Uploaded March 2014 | Updated September 2026, 2 days ago
The lecture "The Double Constraints of Convention and Cognition" was presented on Wednesday, September 11, 2013, as part of the Theory and History track at the 6th Information Design International Conference in Recife, Brazil. The audio track in the video was actually recorded at San Francisco State University on October 7, 2013.
You can download the paper, the presentation handout, and the slides here: trogu.com/Documents/conference/2013_CIDI_recife_brazil
The abstract from the paper is below:
Keywords: cognition, context, convention, shared knowledge, working memory
Abstract: Using insights from cognitive psychology this paper develops a theoretical orientation to graphic design critical of Bertin's structuralist doctrines, but highly respectful of the insights offered by art historians like Ernst Gombrich, who stress the sociality and cultural contingency of visual forms. The paper discusses the constraints imposed by cultural expectations as well as the universal constraints imposed by working memory. Cognitive science has found that closure must occur in any perception within a stringent time limitation of just a few seconds. While this time limitation cannot be overcome directly, the designer can employ culturally conditioned devices that minimize its adverse effects. This speed-up effort can be aided by taking into account the finding that visual experience is unconsciously attended by a verbal component -- a duality that should be exploited even when designing a mute visual artifact such as a poster. In sum, perception is construction, and an effective graphic can overcome the inherent polysemy of signs and forms only by exploiting the shared knowledge that is quickly available to the viewer's mind within a specific cultural moment. Visual examples, including subway maps, and an 1869 historical map are used to illustrate the key concepts of the paper.
Conference URL: http://sbdi.org.br/cidi2013/cms/
The lecture "The Double Constraints of Convention and Cognition" was presented on Wednesday, September 11, 2013, as part of the Theory and History track at the 6th Information Design International Conference in Recife, Brazil. The audio track in the video was actually recorded at San Francisco State University on October 7, 2013.
You can download the paper, the presentation handout, and the slides here: trogu.com/Documents/conference/2013_CIDI_recife_brazil
The abstract from the paper is below:
Keywords: cognition, context, convention, shared knowledge, working memory
Abstract: Using insights from cognitive psychology this paper develops a theoretical orientation to graphic design critical of Bertin's structuralist doctrines, but highly respectful of the insights offered by art historians like Ernst Gombrich, who stress the sociality and cultural contingency of visual forms. The paper discusses the constraints imposed by cultural expectations as well as the universal constraints imposed by working memory. Cognitive science has found that closure must occur in any perception within a stringent time limitation of just a few seconds. While this time limitation cannot be overcome directly, the designer can employ culturally conditioned devices that minimize its adverse effects. This speed-up effort can be aided by taking into account the finding that visual experience is unconsciously attended by a verbal component -- a duality that should be exploited even when designing a mute visual artifact such as a poster. In sum, perception is construction, and an effective graphic can overcome the inherent polysemy of signs and forms only by exploiting the shared knowledge that is quickly available to the viewer's mind within a specific cultural moment. Visual examples, including subway maps, and an 1869 historical map are used to illustrate the key concepts of the paper.
Conference URL: http://sbdi.org.br/cidi2013/cms/
