Uploaded March 2021 | Updated September 2026, 6 days ago
NOTES: "He's Gone Away" from Carl Sandburg's 1927 The American Songbag.
Sandburg begins his first chapter DRAMAS AND PORTRAITS with the song "He's Gone Away." In studying the roots of Sandburg's selection, several songs show up as closely related.
According to The Traditional Ballad Index, "This song (which includes the variation represented in Carl Sandburg's 1927 American Songbag), is officially a catch-all. Other song titles in this category are Fare You Well, My Own True Love, The Storms Are on the Ocean, The False True Lover, The True Lover's Farewell, Red Rosy Bush, and Turtle Dove."
TBI continues: "The problem is, what to do with all the lost love pieces *with* some hint of a plot plus the floating element "Who will shoe your pretty little foot." After some hesitation, we decided on a four-part primary division (with some exceptions):
* "The Lass of Roch Royal" for the ballad of that title
* "Who Will Shoe Your Pretty Little Foot" for fragments too short to classify at all
* "Mary Anne" for the versions specifically about that girl
* This, for everything else.
There probably are recensional variants within this song family; it's just too big and too complex. But the particular items are such a mess that we finally gave up trying to sort them."
Red Rosy Bush, listed in this category, along with He's Gone Away, was collected by Anne and Frank Warner in their Traditional American Folk Songs (1984).
There are tentacles going back to the British Isles, but this will be elaborated upon at a later date.
NOTES: "He's Gone Away" from Carl Sandburg's 1927 The American Songbag.
Sandburg begins his first chapter DRAMAS AND PORTRAITS with the song "He's Gone Away." In studying the roots of Sandburg's selection, several songs show up as closely related.
According to The Traditional Ballad Index, "This song (which includes the variation represented in Carl Sandburg's 1927 American Songbag), is officially a catch-all. Other song titles in this category are Fare You Well, My Own True Love, The Storms Are on the Ocean, The False True Lover, The True Lover's Farewell, Red Rosy Bush, and Turtle Dove."
TBI continues: "The problem is, what to do with all the lost love pieces *with* some hint of a plot plus the floating element "Who will shoe your pretty little foot." After some hesitation, we decided on a four-part primary division (with some exceptions):
* "The Lass of Roch Royal" for the ballad of that title
* "Who Will Shoe Your Pretty Little Foot" for fragments too short to classify at all
* "Mary Anne" for the versions specifically about that girl
* This, for everything else.
There probably are recensional variants within this song family; it's just too big and too complex. But the particular items are such a mess that we finally gave up trying to sort them."
Red Rosy Bush, listed in this category, along with He's Gone Away, was collected by Anne and Frank Warner in their Traditional American Folk Songs (1984).
There are tentacles going back to the British Isles, but this will be elaborated upon at a later date.




![My Old Hammah
Day 285 of the American Songbag Stay-at-Home Series
Sandburg writes: The power and restraint of art and genius lurk in the lines and melody of this song from the black rock gangs of Georgia and Alabama. The air is to be freely rendered. It is strictly one with variations, glides, blue notes, as you choose at moments. It relates directly to an older piece known in the mountains as Swannanoa Town [or Swannanoa Tunnel].
In accompaniment Henry Francis Parks indicates, “The hammer stroke motive should quite predominate.”
The connection between this song and Swannanoa Tunnel is very strong. I live near Swannanoa and the Swannanoa Tunnel, so in the future I will be recording and writing about the Swannanoa Tunnel history. My Old Hammah](https://i.ytimg.com/vi/YnrfuEypWfc/mqdefault.jpg)

![Casey Jones
Day 227 of the American Songbag Stay-at-Home Series
Apr 30, 1900 - Death of John Luther Casey Jones, of the Illinois Central Railroad, near Vaughan, Mississippi.
Sandburg writes: At Dodge City, Kansas, in the Santa Fe railway station grass and flower plot, stands a plain memorial, a wooden post painted white with the reminder in black letters: Lest We Forget. Fastened to the post is an old time, cast-iron Link-and-Pin, the slaughterer, the crepe hanger, the maker of one-armed men peddling lead pencils on payday night, the predecessor of the beneficent Safety Coupler. . . .
The laughter of the railroad man at death and mutilation runs through many of his songs. The promise of a wooden kimono, a six foot bungalow, is with him on every trip whether hes on a regular run or the extra list, and no matter what his seniority. . . .
Verses sung by railroad men were printed in that remarkably American periodical, The Railroad Mans Magazine, under the editorship of Robert Davis. . . .
Then came the sheet music version, widely popular. Lumberjacks, college girls, aviators, and doughboys, have made versions of their own. . . .
Songs are like people, animals, plants. They have genealogies, pedigrees, thoroughbreds, cross-breeds, mongrels, strays, and often a strange love-child. . . .
The Casey Jones song may stem from several earlier pieces that have the same gait, freckles, disposition, color of hair and eyes. Among such earlier pieces are Brady Why Didnt You Run?, Jay Goulds Daughter, On The Charlie So Long, Vanderbilts Daughter, Mama Have You Heard the News? and all the earlier known songs in which figure Casey Jones, K. C. Jones, David Jones, and still other Joneses. . . .
MORE INFO: [From the Traditional Ballad Index] John Luther Jones was brought up in Cayce, Kentucky (hence his nickname).This piece shows the power of song: Mrs. Jones, who died in 1958 at the age of 92, spent half a century disclaiming the accusations of infidelity in the song. Fireman Simeon Webb lasted almost as long, dying in 1957 at age 83. Casey Jones](https://i.ytimg.com/vi/Z418CNvVc3Y/mqdefault.jpg)



