Uploaded October 2014 | Updated September 2026, 2 hours ago
History of Sound Recording ♪♪♪ Year = 1932
On Christmas Day, 1932 the British Broadcasting Corporation first used a steel tape recorder for their broadcasts. The device used was a Marconi-Stille recorder, a huge and dangerous machine which used steel razor tape 3 mm (0.1") wide and 0.08 mm (0.003") thick running at 90 metres per minute (approximately 300 feet per minute) past the recording and reproducing heads. This meant that the length of tape required for a half-hour programme was nearly 3 kilometres (1.9 mi) and a full reel weighed 25 kg (55 pounds).
LES ELGART
American swing band leader, formerly lead trumpet player for the orchestras of Bunny Berigan, Charlie Spivak and Hal McIntyre. In 1945, Les formed his own organisation in Brooklyn, New York, in tandem with his alto saxophonist-playing brother Larry Elgart. The band, its theme song being "Sophisticated Swing", featured superior arrangements by Bill Finegan and a young Nelson Riddle.
Personal rivalry between the brothers caused a break-up. Les and Larry went their separate ways, but neither managed to succeed on their own. They re-formed in 1953, with breezy new arrangements by Charles Albertine and an emphasis on ensemble sound, rather than solos. This melodic approach proved popular and album sales (recording contract with Columbia) boomed. The Les Elgart Orchestra performed at many top venues, including at the Waldorf Astoria and at the Hollywood Palladium, as well as undertaking national tours of the college circuit.
Les's most enduring composition was "Bandstand Boogie", voted America's number one dance band song by Variety and Billboard Magazine. It was also featured as the theme music for Dick Clark's Bandstand (1952). By the late 1950's, Les had moved to California and turned the leadership of the group over to his brother. They re-united yet again, in 1963, as joint leaders of the Les & Larry Elgart Orchestra. In 1986, Les was inducted into the Big Band Hall of Fame.
LOOKING FOR A BOY
"Looking For a Boy" is a song composed by George Gershwin, with lyrics by Ira Gershwin.
It was introduced in their 1925 musical "Tip-Toes."
MHO
Take a great composition written by one of the "bigshots" of American music history, add a wonderful arrangement and have the result performed by a superb bunch of big band musicians : what you get is pure "musical magic" !
The tight percussive brass, the smooth silky sound of saxophones, the near absence of improvisation : these (and surely a few other) are the reasons why the Les Elgart Orchestra was (and is) called "The Band with That Sound".
We invite you to listen and enjoy "that (great!) sound !
History of Sound Recording ♪♪♪ Year = 1932
On Christmas Day, 1932 the British Broadcasting Corporation first used a steel tape recorder for their broadcasts. The device used was a Marconi-Stille recorder, a huge and dangerous machine which used steel razor tape 3 mm (0.1") wide and 0.08 mm (0.003") thick running at 90 metres per minute (approximately 300 feet per minute) past the recording and reproducing heads. This meant that the length of tape required for a half-hour programme was nearly 3 kilometres (1.9 mi) and a full reel weighed 25 kg (55 pounds).
LES ELGART
American swing band leader, formerly lead trumpet player for the orchestras of Bunny Berigan, Charlie Spivak and Hal McIntyre. In 1945, Les formed his own organisation in Brooklyn, New York, in tandem with his alto saxophonist-playing brother Larry Elgart. The band, its theme song being "Sophisticated Swing", featured superior arrangements by Bill Finegan and a young Nelson Riddle.
Personal rivalry between the brothers caused a break-up. Les and Larry went their separate ways, but neither managed to succeed on their own. They re-formed in 1953, with breezy new arrangements by Charles Albertine and an emphasis on ensemble sound, rather than solos. This melodic approach proved popular and album sales (recording contract with Columbia) boomed. The Les Elgart Orchestra performed at many top venues, including at the Waldorf Astoria and at the Hollywood Palladium, as well as undertaking national tours of the college circuit.
Les's most enduring composition was "Bandstand Boogie", voted America's number one dance band song by Variety and Billboard Magazine. It was also featured as the theme music for Dick Clark's Bandstand (1952). By the late 1950's, Les had moved to California and turned the leadership of the group over to his brother. They re-united yet again, in 1963, as joint leaders of the Les & Larry Elgart Orchestra. In 1986, Les was inducted into the Big Band Hall of Fame.
LOOKING FOR A BOY
"Looking For a Boy" is a song composed by George Gershwin, with lyrics by Ira Gershwin.
It was introduced in their 1925 musical "Tip-Toes."
MHO
Take a great composition written by one of the "bigshots" of American music history, add a wonderful arrangement and have the result performed by a superb bunch of big band musicians : what you get is pure "musical magic" !
The tight percussive brass, the smooth silky sound of saxophones, the near absence of improvisation : these (and surely a few other) are the reasons why the Les Elgart Orchestra was (and is) called "The Band with That Sound".
We invite you to listen and enjoy "that (great!) sound !










![Henry Mancini - Walk Like An Egyptian
History of sound recording ♪♪♪ Year = 1943
The very first stereo tape recorders were produced by German company AEG in 1943.
HENRY MANCINI
Enrico Nicola Henry Mancini was an American composer, conductor and arranger, who is best remembered for his film and television scores. Often cited as one of the greatest composers in the history of film, he won four Academy Awards, a Golden Globe, and ten Grammy Awards, plus a posthumous Grammy Lifetime Achievement Award in 1995.
His best known works include the jazz-idiom theme to The Pink Panther film series (The Pink Panther Theme) and the theme to the Peter Gunn television series, the latter of which won the first ever Grammy Award for Album of the Year. Mancini had a long collaboration with the film director Blake Edwards.
Entering 1946, he became a pianist and arranger for the newly re-formed Glenn Miller Orchestra, led by Everyman Tex Beneke. After World War II, Mancini broadened his skills in composition, counterpoint, harmony and orchestration during studies opening with the composers Ernst Krenek and Mario Castelnuovo-Tedesco.
In 1952, Mancini joined the Universal Pictures music department. During the next six years, he contributed music to over 100 movies, most notably The Creature from the Black Lagoon, It Came from Outer Space, Tarantula, This Island Earth, The Glenn Miller Story (for which he received his first Academy Award nomination), The Benny Goodman Story and Orson Welles Touch of Evil. During this time, he also wrote some popular songs. His first hit was a single by Guy Lombardo and His Royal Canadians titled I Wont Let You Out of My Heart.
Mancini left Universal-International to work as an independent composer/arranger in 1958. Soon after, he scored the television series Peter Gunn for writer/producer Blake Edwards. This was the genesis of a relationship in which Edwards and Mancini collaborated on 30 films over 35 years. Along with Alex North, Elmer Bernstein, Leith Stevens and Johnny Mandel, Henry Mancini was a pioneer of the inclusion of jazz elements in the late romantic orchestral film and TV scoring prevalent at the time.
Mancinis scores for Blake Edwards included Breakfast at Tiffanys (with the standard Moon River and Days of Wine and Roses (with the title song, Days of Wine and Roses), as well as Experiment in Terror, The Pink Panther (and all of its sequels), The Great Race, The Party, and Victor Victoria.
Mancini scored many TV movies, including The Thorn Birds and The Shadow Box. He wrote many television themes, including Mr. Lucky (starring John Vivyan and Ross Martin), NBC Mystery Movie, Whats Happening!!, Tic Tac Dough (1990 version)] and Once Is Not Enough. In the 1984–85 television season, four series featured original Mancini themes: Newhart, Hotel, Remington Steele, and Ripleys Believe It or Not. Mancini also composed the Viewer Mail theme for Late Night with David Letterman. Mancini composed the theme for NBC Nightly News used beginning in 1975, and a different theme by him, titled Salute to the President was used by NBC News for its election coverage from 1976 to 1992.
Mancini recorded over 90 albums, in styles ranging from big band to light classical to pop. Eight of these albums were certified gold by The Recording Industry Association of America. He had a 20-year contract with RCA Records, resulting in 60 commercial record albums that made him a household name among artists of easy listening music.
WALK LIKE AN EGYPTIAN
Walk Like an Egyptian is a number-one hit from the album Different Light by The Bangles in 1986. Liam Sternberg wrote the song after seeing people on a ferry walking awkwardly to keep their balance, which reminded him of figures in Ancient Egyptian reliefs.
MHO
Guess it takes a great arranger like Henry Mancini to convert a pop song into a large orchestral symphony (because thats what you have to call this piece). Mancini uses an array of instruments to perform the song and its probably so that you wont hear all of the different instruments used, unless youve listened to the score several times.
Guitars, flute, brass, strings, drums.....its all there. All in all, this definitely is a fascinating listening experience.
Enjoy. Henry Mancini - Walk Like An Egyptian](https://i.ytimg.com/vi/vFp_1vk01K4/mqdefault.jpg)