Uploaded December 2020 | Updated September 2026, 6 days ago
Day 263 of the American Songbag Stay-at-Home Series
This War of 1812 song about the battle between Jackson & Pakenham was tough for me. I was totally unfamiliar with it and there are too many words in the verses. My daily recording makes perfection even more illusory than normal. —sgg
Sandburg writes: "These verses done in the style of polite poetry were first sung to the air of Miss Daily. They were written by Samuel Woodworth, and published in 1820 by Janies M. Campbell in a book, Melodies, Duets, Trios, Songs, and Ballads. Under the title of "Hunters of Kentucky, or Half Horse and Half Alligator", the song was published in Boston as a broadside. It has been heard among the mountaineers and cowboys; Franz Rickaby found it among lumberjacks, and the air here is from the singing of George M. Hankins of Gordon, Wisconsin, as notated by Rickaby.
"The text is from a broadside in the Congressional Library, Washington, D. C."
ADDITIONAL INFO: Samuel Woodworth's only other noteworthy composition was "The Old Oaken Bucket." His novels and plays are mercifully forgotten. For a Creole account of this battle, see Harold Courlander, Negro Folk Music U.S.A. (1963), pp. 167-168 (an untitled piece which appears to be about the Battle of New Orleans).
It should probably be noted that the Kentucky and Tennessee militia weren't all that great in themselves; in a series of Indian engagements in 1814, they showed a disastrous tendency to fall apart. Some of them, in fact, were routed at New Orleans -- only to be saved when general Pakenham refused to take advantage of the opening. But Andrew Jackson executed some of the deserters, and managed to tighten discipline. (from the Traditional Ballad Index)
Day 263 of the American Songbag Stay-at-Home Series
This War of 1812 song about the battle between Jackson & Pakenham was tough for me. I was totally unfamiliar with it and there are too many words in the verses. My daily recording makes perfection even more illusory than normal. —sgg
Sandburg writes: "These verses done in the style of polite poetry were first sung to the air of Miss Daily. They were written by Samuel Woodworth, and published in 1820 by Janies M. Campbell in a book, Melodies, Duets, Trios, Songs, and Ballads. Under the title of "Hunters of Kentucky, or Half Horse and Half Alligator", the song was published in Boston as a broadside. It has been heard among the mountaineers and cowboys; Franz Rickaby found it among lumberjacks, and the air here is from the singing of George M. Hankins of Gordon, Wisconsin, as notated by Rickaby.
"The text is from a broadside in the Congressional Library, Washington, D. C."
ADDITIONAL INFO: Samuel Woodworth's only other noteworthy composition was "The Old Oaken Bucket." His novels and plays are mercifully forgotten. For a Creole account of this battle, see Harold Courlander, Negro Folk Music U.S.A. (1963), pp. 167-168 (an untitled piece which appears to be about the Battle of New Orleans).
It should probably be noted that the Kentucky and Tennessee militia weren't all that great in themselves; in a series of Indian engagements in 1814, they showed a disastrous tendency to fall apart. Some of them, in fact, were routed at New Orleans -- only to be saved when general Pakenham refused to take advantage of the opening. But Andrew Jackson executed some of the deserters, and managed to tighten discipline. (from the Traditional Ballad Index)





![My Old Hammah
Day 285 of the American Songbag Stay-at-Home Series
Sandburg writes: The power and restraint of art and genius lurk in the lines and melody of this song from the black rock gangs of Georgia and Alabama. The air is to be freely rendered. It is strictly one with variations, glides, blue notes, as you choose at moments. It relates directly to an older piece known in the mountains as Swannanoa Town [or Swannanoa Tunnel].
In accompaniment Henry Francis Parks indicates, “The hammer stroke motive should quite predominate.”
The connection between this song and Swannanoa Tunnel is very strong. I live near Swannanoa and the Swannanoa Tunnel, so in the future I will be recording and writing about the Swannanoa Tunnel history. My Old Hammah](https://i.ytimg.com/vi/YnrfuEypWfc/mqdefault.jpg)

![Casey Jones
Day 227 of the American Songbag Stay-at-Home Series
Apr 30, 1900 - Death of John Luther Casey Jones, of the Illinois Central Railroad, near Vaughan, Mississippi.
Sandburg writes: At Dodge City, Kansas, in the Santa Fe railway station grass and flower plot, stands a plain memorial, a wooden post painted white with the reminder in black letters: Lest We Forget. Fastened to the post is an old time, cast-iron Link-and-Pin, the slaughterer, the crepe hanger, the maker of one-armed men peddling lead pencils on payday night, the predecessor of the beneficent Safety Coupler. . . .
The laughter of the railroad man at death and mutilation runs through many of his songs. The promise of a wooden kimono, a six foot bungalow, is with him on every trip whether hes on a regular run or the extra list, and no matter what his seniority. . . .
Verses sung by railroad men were printed in that remarkably American periodical, The Railroad Mans Magazine, under the editorship of Robert Davis. . . .
Then came the sheet music version, widely popular. Lumberjacks, college girls, aviators, and doughboys, have made versions of their own. . . .
Songs are like people, animals, plants. They have genealogies, pedigrees, thoroughbreds, cross-breeds, mongrels, strays, and often a strange love-child. . . .
The Casey Jones song may stem from several earlier pieces that have the same gait, freckles, disposition, color of hair and eyes. Among such earlier pieces are Brady Why Didnt You Run?, Jay Goulds Daughter, On The Charlie So Long, Vanderbilts Daughter, Mama Have You Heard the News? and all the earlier known songs in which figure Casey Jones, K. C. Jones, David Jones, and still other Joneses. . . .
MORE INFO: [From the Traditional Ballad Index] John Luther Jones was brought up in Cayce, Kentucky (hence his nickname).This piece shows the power of song: Mrs. Jones, who died in 1958 at the age of 92, spent half a century disclaiming the accusations of infidelity in the song. Fireman Simeon Webb lasted almost as long, dying in 1957 at age 83. Casey Jones](https://i.ytimg.com/vi/Z418CNvVc3Y/mqdefault.jpg)


