Duo Amie | Pictures at an Exhibition Arr for cello & Piano by Charles Schiff. Duo Amie @DuoAmie | Uploaded April 2020 | Updated October 2024, 2 hours ago.
#picturesatanexhibition #mussorgsky #melodiccanvases #duoamie #schiff #arrangement
00:00 - Promenade
01:25 - Gnomus
04:21 - Promenade 2
05:10 - Old Castle
09:22 - Promenade 3
09:46 - Tuileries
10:51 - Bydlo
13:33 - Promenade 4
14:17 - Unhatched Chicks in their Shells
15:38 - Goldenberg and Schmuyle
18:21 - Limoges the Market Place
20:06 - Catacombae and Con Mortuis Lingua
23:45 - Hut on Fowl's Legs
27:25 - Great Gate of Kiev
Melodic Canvases: Music Inspired by Art
Pictures at An Exhibition (Mussorgsky)
Despite now being his most well-known work, at the time of Mussorgsky’s death, his Pictures at an Exhibition had been neither published nor performed. Nikolai Rimsky-Korsakove finished the manuscript and it was published in 1886. Based on ten drawings/watercolors by his friend Victor Hartmann (many of which have unfortunately been lost), the piece was originally written for piano solo. Ravel arranged the piece for orchestra in 1922. Several additional arrangements for various instruments have also been created, including this one for cello and piano by Charles Schiff.
Duo Amie Presents Melodic Canvases
Julie Reimann, Cello
Ellyses Kuan, Piano
Recorded on November 3, 2018 at Longyear Museum.
#picturesatanexhibition #mussorgsky #melodiccanvases #duoamie #schiff #arrangement
00:00 - Promenade
01:25 - Gnomus
04:21 - Promenade 2
05:10 - Old Castle
09:22 - Promenade 3
09:46 - Tuileries
10:51 - Bydlo
13:33 - Promenade 4
14:17 - Unhatched Chicks in their Shells
15:38 - Goldenberg and Schmuyle
18:21 - Limoges the Market Place
20:06 - Catacombae and Con Mortuis Lingua
23:45 - Hut on Fowl's Legs
27:25 - Great Gate of Kiev
Melodic Canvases: Music Inspired by Art
Pictures at An Exhibition (Mussorgsky)
Despite now being his most well-known work, at the time of Mussorgsky’s death, his Pictures at an Exhibition had been neither published nor performed. Nikolai Rimsky-Korsakove finished the manuscript and it was published in 1886. Based on ten drawings/watercolors by his friend Victor Hartmann (many of which have unfortunately been lost), the piece was originally written for piano solo. Ravel arranged the piece for orchestra in 1922. Several additional arrangements for various instruments have also been created, including this one for cello and piano by Charles Schiff.
Duo Amie Presents Melodic Canvases
Julie Reimann, Cello
Ellyses Kuan, Piano
Recorded on November 3, 2018 at Longyear Museum.
