Uploaded June 2025 | Updated September 2026, 3 weeks ago
The Musical Instrument Bank has been supporting young talent with exceptional string instruments for 40 years.
The Musical Instrument Bank (MIB) was established in 1985 thanks to generous donors. More than 20 stringed instruments created by such master craftsmen as Stradivari, Gagliano and Pressenda have been donated or lent to the MIB.
Through a triennial competition, the Canada Council for the Arts enables established soloists and chamber musicians, as well as musicians on the threshold of an international career, to access these high-quality stringed instruments, give concerts around the world and record pieces with them during the length of the loan. The MIB’s loan program contributes to the career advancement of musicians and offers various high-profile opportunities for partnership and public engagement.
In this video, former MIB recipients Noémie Raymond-Friset and Timothy Chooi, as well as Ric W. Heinl, luthier for the MIB, reflect on the ways in which gaining access to such exceptional instruments can have a transformative impact on emerging musicians from Canada.
Please like and share this video and subscribe to the Canada Council’s channel to support the arts in Canada.
The Musical Instrument Bank has been supporting young talent with exceptional string instruments for 40 years.
The Musical Instrument Bank (MIB) was established in 1985 thanks to generous donors. More than 20 stringed instruments created by such master craftsmen as Stradivari, Gagliano and Pressenda have been donated or lent to the MIB.
Through a triennial competition, the Canada Council for the Arts enables established soloists and chamber musicians, as well as musicians on the threshold of an international career, to access these high-quality stringed instruments, give concerts around the world and record pieces with them during the length of the loan. The MIB’s loan program contributes to the career advancement of musicians and offers various high-profile opportunities for partnership and public engagement.
In this video, former MIB recipients Noémie Raymond-Friset and Timothy Chooi, as well as Ric W. Heinl, luthier for the MIB, reflect on the ways in which gaining access to such exceptional instruments can have a transformative impact on emerging musicians from Canada.
Please like and share this video and subscribe to the Canada Council’s channel to support the arts in Canada.


![Portrait of Anna Torma, #GGARTS2020 winner
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Anna Torma is the 2020 winner of the Saidye Bronfman Award for the Governor General’s Awards in Visual and Media Arts. Directed by Nadine Gomez.
Co-production of the Canada Council for the Arts and PRIM. Presentation of the Canada Council for the Arts and the Independent Media Arts Alliance.
The Canada Council for the Arts is a federal, arm’s-length Crown corporation created by an Act of Parliament in 1957 (Canada Council for the Arts Act) “to foster and promote the study and enjoyment of, and the production of works in, the arts.”
For more information, visit ggarts.ca
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Transcript:
Narrow way,
Big way,
between them a well-like cave.
When you peek in take good care:
Hundred holes and cracks are there.
If you’re looking very long
you might find me until dawn.
Small walnut,
big walnut,
between them hazelnut.
Here was built a fancy house,
Hundred rooms and hundred spires.
If you’re walking long enough
you might find me in twelve months.
The silk thread is fantastic, it never gets tangled. It’s easy to work with it.
But you need to choose carefully the needle, how long is it, the thickness.
Everything must be perfect.
My every day life is art, which is . . . you can’t ask [for a] better life.
If you touch a piece of silk, you think of the silkworms, the silk road from China. It’s very beautiful in its own right.
You have a piece of wonderful art history or human history in your hand. And even if you work with living creatures, like the flowers and the rose bushes in my garden, they have a voice, and they are talking back sometimes.
If you are working with them and listen to nature, or listen to your medium, then these relationships give you a lot better results.
Embers of wood in fire I’d be—
Soft moss on stones in ponds I’d be—
Swaying poplar in wind I’d be—
On Earth my father’s son I’d be—
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Art Bank
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CCUNESCO - Canadian Commission for UNESCO
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Website - https://en.ccunesco.ca/ Portrait of Anna Torma, #GGARTS2020 winner](https://i.ytimg.com/vi/WgHVvfjaCDk/mqdefault.jpg)







![Portrait of Kenneth Robert Lum, #GGARTS2020 winner
Please like this video and subscribe to support the arts in Canada.
Kenneth Robert Lum is a 2020 winner of the Governor General’s Awards in Visual and Media Arts. Directed by Eva Madden.
Co-production of the Canada Council for the Arts and Madden Media. Presentation of the Canada Council for the Arts and the Independent Media Arts Alliance.
The Canada Council for the Arts is a federal, arm’s-length Crown corporation created by an Act of Parliament in 1957 (Canada Council for the Arts Act) “to foster and promote the study and enjoyment of, and the production of works in, the arts.”
For more information, visit ggarts.ca
****
Transcript:
The unknown that is before you is always interesting.
It is worthwhile because it gives you a chance to invent yourself anew, always test yourself anew.
Reinvention is always interesting.
And it’s always hard—I’m not saying it’s easy.
But I’ve done it many times and it’s always worked for me.
Being complacent, I think, is not a good thing, but that’s also the way we’re taught [to be].
To be complacent. To conform. To be a good citizen. To act as one.
We’re supposed to accept the way the world is—the distribution of power and how power is exercised over people.
And we’re not supposed to question it because that’s just the way it is.
Somehow, even more perniciously, it’s the best possible world.
I don’t believe in that.
I believe treating others with respect no matter where they come from is the first step towards having a deeper understanding of what’s wrong with the world in terms of questions of social justice and equity.
Do I want to be happy? Would I rather be happy than unhappy? Yes.
But I also want to have a rich life. A fecund life. A life full of meaning.
I’m happy when I have a deeper understanding of the world and I have greater experiences of the world.
It’s a happiness based on being able to commiserate with others in situations of despair and trauma, which I don’t take pleasure in.
I want people to lead better lives.
I know there’s this romantic notion that being an artist is a continuum. That you are always an artist no matter what.
And that gives primacy to art over everything else.
And art is very important to me, but my family is more important than my art.
I think it’s important to have some remove from art, if only to be a better artist.
Because if you’re totally immersed in art and only thinking that art is the only thing that matters on a scale of a totality, then you have no remove, no possibility of having sagacity drawn from distance and perspective from art.
I’m always looking for the next chance to reinvent myself, so I haven’t given that up, right?
So maybe Philadelphia is just a seven-year interregnum in terms of the next stage of reinvention.
The city is complex. The city is not easy.
All the best and worst things you can imagine about the world [are] here.
Of course, I don’t want things to be bad. I’m not saying that. Because a lot of tragic lives are being lived here.
But I’m interested in being in the middle of that because I feel I can make a difference.
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Art Bank
Instagram - https://www.instagram.com/artbank_banquedart/
Facebook - https://www.facebook.com/CCartbank/
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Website - https://artbank.ca/
CCUNESCO - Canadian Commission for UNESCO
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Twitter - https://twitter.com/CCUNESCO
LinkedIn - https://www.linkedin.com/company/canadian-commission-for-unesco/
Website - https://en.ccunesco.ca/ Portrait of Kenneth Robert Lum, #GGARTS2020 winner](https://i.ytimg.com/vi/Zl4tlJE_LKY/mqdefault.jpg)