Uploaded November 2020 | Updated September 2026, 3 days ago
GRAVITATIONAL SOLITARY SOLITARY CHOREOGRAPHY BETA SCORPII BUILT BY: A SOLO NEPHILA SENEGALENSIS - THREE WEEKS, AND A SOLO PSECHRUS JAEGERI - FOUR WEEK by Tomás Saraceno is an exhibit featured in INVISIBLE, an exhibition discovering the known and unknown of our universe through physics and philosophy.
WHAT CAN SPIDERWEBS TEACH US ABOUT THE UNIVERSE?
As different spiders from different species weave in the same space, bridging the architectures of each other’s webs, sensory worlds and lines of communication merge and connect: the web can be considered a tangible extension of the spider’s sensorial and cognitive systems, making the invisible visible.
ABOUT
Tomás Saraceno is best known for his large-scale, interactive installations and floating sculptures, and for his interdisciplinary approach to art. His work explores new, sustainable ways of sensing and inhabiting the environment, the result of research into the origins of the observable universe, arachnology and the potential future for airborne dwelling.
Instagram: @studiotomassaraceno
INVISIBLE originated at Science Gallery London at King's College London in 2019, titled DARK MATTER.
GRAVITATIONAL SOLITARY SOLITARY CHOREOGRAPHY BETA SCORPII BUILT BY: A SOLO NEPHILA SENEGALENSIS - THREE WEEKS, AND A SOLO PSECHRUS JAEGERI - FOUR WEEK by Tomás Saraceno is an exhibit featured in INVISIBLE, an exhibition discovering the known and unknown of our universe through physics and philosophy.
WHAT CAN SPIDERWEBS TEACH US ABOUT THE UNIVERSE?
As different spiders from different species weave in the same space, bridging the architectures of each other’s webs, sensory worlds and lines of communication merge and connect: the web can be considered a tangible extension of the spider’s sensorial and cognitive systems, making the invisible visible.
ABOUT
Tomás Saraceno is best known for his large-scale, interactive installations and floating sculptures, and for his interdisciplinary approach to art. His work explores new, sustainable ways of sensing and inhabiting the environment, the result of research into the origins of the observable universe, arachnology and the potential future for airborne dwelling.
Instagram: @studiotomassaraceno
INVISIBLE originated at Science Gallery London at King's College London in 2019, titled DARK MATTER.





![No plastic beyond this point
NO PLASTIC BEYOND THIS POINT
ELIZABETH CROTTY, CONOR FALLON | USA, Ireland
2019
WOULD AN ENVIRONMENTAL CHECKPOINT PROTECT OUR NATURAL RESOURCES?
No Plastic Beyond this Point is a proposal for a ‘plastics checkpoint’, where an Environmental Value Security Agency would detect plastics on or in your person, to prevent them from entering a plastic-free zone. These hypothetical protective structures represent the extreme solutions future governments might be required to pursue if current governments don’t work harder to protect the environment.
It also touches on the ever-increasing privatisation of public space, and the rising ubiquity of public surveillance being seen around the world today. As part of the experience, you’re invited to examine the effect plastic has on your health by taking part in a No Plastic Beyond this Point survey and scan.
ABOUT
Elisabeth Crotty is an Information Science, Systems, and Technology student at Cornell University. She studied at Trinity College during 2019 where she took the Idea Translation Lab module [LINK - https://www.tcd.ie/trinity-electives/electives/ida/ ] at Science Gallery Dublin. She is interested in the ways that humans interact with technology and the world around them.
Conor Fallon is currently a Senior Sophister Mathematics student in Trinity College. He spent the first half of 2019 taking part in the Idea Translation Lab at Science Gallery Dublin, which focused on plastic. He has an interest in both the individual and collective response (or lack thereof) to the problems of our time. No plastic beyond this point](https://i.ytimg.com/vi/rvhzyAxkb44/mqdefault.jpg)




