Uploaded March 2025 | Updated September 2026, 3 weeks ago
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Peter Pierobon is a 2025 winner of the Governor General’s Awards in Visual and Media Arts.
Video directed by Darcy Hennessy.
A presentation of the Canada Council for the Arts and the Independent Media Arts Alliance.
The Canada Council for the Arts is a federal, arm’s-length Crown corporation created by an Act of Parliament in 1957 (Canada Council for the Arts Act) “to foster and promote the study and enjoyment of, and the production of works in, the arts.”
For more information, visit https://en.ggarts.ca.
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Transcript:
I see the world as a constantly moving and changing landscape. It’s just part of a continuum. I see my career as being a sliver of that on the path to somewhere else.
I like precision. I like when things come together and you can’t see how they’re made. Because I want the point of the object not to be about how it’s made or even the material it’s made of, but the statement that it’s making.
There are forces at play in nature that affect things. They cause a tree to be bigger at the base and narrower at the top, or the branches to have a built-in flexibility so they won’t break every time the wind blows. And those kinds of things remain unseen, un-talked about, but they’re a major component of the design process.
Wood is a living thing. Its life may have been interrupted by its harvesting, but it retains that living quality to it. The way you process it and handle it—it’s never static. You have to build your object with the ability to expand and contract, or else it may self-destruct over time.
All of these things are literally a living process that you have to recognize and obey. I enjoy that challenge of trying to marry the beautiful object with the functional object.
Being an artist is a journey, and there are no directions. There’s a pathway that divides constantly into smaller pathways, and choices need to be made day to day. And each path that an individual chooses will be different from any other individual. I’m interested in continually exploring and taking risks and keep finding stuff that’s new and invigorating and exciting.
#GGArts2025 #PeterPierobon #CanadaCouncil
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Please like this video and subscribe to support the arts in Canada.
Peter Pierobon is a 2025 winner of the Governor General’s Awards in Visual and Media Arts.
Video directed by Darcy Hennessy.
A presentation of the Canada Council for the Arts and the Independent Media Arts Alliance.
The Canada Council for the Arts is a federal, arm’s-length Crown corporation created by an Act of Parliament in 1957 (Canada Council for the Arts Act) “to foster and promote the study and enjoyment of, and the production of works in, the arts.”
For more information, visit https://en.ggarts.ca.
****
Transcript:
I see the world as a constantly moving and changing landscape. It’s just part of a continuum. I see my career as being a sliver of that on the path to somewhere else.
I like precision. I like when things come together and you can’t see how they’re made. Because I want the point of the object not to be about how it’s made or even the material it’s made of, but the statement that it’s making.
There are forces at play in nature that affect things. They cause a tree to be bigger at the base and narrower at the top, or the branches to have a built-in flexibility so they won’t break every time the wind blows. And those kinds of things remain unseen, un-talked about, but they’re a major component of the design process.
Wood is a living thing. Its life may have been interrupted by its harvesting, but it retains that living quality to it. The way you process it and handle it—it’s never static. You have to build your object with the ability to expand and contract, or else it may self-destruct over time.
All of these things are literally a living process that you have to recognize and obey. I enjoy that challenge of trying to marry the beautiful object with the functional object.
Being an artist is a journey, and there are no directions. There’s a pathway that divides constantly into smaller pathways, and choices need to be made day to day. And each path that an individual chooses will be different from any other individual. I’m interested in continually exploring and taking risks and keep finding stuff that’s new and invigorating and exciting.
#GGArts2025 #PeterPierobon #CanadaCouncil
Connect with us on social media:
Canada Council for the Arts
Instagram - instagram.com/canada.council
Facebook - facebook.com/canadacouncil
X - twitter.com/CanadaCouncil
LinkedIn - linkedin.com/company/canada-council-for-the-arts
Website - canadacouncil.ca
Art Bank
Instagram - instagram.com/artbank_banquedart
Facebook - facebook.com/CCartbank
YouTube - youtube.com/watch?v=x9fGIx7hZYk
Website - artbank.ca
CCUNESCO - Canadian Commission for UNESCO
Instagram - instagram.com/ccunesco
X - twitter.com/CCUNESCO
LinkedIn - linkedin.com/company/canadian-commission-for-unesco
Website - en.ccunesco.ca

![Portrait of Anna Torma, #GGARTS2020 winner
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Anna Torma is the 2020 winner of the Saidye Bronfman Award for the Governor General’s Awards in Visual and Media Arts. Directed by Nadine Gomez.
Co-production of the Canada Council for the Arts and PRIM. Presentation of the Canada Council for the Arts and the Independent Media Arts Alliance.
The Canada Council for the Arts is a federal, arm’s-length Crown corporation created by an Act of Parliament in 1957 (Canada Council for the Arts Act) “to foster and promote the study and enjoyment of, and the production of works in, the arts.”
For more information, visit ggarts.ca
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Transcript:
Narrow way,
Big way,
between them a well-like cave.
When you peek in take good care:
Hundred holes and cracks are there.
If you’re looking very long
you might find me until dawn.
Small walnut,
big walnut,
between them hazelnut.
Here was built a fancy house,
Hundred rooms and hundred spires.
If you’re walking long enough
you might find me in twelve months.
The silk thread is fantastic, it never gets tangled. It’s easy to work with it.
But you need to choose carefully the needle, how long is it, the thickness.
Everything must be perfect.
My every day life is art, which is . . . you can’t ask [for a] better life.
If you touch a piece of silk, you think of the silkworms, the silk road from China. It’s very beautiful in its own right.
You have a piece of wonderful art history or human history in your hand. And even if you work with living creatures, like the flowers and the rose bushes in my garden, they have a voice, and they are talking back sometimes.
If you are working with them and listen to nature, or listen to your medium, then these relationships give you a lot better results.
Embers of wood in fire I’d be—
Soft moss on stones in ponds I’d be—
Swaying poplar in wind I’d be—
On Earth my father’s son I’d be—
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Art Bank
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Website - https://en.ccunesco.ca/ Portrait of Anna Torma, #GGARTS2020 winner](https://i.ytimg.com/vi/WgHVvfjaCDk/mqdefault.jpg)







![Portrait of Kenneth Robert Lum, #GGARTS2020 winner
Please like this video and subscribe to support the arts in Canada.
Kenneth Robert Lum is a 2020 winner of the Governor General’s Awards in Visual and Media Arts. Directed by Eva Madden.
Co-production of the Canada Council for the Arts and Madden Media. Presentation of the Canada Council for the Arts and the Independent Media Arts Alliance.
The Canada Council for the Arts is a federal, arm’s-length Crown corporation created by an Act of Parliament in 1957 (Canada Council for the Arts Act) “to foster and promote the study and enjoyment of, and the production of works in, the arts.”
For more information, visit ggarts.ca
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Transcript:
The unknown that is before you is always interesting.
It is worthwhile because it gives you a chance to invent yourself anew, always test yourself anew.
Reinvention is always interesting.
And it’s always hard—I’m not saying it’s easy.
But I’ve done it many times and it’s always worked for me.
Being complacent, I think, is not a good thing, but that’s also the way we’re taught [to be].
To be complacent. To conform. To be a good citizen. To act as one.
We’re supposed to accept the way the world is—the distribution of power and how power is exercised over people.
And we’re not supposed to question it because that’s just the way it is.
Somehow, even more perniciously, it’s the best possible world.
I don’t believe in that.
I believe treating others with respect no matter where they come from is the first step towards having a deeper understanding of what’s wrong with the world in terms of questions of social justice and equity.
Do I want to be happy? Would I rather be happy than unhappy? Yes.
But I also want to have a rich life. A fecund life. A life full of meaning.
I’m happy when I have a deeper understanding of the world and I have greater experiences of the world.
It’s a happiness based on being able to commiserate with others in situations of despair and trauma, which I don’t take pleasure in.
I want people to lead better lives.
I know there’s this romantic notion that being an artist is a continuum. That you are always an artist no matter what.
And that gives primacy to art over everything else.
And art is very important to me, but my family is more important than my art.
I think it’s important to have some remove from art, if only to be a better artist.
Because if you’re totally immersed in art and only thinking that art is the only thing that matters on a scale of a totality, then you have no remove, no possibility of having sagacity drawn from distance and perspective from art.
I’m always looking for the next chance to reinvent myself, so I haven’t given that up, right?
So maybe Philadelphia is just a seven-year interregnum in terms of the next stage of reinvention.
The city is complex. The city is not easy.
All the best and worst things you can imagine about the world [are] here.
Of course, I don’t want things to be bad. I’m not saying that. Because a lot of tragic lives are being lived here.
But I’m interested in being in the middle of that because I feel I can make a difference.
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Art Bank
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Website - https://en.ccunesco.ca/ Portrait of Kenneth Robert Lum, #GGARTS2020 winner](https://i.ytimg.com/vi/Zl4tlJE_LKY/mqdefault.jpg)
