Uploaded November 2020 | Updated September 2026, 3 days ago
In this video, mediator Eimear discusses The Maps of Phantom Island by Agnieszka Kurant, an exhibit featured in INVISIBLE, an exhibition discovering the known and unknown of our universe through physics and philosophy.
THE MAPS OF PHANTOM ISLANDS
What are the politics and economies involved in the production of knowledge?
These phantom territories have appeared on maps at different points in history as results of misconceptions about the world, rumours and mirages observed in different places around the globe. Some were intentional errors of explorers who persuaded governments to get funding for conquering new lands; others were strategically invented by noblemen and governments. Though fictitious, these phantom islands were often the object of real economic transactions or real conflicts. Some of them were only removed from maps in the 1940s, after the development of aerial photography.
ABOUT
Agnieszka Kurant’s recent exhibitions include the Istanbul Biennial, curated by Nicolas Bourriaud; The Age of You at the MOCA Toronto, curated by Hans Ulrich Obrist, Douglas Coupland and Shumon Basar, and Milano Triennale, curated by MoMa curator Paola Antonelli. In 2019, she was awarded the Frontier Art Prize. She is an artist-in-residence at MIT CAST, and a fellow of the Berggruen Institute and the Smithsonian Institute.
Instagram: @agnieszka.kurant
INVISIBLE originated at Science Gallery London, King's College London in 2019, titled DARK MATTER.
In this video, mediator Eimear discusses The Maps of Phantom Island by Agnieszka Kurant, an exhibit featured in INVISIBLE, an exhibition discovering the known and unknown of our universe through physics and philosophy.
THE MAPS OF PHANTOM ISLANDS
What are the politics and economies involved in the production of knowledge?
These phantom territories have appeared on maps at different points in history as results of misconceptions about the world, rumours and mirages observed in different places around the globe. Some were intentional errors of explorers who persuaded governments to get funding for conquering new lands; others were strategically invented by noblemen and governments. Though fictitious, these phantom islands were often the object of real economic transactions or real conflicts. Some of them were only removed from maps in the 1940s, after the development of aerial photography.
ABOUT
Agnieszka Kurant’s recent exhibitions include the Istanbul Biennial, curated by Nicolas Bourriaud; The Age of You at the MOCA Toronto, curated by Hans Ulrich Obrist, Douglas Coupland and Shumon Basar, and Milano Triennale, curated by MoMa curator Paola Antonelli. In 2019, she was awarded the Frontier Art Prize. She is an artist-in-residence at MIT CAST, and a fellow of the Berggruen Institute and the Smithsonian Institute.
Instagram: @agnieszka.kurant
INVISIBLE originated at Science Gallery London, King's College London in 2019, titled DARK MATTER.








![No plastic beyond this point
NO PLASTIC BEYOND THIS POINT
ELIZABETH CROTTY, CONOR FALLON | USA, Ireland
2019
WOULD AN ENVIRONMENTAL CHECKPOINT PROTECT OUR NATURAL RESOURCES?
No Plastic Beyond this Point is a proposal for a ‘plastics checkpoint’, where an Environmental Value Security Agency would detect plastics on or in your person, to prevent them from entering a plastic-free zone. These hypothetical protective structures represent the extreme solutions future governments might be required to pursue if current governments don’t work harder to protect the environment.
It also touches on the ever-increasing privatisation of public space, and the rising ubiquity of public surveillance being seen around the world today. As part of the experience, you’re invited to examine the effect plastic has on your health by taking part in a No Plastic Beyond this Point survey and scan.
ABOUT
Elisabeth Crotty is an Information Science, Systems, and Technology student at Cornell University. She studied at Trinity College during 2019 where she took the Idea Translation Lab module [LINK - https://www.tcd.ie/trinity-electives/electives/ida/ ] at Science Gallery Dublin. She is interested in the ways that humans interact with technology and the world around them.
Conor Fallon is currently a Senior Sophister Mathematics student in Trinity College. He spent the first half of 2019 taking part in the Idea Translation Lab at Science Gallery Dublin, which focused on plastic. He has an interest in both the individual and collective response (or lack thereof) to the problems of our time. No plastic beyond this point](https://i.ytimg.com/vi/rvhzyAxkb44/mqdefault.jpg)

