Uploaded March 2023 | Updated September 2026, 2 weeks ago
This patch is from a series of jams featuring an all ALM groovebox style setup with sequencing from the ASQ-1 & Pam, sounds from Squid, Akemie’s Taiko & Tyso Daiko, and mixing via 2 MEGA-TANGs, Jumble Henge & MFX. A faderbank with 16 offsets is patched around the system for performance and macro controls (making use of the assignable CV inputs of Squid, Pam and MFX).
Big thanks to Ed2d (Edd Butterworth @begg_egg) for the patch / performance and Andrew Duff (@allthesixes666) for the video synth visuals.
Patch notes:
A chord sound from Squid starts off the track with a different cue set for each chord shape. Each time the channel is triggered, the next cue set is selected to back a new chord.
The bass line is created using Akemie’s Taiko with pitch sequencing from the freely looping Quaid Megaslope into the ASQ-1 Quantiser. The Taiko is processed through the MCFx2 with envelope modulation from a Pip Slope that’s triggered at the same time. Using one of the faderbank offsets to the Taiko’s ‘Ratio’ CV input, the bass line is transposed up to produce a lead sound at select times.
The remaining drums and percussion sounds come from the Squid and Tyso Daiko.
Check out the other patches in the series here:
youtu.be/ALYGMCnYQZo
youtu.be/wZHuagvQ1XY
youtu.be/fn5YAc_Px6Y
youtu.be/8WiyEL3Ni2Y
For more info visit: busycircuits.com
Follow us on Instagram: instagram.com/busycircuits/
Thanks for watching!
This patch is from a series of jams featuring an all ALM groovebox style setup with sequencing from the ASQ-1 & Pam, sounds from Squid, Akemie’s Taiko & Tyso Daiko, and mixing via 2 MEGA-TANGs, Jumble Henge & MFX. A faderbank with 16 offsets is patched around the system for performance and macro controls (making use of the assignable CV inputs of Squid, Pam and MFX).
Big thanks to Ed2d (Edd Butterworth @begg_egg) for the patch / performance and Andrew Duff (@allthesixes666) for the video synth visuals.
Patch notes:
A chord sound from Squid starts off the track with a different cue set for each chord shape. Each time the channel is triggered, the next cue set is selected to back a new chord.
The bass line is created using Akemie’s Taiko with pitch sequencing from the freely looping Quaid Megaslope into the ASQ-1 Quantiser. The Taiko is processed through the MCFx2 with envelope modulation from a Pip Slope that’s triggered at the same time. Using one of the faderbank offsets to the Taiko’s ‘Ratio’ CV input, the bass line is transposed up to produce a lead sound at select times.
The remaining drums and percussion sounds come from the Squid and Tyso Daiko.
Check out the other patches in the series here:
youtu.be/ALYGMCnYQZo
youtu.be/wZHuagvQ1XY
youtu.be/fn5YAc_Px6Y
youtu.be/8WiyEL3Ni2Y
For more info visit: busycircuits.com
Follow us on Instagram: instagram.com/busycircuits/
Thanks for watching!
