Uploaded November 2014 | Updated September 2026, 2 hours ago
They were (are) musicians too (5) = Neil Armstrong
Neil Armstrong (born August 5, 1930) - Known as the first astronaut to walk on the moon, plays the baritone horn.
PETE FOUNTAIN
As a child, young Pete was very sickly, frequently battling respiratory infections due to weakened lungs. He was given expensive medication but it proved to be not very effective. During a pharmacy visit, Pete's father began a discussion with a neighborhood doctor who was also there shopping and talked with him about his son's condition. The doctor agreed to see the boy the following day. After a short exam, the doctor confirmed the weak lung condition and advised the father to try an unorthodox treatment: purchase the child a musical instrument, anything he has to blow into. The same day, they went to a local music store and, given his choice of instruments, Pete chose the clarinet (after first wanting the drums, which his father declined per the doctor's orders). At first, Pete was unable to produce a sound from the instrument, but he continued to practice and eventually not only made sounds and eventually music, but greatly improved the health of his lungs.
He took private lessons but also learned to play jazz by playing along with phonograph records of first Benny Goodman and then Irving Fazola. Early on he played with the bands of Monk Hazel and Al Hirt. Fountain founded The Basin Street Six in 1950 with his longtime friend, trumpeter George Girard .
After this band broke up four years later, Fountain was hired to join the Lawrence Welk orchestra and became well known for his many solos on Welk's ABC television show, The Lawrence Welk Show. Fountain was rumored to have quit when Welk refused to let him "jazz up" a Christmas carol. In an interview, Fountain said he left Welk because "Champagne and bourbon don't mix"
Fountain returned to New Orleans, played with The Dukes of Dixieland, then began leading bands under his own name. He owned his own club in the French Quarter in the 1960s and 1970s. He later acquired "Pete Fountain's Jazz Club" at the Riverside Hilton in downtown New Orleans.
The New Orleans Jazz Club presented "Pete Fountain Day" on October 19, 1959, with celebrations honoring the pride of their city, concluding with a packed concert that evening. His Quintett was made up of his studio recording musicians, Stan Kenton's bassist Don Bagley, vibeist Godfrey Hirsch, pianist Merle Koch and the double bass drummer Jack Sperling. Fountain brought these same players together in 1963 when they played the Hollywood Bowl. Pete would make the trek to Hollywood many times, appearing on The Tonight Show Starring Johnny Carson 56 times.
Fountain opened his club, the French Quarter Inn, located in the heart of the famed French Quarter district at 800 Bourbon Street in the spring of 1960. His group members were Oliver "Sticks" Felix on bass, John Probst on piano, Paul Guma on guitar, Godfrey Hirsch on vibes, and Sperling on drums. In no time at all major entertainers found their way there. Cliff Arquette and Jonathan Winters were there on opening night and performed their comedy routines. Over the next few years Frank Sinatra, Phil Harris, Carol Lawrence and Robert Goulet, Keely Smith, Robert Mitchum and Brenda Lee, among many others, came to the club. Many would perform with the band, and Brenda Lee's sit-in resulted in a duet record album recorded by her and Pete. Benny Goodman came to the club twice, but without bringing his clarinet
His greatest friendly rivalry was with trumpeter Al Hirt, whose club was down the street from Fountain's. They stole musicians from each other, and sometimes came into each other's clubs and played together. They were good friends who came up together and later recorded several albums together
Fountain's clarinet work is noted for his sweet fluid tone. He has recorded over 100 LPs and CDs under his own name, some in the Dixieland style, many others with only peripheral relevance to any type of jazz.
TALK
Composed and originally arranged by Bert Kaempfert, for his 1967 album "The world we knew" (another major hit which was performed by numerous artists as well).
MHO
Introducing a new "category" today under the title of "Love That Bert Kaempfert" where we will post a number of instrumental interpretations of Bert's songs. As a starter we even can listen to the Bert Kaempfert Orchestra itself, as the album "Pete Fountain plays Bert Kaempfert" (1967) was recorded with most of the Kaempfert musicians present. Bert's title "Talk" is just perfect material for Pete Fountain - who was one of (if not "the") best clarinet players in the world. We hope that Kaempfert music fans worldwide will appreciate this new initiative ! Enjoy.
They were (are) musicians too (5) = Neil Armstrong
Neil Armstrong (born August 5, 1930) - Known as the first astronaut to walk on the moon, plays the baritone horn.
PETE FOUNTAIN
As a child, young Pete was very sickly, frequently battling respiratory infections due to weakened lungs. He was given expensive medication but it proved to be not very effective. During a pharmacy visit, Pete's father began a discussion with a neighborhood doctor who was also there shopping and talked with him about his son's condition. The doctor agreed to see the boy the following day. After a short exam, the doctor confirmed the weak lung condition and advised the father to try an unorthodox treatment: purchase the child a musical instrument, anything he has to blow into. The same day, they went to a local music store and, given his choice of instruments, Pete chose the clarinet (after first wanting the drums, which his father declined per the doctor's orders). At first, Pete was unable to produce a sound from the instrument, but he continued to practice and eventually not only made sounds and eventually music, but greatly improved the health of his lungs.
He took private lessons but also learned to play jazz by playing along with phonograph records of first Benny Goodman and then Irving Fazola. Early on he played with the bands of Monk Hazel and Al Hirt. Fountain founded The Basin Street Six in 1950 with his longtime friend, trumpeter George Girard .
After this band broke up four years later, Fountain was hired to join the Lawrence Welk orchestra and became well known for his many solos on Welk's ABC television show, The Lawrence Welk Show. Fountain was rumored to have quit when Welk refused to let him "jazz up" a Christmas carol. In an interview, Fountain said he left Welk because "Champagne and bourbon don't mix"
Fountain returned to New Orleans, played with The Dukes of Dixieland, then began leading bands under his own name. He owned his own club in the French Quarter in the 1960s and 1970s. He later acquired "Pete Fountain's Jazz Club" at the Riverside Hilton in downtown New Orleans.
The New Orleans Jazz Club presented "Pete Fountain Day" on October 19, 1959, with celebrations honoring the pride of their city, concluding with a packed concert that evening. His Quintett was made up of his studio recording musicians, Stan Kenton's bassist Don Bagley, vibeist Godfrey Hirsch, pianist Merle Koch and the double bass drummer Jack Sperling. Fountain brought these same players together in 1963 when they played the Hollywood Bowl. Pete would make the trek to Hollywood many times, appearing on The Tonight Show Starring Johnny Carson 56 times.
Fountain opened his club, the French Quarter Inn, located in the heart of the famed French Quarter district at 800 Bourbon Street in the spring of 1960. His group members were Oliver "Sticks" Felix on bass, John Probst on piano, Paul Guma on guitar, Godfrey Hirsch on vibes, and Sperling on drums. In no time at all major entertainers found their way there. Cliff Arquette and Jonathan Winters were there on opening night and performed their comedy routines. Over the next few years Frank Sinatra, Phil Harris, Carol Lawrence and Robert Goulet, Keely Smith, Robert Mitchum and Brenda Lee, among many others, came to the club. Many would perform with the band, and Brenda Lee's sit-in resulted in a duet record album recorded by her and Pete. Benny Goodman came to the club twice, but without bringing his clarinet
His greatest friendly rivalry was with trumpeter Al Hirt, whose club was down the street from Fountain's. They stole musicians from each other, and sometimes came into each other's clubs and played together. They were good friends who came up together and later recorded several albums together
Fountain's clarinet work is noted for his sweet fluid tone. He has recorded over 100 LPs and CDs under his own name, some in the Dixieland style, many others with only peripheral relevance to any type of jazz.
TALK
Composed and originally arranged by Bert Kaempfert, for his 1967 album "The world we knew" (another major hit which was performed by numerous artists as well).
MHO
Introducing a new "category" today under the title of "Love That Bert Kaempfert" where we will post a number of instrumental interpretations of Bert's songs. As a starter we even can listen to the Bert Kaempfert Orchestra itself, as the album "Pete Fountain plays Bert Kaempfert" (1967) was recorded with most of the Kaempfert musicians present. Bert's title "Talk" is just perfect material for Pete Fountain - who was one of (if not "the") best clarinet players in the world. We hope that Kaempfert music fans worldwide will appreciate this new initiative ! Enjoy.
