) in September 1967.
Over a year after its original release, the track became a surprise hit in the United States, rising to number three on the Billboard Hot 100 and number one on the Cashbox chart.
It has become one of the Zombies most popular and recognizable songs, and an iconic hit of 1960s psychedelia.
Notable cover versions
In 1969, The Thyme
In 1981, Pino DAngiò included an Italian version titled Signorina
Brent Bourgeois in 1990
Michael Damian in 1994
Also in 1994 The Nylons
In 1997 Kurt Elling
Scott Weiland released a cover version on the Austin Powers: The Spy Who Shagged Me soundtrack, credited to a fictitious band called Big Blue Missile featuring Weiland.
In 2003, Ben Taylor recorded the song for his album Famous Among the Barns, later featured in the horror film Prom Night (2008).
In 2005, The Guess Who
Dave Matthews Band in 2005
Tommy Shaw (of Styx) and Jack Blades (of Night Ranger) in 2007
America remade Time of the Season for their 2012 release Back Pages, a cover album.
Jake Shimabukuro in 2018
Available on Spotify:
https://open.spotify.com/album/1kwMKpzJu8JjLzOxpwcxZg
Apple Music:
https://music.apple.com/us/album/goosebumps/440023609
and Deezer:
https://www.deezer.com/en/album/8303698
#powerpop
#powerpopcover Ian Lloyd - Time Of The Season (The Zombies Cover)](https://i.ytimg.com/vi/netPPzPBlf0/mqdefault.jpg)

![Southwest F.O.B. - Nadine (Chuck Berry Cover)
From Smell Of Incense
Label: HIP – HIS 7001, HIS-7001
Format: Vinyl, LP, Album, Stereo
Country: US
Released: 1968
Tracklist
A1 Smell Of Incense
Written-By – Bob Markley, Ron Morgan
A2 Tomorrow
Written-By – Dan Seals, John Ford Coley
A3 Rock N Roll Woman
Written-By – Stephen Stills
Downtown Woman/Nadine
A4a Downtown Woman
Written-By – John Ford Coley, Dan Seals
A4b Nadine
Written-By – Chuck Berry
B1 All One Big Game
Written-By – Dan Seals, John Ford Coley
B2 On My Mind
Written-By – Dan Seals, John Ford Coley
B3 Bells Of Baytown
Written-By – Dan Seals, John Ford Coley
B4 And Another Thing
Written-By – Dan Seals, John Ford Coley
Arranged By – Southwest F.O.B.
Performer – Dan Seals, John Ford Coley, Shane Keister
Drums – Zeke
Art Direction – Christopher Whorf
Photography By [Cover] – Apple Graphics
Engineer, Liner Notes – Robin Hood Brians
Engineer – Randy Fouts
Producer – GPC Enterprises
Notes
The album has been reissued several times.
In 1997 on P-Vine Records (PCD-5177)
In 1998 on Sundazed Music (SC 11060) and again in 2008 on BeatRocket (BR 144) a a subsidiary of Sundazed Music.
© 1998 Sundazed Music
℗ 1998 Sundazed Music
🎵 [SONG INFO]
Nadine (Is It You?) is a song written and recorded by Chuck Berry.
It was released as a single in February 1964 and was the first music that Berry released after finishing a prison term in October 1963.
Composition
After his December 1959 arrest under the Mann Act, Berry eventually served a one-and-a-half-year prison term, from February 1962 to October 1963, for transporting a girl, age 14, across state lines. He had not released a single since Come On in October 1961.
Nadine was recorded at a November 1963 session at the Chess studio in Chicago, his first after his release from prison. Another song from that session, You Never Can Tell, would also be released as a single.
The composition resembles Berrys first hit, Maybellene, similarly featuring lyrics about pursuing a girl, though in Nadine the pursuit is not by car but on foot and by taxi. As Berry told Melody Maker, I took Maybellene and from it got Nadine.
As William Ruhlmann of Allmusic writes, the lyrics are distinguished by an unusual use of similes, such as: She moves around like a wayward summer breeze; Moving through the traffic like a mounted cavalier; and I was campaign shouting like a Southern diplomat.
Chart performance
The song was released in February 1964 as a single on Chess (catalogue no.1883), backed with O Rangutang.
It peaked at no.23 on the Billboard Hot 100, no.7 on the R&B chart, and no.27 on the UK Singles Chart.
Reception
According to Allmusic, the song had a profound influence on the songwriting of Bob Dylan: One need only listen to Nadine (Is It You?), released in February 1964, and then to the 1965 Dylan album Bringing It All Back Home, with its surreal story-songs, to hear the similarities.
Cash Box described it as a hard-driving, rhythmic pop-blues tear-jerker essayed with authority and feeling.
In the 1987 documentary film Hail! Hail! Rock n Roll (in which Berry performs Nadine), Bruce Springsteen praised the songs lyrics. Springsteen singled out the lines, I saw her from the corner when she turned and doubled back / Started walking toward a coffee-colored Cadillac. Ive never seen a coffee-colored Cadillac, but I know exactly what one looks like, Springsteen says in the film.
Later versions
The song has been recorded by numerous artists including:
Steve Forbert,
John Hammond Jr.,
Kevin Dunn,
Waylon Jennings,
Billy Boy Arnold, Dion,
George Thorogood,
New Riders of the Purple Sage,
Juicy Lucy,
Dire Straits,
George Benson,
Michael Nesmith,
Motörhead,
Dicky Lee,
Stan Ridgway
and The Seldom Scene.
🔗 [LINKS]
Available on Spotify:
https://open.spotify.com/album/3oV24upgeYPaWj4xDxwJaY
Apple Music:
https://music.apple.com/us/album/smell-of-incense/1468580584
and bandcamp:
https://southwestfob.bandcamp.com/album/smell-of-incense
#progrock
#progressiverock Southwest F.O.B. - Nadine (Chuck Berry Cover)](https://i.ytimg.com/vi/oDbwhEL_AnY/mqdefault.jpg)
![Blues RagsnHollers - I Just Want To Make Love To You (Garage Rock, Muddy Waters Cover)
From I Just Want To Make Love To You
Label: Leedon – LK-1421
Format: Vinyl, 7
Country: Australia
Released: Aug 1966
Tracklist
A I Just Want To Make Love To You
Written-By – Willie Dixon
B Got Love If You Want It
Written-By – James Moore
Notes
Made By – Festival Records Pty. Ltd.
👥 [BAND INFO]
Blues RagsnHollers were an Australian band formed in Adelaide, South Australia in 1966
Members:
Andy Wilkinson, Brian Coughlan, David Harrison, John Hilton, Mick Patterson, Ted Fry
🎵 [SONG INFO]
I Just Want to Make Love to You is a 1954 blues song written by Willie Dixon and first recorded by Muddy Waters.
The song was a major hit, reaching number four on Billboard magazines Black Singles chart.
Backing Waters vocals and guitar on the single were Little Walter on harmonica, Jimmy Rogers on second guitar, Otis Spann on piano, Willie Dixon on bass, and Fred Below on drums.
Waters recorded the song again for the album Electric Mud (1968).
Cover versions
Etta James version
In 1961, Etta James recorded the song for her debut album At Last!.
Her rendition also served as the b-side to her hit At Last. In 1996, Etta James version became popular in the UK after featuring in a Diet Coke ad campaign.
As a result, the single was re-released there.
The song first appeared on the UK Singles Chart on February 10, 1996 at No. 5, the single stayed on the charts for 7 weeks and left the charts at No. 62 on March 23.
Rolling Stones version
The Rolling Stones recorded the song, with slightly modified lyrics, for their 1964 debut album The Rolling Stones (titled Englands Newest Hit Makers in the US) and released the song as the B-side to Tell Me in America.
A live version was later released on Rarities 1971-2003.
Foghat version
Blues-rock group Foghat released a version of I Just Want to Make Love to You on their self-titled debut album in 1972 and released the song as a single the same year where it reached No. 83 on the Billboard Hot 100 and was their first hit.
A live version was released on Foghat Live and released another 45 rpm single with Fool for the City as the b-side, the single was edited from over eight minutes to 3 minutes and 56 seconds.
This single version reached No. 33 on the Billboard Hot 100.
Foghats version of the song was used in the films Dazed and Confused and Halloween II.
Other cover versions
The song was performed by a supergroup consisting of Bo Diddley, Muddy Waters, and Little Walter on Super Blues in 1967.
The song has also been recorded by:
Willie Dixon,
Chuck Berry,
The Sensational Alex Harvey Band,
the Grateful Dead,
Buddy Guy,
Mungo Jerry,
The Kinks,
Shadows of Knight,
Robben Ford,
Van Morrison,
Lou Rawls,
The Righteous Brothers,
The Yardbirds,
The Animals,
Janis Siegel,
Meat Puppets,
Cold Blood,
April Wine,
Louise Hoffsten,
Foghat,
Lee Aaron,
Saxon,
Nanette Workman,
Smith,
James Blood Ulmer,
Livin Blues,
Lloyd Spiegel,
Junior Wells,
Memphis Slim,
Bo Diddley,
Johnny Otis,
Paul Rodgers,
Ross/Wollners Inner City,
The New Orleans Radiators,
W.C.Spencer,
Medicine Mike,
Eddy Clearwater,
Stone,
Thornetta Davis,
Geoff Achison,
Louise Hoffsten,
Cash McCall,
Corey Osborn,
Radio Moscow,
Chocolate Watchband,
Cold Blood/Lydia Pense
and Not Moving.
A live version by Tom Petty and the Heartbreakers is featured on their career-spanning live set, The Live Anthology.
The Bob Dylan song My Wifes Home Town, from the 2009 album Together Through Life, is heavily influenced musically by the song, and the album notes give credit to Willie Dixon. The songs lyrics however are entirely different.
The middle eight was adapted by the Violent Femmes for their 1982 song Gone Daddy Gone and the 2006 cover by Gnarls Barkley.
#bluesragsnhollers
#ijustwanttomakelovetoyou
#garagerock
#muddywaterscover Blues RagsnHollers - I Just Want To Make Love To You (Garage Rock, Muddy Waters Cover)](https://i.ytimg.com/vi/oUikN-A5zqs/mqdefault.jpg)
![涼風真世 - A Hard Days Night (in Japanese, The Beatles)
From 涼風真世ビートルズを歌う
Label: TMP – TMPC 34
Format: CD, EP
Country: Japan
Released: 1989
Tracklist
1. Michelle
2. A Hard Days Night
3. Let It Be
4. And I Love Her
5. Something
Notes
8 page booklet.
No back insert.
Glued on the spine obi.
Unofficial translation of Artist & Title: Mayo Suzukaze – Suzukaze Mayo Beatles O Utau (Suzukaze Mayo Sings The Beatles).
Mayo Suzukaze. Japanese actor, voice actor, and singer. Ex-member of Takarazuka.
Born in Ishimaki, Miyagi on September 11, 1960.
💿 [SONG INFO]
A Hard Days Night is a song by the English rock band the Beatles.
Credited to Lennon–McCartney, it was primarily written by John Lennon, with some minor collaboration from Paul McCartney.
It was released on the soundtrack album A Hard Days Night in 1964.
It was also released as a single in the UK (with Things We Said Today as its B-side), and in the US (with I Should Have Known Better as its B-side.)
The song featured prominently in the Beatles first feature film, A Hard Days Night.
The song topped the charts in both the United Kingdom and United States when it was released as a single.
The American and British singles of A Hard Days Night, as well as both the American and British albums of the same title, held the top position in their respective charts simultaneously for a couple of weeks in August 1964, the first time any artist had accomplished this feat.
Title
The songs title originated from something said by Ringo Starr. Starr described it this way in an interview with disc jockey Dave Hull in 1964: We went to do a job, and wed worked all day and we happened to work all night. I came up still thinking it was day I suppose, and I said, Its been a hard day … and I looked around and saw it was dark so I said, … night! So we came to A Hard Days Night.
Release and reception
A Hard Days Night was first released to the United States, coming out on 26 June 1964 on the album A Hard Days Night, the soundtrack to the film, and released by United Artists.
The United Kingdom first heard A Hard Days Night when it was released there on 10 July 1964, both on the album A Hard Days Night, and as a single, backed with Things We Said Today on the B-side. Both the album and single were released by Parlophone Records. The single began charting on 18 July 1964, a week later ousting the Rolling Stones Its All Over Now from the top spot on the British charts on 25 July 1964, coincidentally the day when both the American and British albums too hit the peak of their respective charts. The single stayed on top for three weeks, and lasted another nine weeks in the charts afterwards.
The American single on 1 August started a two-week-long run at the top, setting a new record – nobody before had ever held the number one position on both the album and singles charts in the United Kingdom and the United States at the same time. The Beatles were the only ones who had done this until 1970 when Simon and Garfunkel achieved the same feat with their album Bridge over Troubled Water and its title track.
The song was the fifth of seven songs by the Beatles to hit number 1 in a one-year period, an all-time record on the US charts. In order, these were I Want to Hold Your Hand, She Loves You, Cant Buy Me Love, Love Me Do, A Hard Days Night, I Feel Fine and Eight Days a Week. It was also the sixth of seven songs written by Lennon-McCartney to hit number 1 in 1964, an all-time record on the US charts for writing the most songs to hit number 1 in the same calendar year.
The songs opening chord and closing arpeggios were highly influential on the Byrds. After watching the film A Hard Days Night and seeing Harrisons choice of guitar, Roger McGuinn adopted the Rickenbacker as his and the Byrds signature instrument.
In this way, according to author Andrew Grant Jackson, A Hard Days Night birthed the folk-rock sound that the Byrds popularised in 1965.
That same year, A Hard Days Night won the Grammy Award for Best Performance by a Vocal Group.
In 2004, Rolling Stone magazine ranked the song at number 153 on its list of the 500 Greatest Songs of All Time.
In 2000, the 1964 recording of A Hard Days Night on the United Artists label was inducted into the Grammy Hall of Fame.
🔗 [LINKS]
https://ameblo.jp/suzukaze-mayo
https://www.jvcmusic.co.jp/-/Artist/A007938.html 涼風真世 - A Hard Days Night (in Japanese, The Beatles)](https://i.ytimg.com/vi/pOAfLn2jBU4/mqdefault.jpg)