Uploaded October 2020 | Updated September 2026, 6 days ago
Day 227 of the American Songbag Stay-at-Home Series
Apr 30, 1900 - Death of John Luther "Casey" Jones, of the Illinois Central Railroad, near Vaughan, Mississippi.
Sandburg writes: "At Dodge City, Kansas, in the Santa Fe railway station grass and flower plot, stands a plain memorial, a wooden post painted white with the reminder in black letters: Lest We Forget. Fastened to the post is an old time, cast-iron Link-and-Pin, the slaughterer, the crepe hanger, the maker of one-armed men peddling lead pencils on payday night, the predecessor of the beneficent Safety Coupler. . . .
"The laughter of the railroad man at death and mutilation runs through many of his songs. The promise of a wooden kimono, a six foot bungalow, is with him on every trip whether he's on a regular run or the extra list, and no matter what his seniority. . . .
"Verses sung by railroad men were printed in that remarkably American periodical, The Railroad Man's Magazine, under the editorship of Robert Davis. . . .
"Then came the sheet music version, widely popular. Lumberjacks, college girls, aviators, and doughboys, have made versions of their own. . . .
"Songs are like people, animals, plants. They have genealogies, pedigrees, thoroughbreds, cross-breeds, mongrels, strays, and often a strange love-child. . . .
"The Casey Jones song may stem from several earlier pieces that have the same gait, freckles, disposition, color of hair and eyes. Among such earlier pieces are Brady Why Didn't You Run?, Jay Gould's Daughter, On The Charlie So Long, Vanderbilt's Daughter, Mama Have You Heard the News? and all the earlier known songs in which figure Casey Jones, K. C. Jones, David Jones, and still other Joneses. . . .
MORE INFO: [From the Traditional Ballad Index] John Luther Jones was brought up in Cayce, Kentucky (hence his nickname).This piece shows the power of song: Mrs. Jones, who died in 1958 at the age of 92, spent half a century disclaiming the accusations of infidelity in the song. Fireman Simeon Webb lasted almost as long, dying in 1957 at age 83.
Day 227 of the American Songbag Stay-at-Home Series
Apr 30, 1900 - Death of John Luther "Casey" Jones, of the Illinois Central Railroad, near Vaughan, Mississippi.
Sandburg writes: "At Dodge City, Kansas, in the Santa Fe railway station grass and flower plot, stands a plain memorial, a wooden post painted white with the reminder in black letters: Lest We Forget. Fastened to the post is an old time, cast-iron Link-and-Pin, the slaughterer, the crepe hanger, the maker of one-armed men peddling lead pencils on payday night, the predecessor of the beneficent Safety Coupler. . . .
"The laughter of the railroad man at death and mutilation runs through many of his songs. The promise of a wooden kimono, a six foot bungalow, is with him on every trip whether he's on a regular run or the extra list, and no matter what his seniority. . . .
"Verses sung by railroad men were printed in that remarkably American periodical, The Railroad Man's Magazine, under the editorship of Robert Davis. . . .
"Then came the sheet music version, widely popular. Lumberjacks, college girls, aviators, and doughboys, have made versions of their own. . . .
"Songs are like people, animals, plants. They have genealogies, pedigrees, thoroughbreds, cross-breeds, mongrels, strays, and often a strange love-child. . . .
"The Casey Jones song may stem from several earlier pieces that have the same gait, freckles, disposition, color of hair and eyes. Among such earlier pieces are Brady Why Didn't You Run?, Jay Gould's Daughter, On The Charlie So Long, Vanderbilt's Daughter, Mama Have You Heard the News? and all the earlier known songs in which figure Casey Jones, K. C. Jones, David Jones, and still other Joneses. . . .
MORE INFO: [From the Traditional Ballad Index] John Luther Jones was brought up in Cayce, Kentucky (hence his nickname).This piece shows the power of song: Mrs. Jones, who died in 1958 at the age of 92, spent half a century disclaiming the accusations of infidelity in the song. Fireman Simeon Webb lasted almost as long, dying in 1957 at age 83.






![Dakota Land
Day 171 of the American Songbag Stay-at-Home Series
Sandburg writes: Older nations have had peasant revolts and agrarian movements and parties. The United States has had its Greenback, Populist, Nonpartisan League and Farm Bloc movements, all of them western, and in part representative of strugglers in semi-arid areas where so often the rains just gone around. A poet of those strugglers, Edwin Ford Piper, in “Barbed Wire and Wayfarers,” uses their lingo:
Run you old stiff-kneed grasshopper.
You spiral-spited jackrabbit, you!
A-ho, whoopee!
Browns Hotel were bound to see,
Swing them girls at the dance party,
One-and-twenty on a moonlight spree
A-ho, whoopee!
Whoa, Zebe, whoa!
Whoa, till I hitch you, whoa!
In a piece on The Drought, he tells how
On the whitening grass,
With bright and helpless eyes, a meadow lark
Sits open-beaked and desperately mute.
The thin, brown wheat that was too short to cut
Stands in the field; the feeble corn, breast high,
Shows yellowed leaf and tassel.
And from Pipers song collection we have a psalm of a desolate people, Dakota Land, with an air somewhat after the gospel hymn, Beulah Land.
[from the Traditional Ballad Index] Although the Dakota Land form seems to be the most common in tradition, local versions have sprouted for much of the West. Thus the Fifes lists texts for Dakota Land, Nebraska Land, and Missouri Land. Saskatchewan also follows this form, but it has been adapted enough that I think it qualifies as a separate song.
Rose Wilder Lane (daughter of Almanzo and Laura Ingalls Wilder) quotes a stanza of this on p. 6 of Laura Ingalls WIlder, On the Way Home: The Diary of a Trip from South Dakota to Mansfield, Missouri, in 1894, Harper & Row, 1962; she claims her mother and her aunt Grace sang it in the early 1890s but of course she was writing almost seventy years later. Dakota Land](https://i.ytimg.com/vi/aC7urHhynnY/mqdefault.jpg)

![The Kinkaiders
Day 170 of the American Songbag Stay-at-Home Series
Sandburg writes: These verses, from the Edwin Ford Piper collection of pioneer songs at the University of Iowa go to a melody based on Maryland, My Maryland, which in turn is based on the German song, O Tannenbaum, which in turn derived from an old Italian melody, Vittoria. The phrase out of sight in the late 1880s was slang indicating excellence or superfine quality. Homesteaders in the Nebraska sand hills sang this at old settlers’ picnics, at reunions, and political gatherings.
Song collector Louise Pound, American Ballads and Songs (1922) reports, Moses P. Kinkaid was congressman of the sixth congressional distict [of Nebraska], 1903-1919. He was the introducer of a bill for 640-acre homesteads known as the Kinkaid Homestead Law. Also known as the Kinkaid Home Act, and passed in 1904, the Act applied originally only to unsettled areas of Nebraska, and granted the land in return for five years residence and $800 in improvement. It was extended in 1909. Given that the song was collected while Kincaid (the correct spelling, according to Norm Cohen, American Folk Songs: A Regional Encyclopedia) was still in office, one wonders if this might not be a campaign song. (Robert B. Waltz in the Traditional Ballad Index.) The Kinkaiders](https://i.ytimg.com/vi/aUXPdIEz-p8/mqdefault.jpg)

![When the Chariot Comes
Day 232 of the American Songbag Stay-at-Home Series
Sandburg writes: An old-time black spiritual When the Chariot Comes [about the Rapture] was made by mountaineers into Shell Be Comin Round the Mountain, and the song spread to railroad work gangs in the midwest in the 1890s.
James J. Fuld, The Book of World-Famous Music reports that substantially this melody was in print in 1899 in Old Plantation Hymns, but the text was When the Chariot Comes. Fuld assumes the Round the Mountain lyrics are more recent (he knows of no printing before Sandburg). When the Chariot Comes](https://i.ytimg.com/vi/aeM1zO10Se4/mqdefault.jpg)