Uploaded February 2026 | Updated September 2026, 2 weeks ago
Originally released in 1957 on Sun Records, The Dance Album of Carl Perkins was never intended to be an audiophile showcase. It’s a raw, high-energy rockabilly compilation built from early Sun recordings — many of which later became famous through artists like Elvis Presley and The Beatles.
In this video, I review and compare a brand-new 2026 reissue from Intervention Records, assembled directly from the original master tapes and cut by Kevin Gray at Coherent Audio at 45 RPM, then pressed at Gotta Groove Records.
I compare this release directly to an earlier 1981 Sun Records reissue, exploring:
• How much fidelity can realistically be extracted from 1950s Sun recordings
• What Intervention Records brings to the table sonically and physically
• Whether a premium audiophile approach makes sense for this kind of material
• The strengths and limitations of both pressings
This isn’t about turning Carl Perkins into an audiophile demo disc — it’s about understanding what careful mastering and pressing can (and can’t) do for historically important rock ’n’ roll recordings.
If you’re into vinyl reissues, mastering comparisons, Sun Records history, or audiophile curiosity projects, this one’s for you.
Reference System
-VPI Scout with Classic Platter Upgrade
-JMW Memorial Tonearm
-VPI Analog Drive System
-Phasemation PP-500 MC Cartridge
-Miyajima Labs Infinity Mono MC Cartridge
-ModWright PH 9.0 Tube Phono Preamplifier
-Cayin A-50T Integrated Tube Amplifier
-System Audio Pandion 30 Loudspeakers
-Degritter Ultrasonic Record Cleaner
-VPI 16.5 Vacuum Record Cleaner
-Sweetvinyl Sugarcube SC-1 Mini
-Pioneer RT-707 Reel To Reel Tape Deck
-Ramar Record Brush
-The reference system is wired exclusively with Audio Art cables.
#InterventionRecords
#CarlPerkins
#SunRecords
#AudiophileVinyl
#KevinGray
#Rockabilly
#VinylReissue
#45RPM
#VinylCommunity
Originally released in 1957 on Sun Records, The Dance Album of Carl Perkins was never intended to be an audiophile showcase. It’s a raw, high-energy rockabilly compilation built from early Sun recordings — many of which later became famous through artists like Elvis Presley and The Beatles.
In this video, I review and compare a brand-new 2026 reissue from Intervention Records, assembled directly from the original master tapes and cut by Kevin Gray at Coherent Audio at 45 RPM, then pressed at Gotta Groove Records.
I compare this release directly to an earlier 1981 Sun Records reissue, exploring:
• How much fidelity can realistically be extracted from 1950s Sun recordings
• What Intervention Records brings to the table sonically and physically
• Whether a premium audiophile approach makes sense for this kind of material
• The strengths and limitations of both pressings
This isn’t about turning Carl Perkins into an audiophile demo disc — it’s about understanding what careful mastering and pressing can (and can’t) do for historically important rock ’n’ roll recordings.
If you’re into vinyl reissues, mastering comparisons, Sun Records history, or audiophile curiosity projects, this one’s for you.
Reference System
-VPI Scout with Classic Platter Upgrade
-JMW Memorial Tonearm
-VPI Analog Drive System
-Phasemation PP-500 MC Cartridge
-Miyajima Labs Infinity Mono MC Cartridge
-ModWright PH 9.0 Tube Phono Preamplifier
-Cayin A-50T Integrated Tube Amplifier
-System Audio Pandion 30 Loudspeakers
-Degritter Ultrasonic Record Cleaner
-VPI 16.5 Vacuum Record Cleaner
-Sweetvinyl Sugarcube SC-1 Mini
-Pioneer RT-707 Reel To Reel Tape Deck
-Ramar Record Brush
-The reference system is wired exclusively with Audio Art cables.
#InterventionRecords
#CarlPerkins
#SunRecords
#AudiophileVinyl
#KevinGray
#Rockabilly
#VinylReissue
#45RPM
#VinylCommunity


![K.D. Lang Ingénue One Step - Because Sound Matters
K.D Lang - Ingenue
Sire/Warner Because Sound Matters One Step Edition (2025)
You can read my full review at https://www.audiophilia.com/reviews/2025/4/6/kd-lang-ingenuebecause-sound-matters-one-step-vinyl-2025
You can hear a clip created by my friend Oswaldo Martinez at his Youtube channel, Let There Be Sound.
https://youtu.be/dPla8QhsoY8?si=UCAsRdrhQKLe6jXa
K.D. Langs second solo album, Ingénue has just been reissued for the first time in a AAA cut from the master tape. The new reissue is mastered from the original analog master tape by Chris Bellman at Bernie Grundman Mastering. This edition of Ingenue employs the One Step process and is pressed at RTI on 180gm High Definition Vinyl. The gatefold jacket and slipcase are from Stoughton Printing.
K. D. Langs Ingénue was released in 1992. There was a vinyl issue released in Europe at the time, but most countries had to content themselves with the CD or cassette tape versions. Although it was recorded to analog tape, that record and of course the CD were from digital. The recording was
made at Vancouver Studios by Greg Penny and Marc Ramaer.
Ive copied and pasted the credits for the additional musicians on each song from Discogs to show the wide variety in instrumentation of this record:
Save Me
Acoustic Bass – David Piltch
Lap Steel Guitar – Greg Leisz
Tambura [Tamboura] – k.d. lang
The Mind Of Love
Steel Guitar – Greg Leisz
Miss Chatelaine
Strings [Guest Pizzicato] – Martin Laba
Wash Me Clean
Acoustic Guitar – k.d. lang
Acoustic Guitar [Solo] – Ben Mink
Electric Guitar – Ben Mink
Marimba – Gary Burton
Pedal Steel Guitar – Greg Leisz
So Shall It Be
Drum Machine [Beat Box] – Greg Penny
Guitar – k.d. lang
Still Thrives This Love
Acoustic Bass – David Piltch
Acoustic Guitar – Ben Mink
Cello – John Friesen
Clarinet – Myron Schultz
Mandolin – k.d. lang
Marimba – Gary Burton
Percussion – Sal Ferreras
Santoor [Santur] – Teddy Borowiecki
Strings [Guest Pizzicato] – Ingrid Friesen
Season Of Hollow Soul
Cello – John Friesen
Clarinet – Myron Schultz
Timpani – Graham Boyle
Vocals [Additional] – Rosel Zech
Outside Myself
Electric Bass [Fretless] – David Piltch
Keyboards – Teddy Borowiecki
Steel Guitar – Greg Leisz
Tambourine – Graham Boyle
Tears Of Loves Recall
Acoustic Guitar – Ben Mink
Cello – John Friesen
Constant Craving
Vocals [Additional] – Sue Leonard
Numbered, Limited Edition
Strict One-Time Pressing of 3,000 Copies
All-Analog (AAA) One-Step Vinyl Version
Neotech VR900-D2 180g High Performance Vinyl
Audio Source: Original Analog Master Tapes
First Time the Original Analog Master Tapes Have Been Used as a Vinyl Source
Vinyl Mastering by Chris Bellman at Bernie Grundman Mastering
One-Step Process by Dorin Sauerbier at Record Technology, Inc.
Pressed at Record Technology, Inc.
Packaging by Stoughton Printing Company
Old Style Gatefold Tip-On Jacket with Original Artwork
Foil-Stamped, Uniquely Designed Numbered Slipcase
If you particularly enjoyed this video, please consider a small one time donation to the channel! You can do so easily by clicking the Thanks button in the row of icons just below the title. Any amount truly helps and is greatly appreciated.
Reference System
-VPI Scout with Classic Platter Upgrade
-JMW Memorial Tonearm
-VPI Analog Drive System
-Hana ML MC Cartridge
-Phasemation PP-500 MC Cartridge
Perpetuum Ebner PE 6060 Turntable
Ortofon Quintet Black MC Cartridge
-Miyajima Labs Infinity Mono MC Cartridge
-ModWright PH 9.0 Tube Phono Preamplifier
-Cayin A-50T Integrated Tube Amplifier
-System Audio Pandion 30 Loudspeakers
-Degritter Ultrasonic Record Cleaner
-VPI 16.5 Vacuum Record Cleaner
-Sweetvinyl Sugarcube SC-1 Mini
-Pioneer RT-707 Reel To Reel Tape Deck
-Ramar Record Brush
The reference system is wired exclusively with Audio Art cables.
00:00 Introduction
01:32 About Because Sound Matters
02:37 Support
03:00 Packaging and Pressing
07:05 Sibilance
08:39 Music and Sonics
12:28 Conclusion K.D. Lang Ingénue One Step - Because Sound Matters](https://i.ytimg.com/vi/nGkgDlrogYI/mqdefault.jpg)







