Uploaded April 2022 | Updated September 2026, 48 minutes ago
* For information or to purchase one of the CD Art Clocks pictured in the video (along with many more!), please click on the link below (or Copy & Paste into web browser):
đż pastandpresent.page.link/SF-O
VIDEO INFO: This is from a session on French TV show âBouton Rougeâ (which I think roughly translates as âPurple Tromboneâ or âRusty Helmetâ) on Saturday 2 March 1968 and after a bit of digging and polishing Iâve managed to reunite the excellent colour footage with the original audio, rather than the ubiquitous studio overdub, which should be an absolute must when two such superlative voices as Stevie & PP are crossing streams.
â ïž HEALTH WARNING: The showâs original sound engineer may not have shared my enthusiasm â itâs been sitting on my hard drive for nearly a decade, not out of neglect but in the hope that better software might come along. The entire audio/vocal track, especially Marriottâs feed, is all over the shop, showing the sort of EQ levels that would have DeForest âBonesâ Kelley gravely shaking his head and exclaiming âJim, I don't even know their basic anatomyâ which suggests there was a SacrĂ© Bleuâ moment in the box when the needles hit red and prompted buttons to be frantically pressed.
Having laboured away on many an hour of compressed old fragments of 60s pop over the years, the stuff recorded for French TV always seems to be the worst â nevertheless, as one of the very few actual âliveâ recordings of this definitive track around, it still conveys a sense of energy that mimed or overdubbed renditions rarely can.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in itsâs country of origin.
Furthermore, under United Kingdom copyright law; âFair Dealingâ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be "impossible for reasons of practicality or otherwise".
#SmallFaces #Faces #SteveMarriott
* For information or to purchase one of the CD Art Clocks pictured in the video (along with many more!), please click on the link below (or Copy & Paste into web browser):
đż pastandpresent.page.link/SF-O
VIDEO INFO: This is from a session on French TV show âBouton Rougeâ (which I think roughly translates as âPurple Tromboneâ or âRusty Helmetâ) on Saturday 2 March 1968 and after a bit of digging and polishing Iâve managed to reunite the excellent colour footage with the original audio, rather than the ubiquitous studio overdub, which should be an absolute must when two such superlative voices as Stevie & PP are crossing streams.
â ïž HEALTH WARNING: The showâs original sound engineer may not have shared my enthusiasm â itâs been sitting on my hard drive for nearly a decade, not out of neglect but in the hope that better software might come along. The entire audio/vocal track, especially Marriottâs feed, is all over the shop, showing the sort of EQ levels that would have DeForest âBonesâ Kelley gravely shaking his head and exclaiming âJim, I don't even know their basic anatomyâ which suggests there was a SacrĂ© Bleuâ moment in the box when the needles hit red and prompted buttons to be frantically pressed.
Having laboured away on many an hour of compressed old fragments of 60s pop over the years, the stuff recorded for French TV always seems to be the worst â nevertheless, as one of the very few actual âliveâ recordings of this definitive track around, it still conveys a sense of energy that mimed or overdubbed renditions rarely can.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in itsâs country of origin.
Furthermore, under United Kingdom copyright law; âFair Dealingâ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be "impossible for reasons of practicality or otherwise".
#SmallFaces #Faces #SteveMarriott
![AEROSMITH - Dream On [MTV 10: Full Length HD]
* For information or to purchase the CD Art Clock pictured in the video (along with many more!), please click on the link below (or Copy & Paste into web browser):
đż https://pastpresent.page.link/AS-RO
VIDEO INFO: If you had to pinpoint Aerosmithâs commercial/cultural peak then this, I would contend, is it as MTV (who at the time had unparalleled global reach and influence as a media brand) marked their tenth anniversary by inviting a select handful of superstar musicians to record an original performance of a classic hit.
The likes of George Michael, Madonna, Michael Jackson and R.E.M. were judged sufficiently iconic and contemporarily relevant, especially by way of their video output, for an hour-long special interspliced with animation and celebrity interviews and whimsical introductions from Mel Gibson, Tom Cruise et al and broadcast on 27 November 1991.
And Aerosmith objectively stole the show courtesy of this collaboration with Michael Kamenâs Orchestra, a special rendition of their first classic hit âDream Onâ recorded in their home city of Boston at the Wang Theatre (aka Boston Music Hall/Boch Center) in front of an audience of invited guests and fan-club members.
Thereafter this performance garnered heavy rotation as an MTV video and the audio was one of the many bizarre features of Arnold Schwarzeneggerâs 1993 flop âLast Action Heroâ, one of those projects where the soundtrack, as exemplified by AC/DCâs superb âBig Gunâ single, was markedly better than the movie.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in itsâs country of origin.
Furthermore, under United Kingdom copyright law; âFair Dealingâ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#Aerosmith #AerosmithLive #MTV AEROSMITH - Dream On [MTV 10: Full Length HD]](https://i.ytimg.com/vi/GTtzdQCg5eI/mqdefault.jpg)

![THE WHO - The Seeker [BBC: Later]
* For information or to purchase the CD Art Clock pictured in the video (along with many more!), please click on the link below (or Copy & Paste into web browser):
đż https://pastandpresent.page.link/WHO-Q
VIDEO INFO: Live on the BBCâs âLater⊠With Jools Hollandâ.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in itsâs country of origin.
Furthermore, under United Kingdom copyright law; âFair Dealingâ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#TheWho #Who #Later THE WHO - The Seeker [BBC: Later]](https://i.ytimg.com/vi/H9vgpgBZ-cI/mqdefault.jpg)



![DAVID BOWIE - Fashion [2002]
* For information or to purchase one of the CD Art Clocks pictured in the video (along with many more!), please click on the appropriate link below (or Copy & Paste into web browser):
âALADDIN SANEâ:
đż https://pastandpresent.page.link/DB-AS
âHUNKY DORYâ:
đż https://pastandpresent.page.link/DB-HD
âTHE RISE AND FALL OF ZIGGY STARDUST & THE SPIDERS FROM MARSâ:
đż https://pastandpresent.page.link/DB-ZS
âHEROESâ:
đż https://pastandpresent.page.link/DB-HE
âEARTHLINGâ:
đż https://pastandpresent.page.link/DB-EL
âSCARY MONSTERS (AND SUPER CREEPS)â:
đż https://pastandpresent.page.link/DB-SM
â
:
đż https://pastandpresent.page.link/DB-BS
VIDEO INFO: Rare outing for the rebooted 1980 track from an episode of the BBCâs âFriday Night With Jonathan Rossâ during 2002.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in itsâs country of origin.
Furthermore, under United Kingdom copyright law; âFair Dealingâ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#DavidBowie #Bowie #JonathanRoss DAVID BOWIE - Fashion [2002]](https://i.ytimg.com/vi/HjtjjYLdIK8/mqdefault.jpg)


![NINE INCH NAILS - March of the Pigs [Woodstock 94]
* For information or to purchase the CD Art Clock pictured in the video (along with many more!), please click on the link below (or Copy & Paste into web browser):
https://pastandpresent.page.link/NIN
VIDEO INFO: From the second Woodstock Festival; Saugerties, NY â 13 August, 1994.
© COPYRIGHT DISCLAIMER:
I do not own the original recording or the rights to it. The material was available for public broadcast and not subject to copyright restrictions in itsâs country of origin.
Furthermore, under United Kingdom copyright law; âFair Dealingâ is an exception which allows for the use of copyrighted works without licensing in certain circumstances. It is governed by Sections 29 and 30 of the Copyright, Designs and Patents Act 1988, which provide three types of situation in which fair dealing is a valid defence: (i) where the use is for the purposes of research or private study, (ii) where it is to allow for criticism or review, and (iii) where it is for the purpose of reporting current events.
Sufficient acknowledgement to the original author is also necessary for all works where the fair dealing exception is applied. Under Section 30(3), however, this is not required for reporting via a sound recording, film or broadcast where it would be impossible for reasons of practicality or otherwise.
#NIN #NineInchNails #Woodstock94 NINE INCH NAILS - March of the Pigs [Woodstock 94]](https://i.ytimg.com/vi/IlVmxPTTd7E/mqdefault.jpg)
