Uploaded February 2015 | Updated September 2026, 34 minutes ago
THOSE MAGNIFICENT MEN AND THEIR MUSIC MACHINES - 7
Robert Moog ( May 23, 1934 – August 21, 2005)
Moog was the founder of Moog Music and he was an American pioneer of electronic music, best known for his invention of the Moog synthesizer. The first Moog instruments were modular synthesizers. In 1971 Moog Music began production of the Minimoog Model D, which was among the first synthesizers that was widely available, portable, and relatively affordable.
BRIAN MAY
Brian May was an Australian film composer. His best known scores are those for Mad Max and Mad Max 2.
He trained at the Adelaide Elder Conservatorium as a pianist, violinist and conductor. He joined the ABC Adelaide in 1957 and was asked to form and conduct the ABC Adelaide Big Band, a full-blown ensemble that was rated as the best of the ABC state-based bands. He moved to Melbourne when he was 35 to arrange and conduct the ABC's Melbourne Show band. The Show Band made its radio debut on the First Network on 13 March 1969. Background music for Australian television had previously been taken from records. May changed this by writing and arranging the themes for television programmes, including Bellbird, Return to Eden, The Last Frontier, A Dangerous Life and Darling of the Gods.
A breakthrough for May was the drama series Rush, set on the 19th-century Victorian goldfields. The theme was composed by Australian George Dreyfus, but May's arrangement of the theme was recorded by the Show Band and quickly reached the top of the Australian charts, selling more than 100,000 copies. This type of success was usually reserved for pop groups such as Sherbert and Skyhooks. May also composed the Countdown theme and the Melbourne Show Band launched the highly successful Countdown television series. He left the ABC in 1984 and his interests turned to film music. He composed more than 30 feature film scores, including Gallipoli, Mad Max, Mad Max 2, Freddy's Dead: The Final Nightmare, Dr. Giggles and one episode of "Tales from the Crypt". May preferred to orchestrate his scores himself.
BEST DISCO IN TOWN
"The Best Disco in Town" was a 1976 disco hit for the Philadelphia-based group, The Ritchie Family. In the United States, the single was a top 20 hit on both the soul and pop charts. "The Best Disco in Town" reached number one on the disco/dance charts.
MHO
Here's some youth sentiment (at least for some of us ;) with Brian May and His Orchestra bringing back the "days of disco".
The arrangement is straightforward but the attentive listener will hear some great little 'extras' -especially in the brass section.
The theme is being played "strict tempo" and very accurately with all of the orchestra members in great shape. Enjoy !
THOSE MAGNIFICENT MEN AND THEIR MUSIC MACHINES - 7
Robert Moog ( May 23, 1934 – August 21, 2005)
Moog was the founder of Moog Music and he was an American pioneer of electronic music, best known for his invention of the Moog synthesizer. The first Moog instruments were modular synthesizers. In 1971 Moog Music began production of the Minimoog Model D, which was among the first synthesizers that was widely available, portable, and relatively affordable.
BRIAN MAY
Brian May was an Australian film composer. His best known scores are those for Mad Max and Mad Max 2.
He trained at the Adelaide Elder Conservatorium as a pianist, violinist and conductor. He joined the ABC Adelaide in 1957 and was asked to form and conduct the ABC Adelaide Big Band, a full-blown ensemble that was rated as the best of the ABC state-based bands. He moved to Melbourne when he was 35 to arrange and conduct the ABC's Melbourne Show band. The Show Band made its radio debut on the First Network on 13 March 1969. Background music for Australian television had previously been taken from records. May changed this by writing and arranging the themes for television programmes, including Bellbird, Return to Eden, The Last Frontier, A Dangerous Life and Darling of the Gods.
A breakthrough for May was the drama series Rush, set on the 19th-century Victorian goldfields. The theme was composed by Australian George Dreyfus, but May's arrangement of the theme was recorded by the Show Band and quickly reached the top of the Australian charts, selling more than 100,000 copies. This type of success was usually reserved for pop groups such as Sherbert and Skyhooks. May also composed the Countdown theme and the Melbourne Show Band launched the highly successful Countdown television series. He left the ABC in 1984 and his interests turned to film music. He composed more than 30 feature film scores, including Gallipoli, Mad Max, Mad Max 2, Freddy's Dead: The Final Nightmare, Dr. Giggles and one episode of "Tales from the Crypt". May preferred to orchestrate his scores himself.
BEST DISCO IN TOWN
"The Best Disco in Town" was a 1976 disco hit for the Philadelphia-based group, The Ritchie Family. In the United States, the single was a top 20 hit on both the soul and pop charts. "The Best Disco in Town" reached number one on the disco/dance charts.
MHO
Here's some youth sentiment (at least for some of us ;) with Brian May and His Orchestra bringing back the "days of disco".
The arrangement is straightforward but the attentive listener will hear some great little 'extras' -especially in the brass section.
The theme is being played "strict tempo" and very accurately with all of the orchestra members in great shape. Enjoy !

![Enoch Light - Live For Life ( Vivre pour vivre )
We are musical notes emanating from the quantum string section of a grand symphonic orchestra.― Kane Freeman▼▼▼
ENOCH LIGHT
He is credited with being one of the first musicians to go to extreme lengths to create high-quality recordings that took full advantage of the technical capabilities of home audio equipment of the late 1950s and early 1960s, particularly stereo effects that bounced the sounds between the right and left channels.
He arranged his musicians in ways to produce the kinds of recorded sounds he wished to achieve, the first to do so. The first of the albums produced on his record label, Command Records, Persuasive Percussion, became the first huge hit based solely on retail sales. His songs received little or no airplay on the radio, because AM radio, the standard of the day, was monaural. Light went on to release several albums in the Persuasive Percussion series, as well as a Command test record.
The album covers were generally designed with abstract, minimalist artwork that stood out boldly from other album covers. These pieces were usually the work of Josef Albers. Light was so interested in the sounds of his music that he would include lengthy prose describing each songs sounds. In order to fit all of his descriptions on to the album sleeve, he doubled the size of the sleeve but enabled it to fold like a book, thus popularizing the gatefold packaging format.
Enoch Light released myriad albums in various genres of music under a variety of names during the late 1950s and early 1960s. Some were released under Grand Award Records, a subsidiary label he founded earlier. The music was intended for older audiences, as opposed to most popular music of the time, which was usually aimed at teenagers. During this time, he pioneered many recording techniques such as the use of 35 mm optical sound film instead of magnetic tape, thereby reducing the effects of wow and flutter. The recordings were released under the 35MM series, starting from Stereo 35-MM released by Command Records. Musicians who appeared on Lights albums include The Free Design, The Critters, Rain, Doc Severinsen, Tony Mottola, Dick Hyman, organist Virgil Fox (on the Wanamaker Organ), and arranger Lew Davies.
In 1965, Light sold the Command record label, which had released the Persuasive Percussion series, to ABC Records, which itself was subsequently sold to MCA Records. After the sale, the quality of his records plummeted dramatically.[citation needed] The signature gatefold format (along with Lights prose) was immediately discontinued, and the covers changed to budget labels pressed on recycled vinyl.[citation needed] In 1975 they were completely discontinued.
Light continued recording after the sale of Command with a new label called Project 3, but did not concentrate so heavily on stereo effects. Light recorded several successful big band albums with his earlier established band in the Command days Enoch Light And The Light Brigade, using the original scores, keeping the arrangements as close to the original as possible.
DID YOU KNOW ?
Live for Life (French: Vivre pour vivre) is a 1967 French film directed by Claude Lelouch and starred by Yves Montand, Candice Bergen and Annie Girardot. The film won the Golden Globe for Best Foreign Language Film and was nominated for the Academy Award for Best Foreign Language Film.
MHO
This arrangement of Live for Life stays close to the Original score by Francis Lai but definitely has the five stars quality label that usually comes with an Enoch Light production.
Enjoy. Enoch Light - Live For Life ( Vivre pour vivre )](https://i.ytimg.com/vi/b4O4oDbn5Ko/mqdefault.jpg)







![RUDI BOHN AND HIS ORCHESTRA- SNOWBIRD
SNOWBIRD
Snowbird is a song by the Canadian songwriter Gene MacLellan. Though it has been recorded by many performers (including Bing Crosby and Elvis Presley), it is best known through Anne Murrays 1969 recording, which—after appearing as an album track in mid-1969—was eventually released as a single in the summer of 1970. It was a #2 hit on Canadas pop chart and went to #1 on both the Canadian adult contemporary and country charts. The song reached #8 on the U.S. pop singles chart, spent six weeks at #1 on the U.S. adult contemporary chart, and became a surprise Top 10 U.S. country hit as well.
It was certified as a gold single by the RIAA, the first American Gold record ever awarded to a Canadian solo female artist. The song peaked at #23 on the UK Singles Chart. In 2003 it was an inaugural song inductee of the Canadian Songwriters Hall of Fame.
Anne Murray and Gene MacLellan had met while both were regulars on the CBC television series Singalong Jubilee and Murray recorded two of MacLellans compositions: Snowbird and Biding My Time for her first major label album release, This Way Is My Way recorded in 1969. Murray would recall: Gene told me he wrote [Snowbird] in twenty minutes while walking on a beach in PEI.
The theme and approach broadly resemble that of the earlier hits Message to Michael (a.k.a. Kentucky Bluebird in hit versions by Lou Johnson and Adam Faith) and Yellow Bird in contrasting the narrators being stuck in the place of his/her heartache to the birds ability to just up and fly away. Snowbird sold well over a million copies and was recently picked as 19th on the 50 Tracks: The Canadian Version list, a partially populist approach to defining the most influential songs by Canadians.
Gene MacLellan made his own recording of Snowbird on his 1970 album Street Corner Preacher: MacLellans version features an additional verse to the songs standard two verse format.
In 2007 Anne Murray remade Snowbird for her Anne Murray Duets: Friends & Legends album, the song being rendered as a duet with Sarah Brightman. RUDI BOHN AND HIS ORCHESTRA- SNOWBIRD](https://i.ytimg.com/vi/dHepFLgymUQ/mqdefault.jpg)
