Uploaded June 2015 | Updated September 2026, 2 hours ago
CANDID CLASSICAL COMPOSER CITATIONS - 1
“The only love affair I have ever had, was with Music”
Maurice Ravel (Most famous work : "Bolero" (1928)
HENRY JEROME
"Brazen Brass" man Henry Jerome started as a bandleader in high school, and went to work full-time with a cadre of his classmates (including future Federal Reserve chairman Alan Greenspan) after graduation. From the mid-1930s through the end of the 1940s, Jerome ran the band in some form continuously, working steamships, hotels, and circuits. In its various guises, the Jerome band was a "sweet" band, specializing in light ballads and moderate tempos.
After breaking up the band, Jerome went into record producing, and ended up forming a new studio band to release a series of LPs for Decca under the moniker of "Brazen Brass." While Jerome was inspired by the success of Enoch Light's "Persuasive Percussion" album and sound, he deserves credit at least for dumping the sweet sound for something bold, splashy, and, well, brazen. The trademark "brazen" sound was enhanced through stereo by recording an equal number of trumpets on each channel, muted horns on the right and open horns on the left. According to Jerome, the technique was "To have my open brass section on left speaker talk musically to the muted brass section on the right speaker in musical phrases and be able to reverse them which was unheard of in those days and was one of the reasons for its tremendous sale-- (4 of them in the top 10 at the same time)." Jerome produced and conducted nine Brazen Brass albums for Decca, as well as several more conventional sweet albums, until he left to become an A&R man for Coral in 1959. He released one more "brazen" style album in the late 1960s, for United Artists.
REACH OUT (I'LL BE THERE)
"Reach Out I'll Be There" (also formatted as "Reach Out (I'll Be There)") is a 1966 song recorded by the Four Tops for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, the song is one of the most well-known Motown tunes of the 1960s and is today considered The Tops' signature song. It was the number one song on the Rhythm & Blues charts for two weeks, and on the Billboard Hot 100 for two weeks, from October 15–22, 1966.
MHO
Yep, this sound here can be called "brazen" ! Jerome goes full steam ahead with his brass section here, and besides a background rhythm, the orchestration is limited to just that : "brazen brass". For me, the track has very good sounding parts but some parts could have benefited I guess from adding some extra instrumentation. This being a track from the final "brazen" album Jerome did (for UA in 1969) maybe the guys of the production unit "insisted" there should mainly be that "fat" brassy sound... ? Anyway, music fans loving brass will be quite happy with this one, while the admirers of mellow and soft sounding strings will be, well "less happy" :) I suppose.... Cannot please everyone each time but rest assured ... the music posted on this channel will remain varied.... VERY varied ! Enjoy
CANDID CLASSICAL COMPOSER CITATIONS - 1
“The only love affair I have ever had, was with Music”
Maurice Ravel (Most famous work : "Bolero" (1928)
HENRY JEROME
"Brazen Brass" man Henry Jerome started as a bandleader in high school, and went to work full-time with a cadre of his classmates (including future Federal Reserve chairman Alan Greenspan) after graduation. From the mid-1930s through the end of the 1940s, Jerome ran the band in some form continuously, working steamships, hotels, and circuits. In its various guises, the Jerome band was a "sweet" band, specializing in light ballads and moderate tempos.
After breaking up the band, Jerome went into record producing, and ended up forming a new studio band to release a series of LPs for Decca under the moniker of "Brazen Brass." While Jerome was inspired by the success of Enoch Light's "Persuasive Percussion" album and sound, he deserves credit at least for dumping the sweet sound for something bold, splashy, and, well, brazen. The trademark "brazen" sound was enhanced through stereo by recording an equal number of trumpets on each channel, muted horns on the right and open horns on the left. According to Jerome, the technique was "To have my open brass section on left speaker talk musically to the muted brass section on the right speaker in musical phrases and be able to reverse them which was unheard of in those days and was one of the reasons for its tremendous sale-- (4 of them in the top 10 at the same time)." Jerome produced and conducted nine Brazen Brass albums for Decca, as well as several more conventional sweet albums, until he left to become an A&R man for Coral in 1959. He released one more "brazen" style album in the late 1960s, for United Artists.
REACH OUT (I'LL BE THERE)
"Reach Out I'll Be There" (also formatted as "Reach Out (I'll Be There)") is a 1966 song recorded by the Four Tops for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, the song is one of the most well-known Motown tunes of the 1960s and is today considered The Tops' signature song. It was the number one song on the Rhythm & Blues charts for two weeks, and on the Billboard Hot 100 for two weeks, from October 15–22, 1966.
MHO
Yep, this sound here can be called "brazen" ! Jerome goes full steam ahead with his brass section here, and besides a background rhythm, the orchestration is limited to just that : "brazen brass". For me, the track has very good sounding parts but some parts could have benefited I guess from adding some extra instrumentation. This being a track from the final "brazen" album Jerome did (for UA in 1969) maybe the guys of the production unit "insisted" there should mainly be that "fat" brassy sound... ? Anyway, music fans loving brass will be quite happy with this one, while the admirers of mellow and soft sounding strings will be, well "less happy" :) I suppose.... Cannot please everyone each time but rest assured ... the music posted on this channel will remain varied.... VERY varied ! Enjoy


![Henry Mancini - Walk Like An Egyptian
History of sound recording ♪♪♪ Year = 1943
The very first stereo tape recorders were produced by German company AEG in 1943.
HENRY MANCINI
Enrico Nicola Henry Mancini was an American composer, conductor and arranger, who is best remembered for his film and television scores. Often cited as one of the greatest composers in the history of film, he won four Academy Awards, a Golden Globe, and ten Grammy Awards, plus a posthumous Grammy Lifetime Achievement Award in 1995.
His best known works include the jazz-idiom theme to The Pink Panther film series (The Pink Panther Theme) and the theme to the Peter Gunn television series, the latter of which won the first ever Grammy Award for Album of the Year. Mancini had a long collaboration with the film director Blake Edwards.
Entering 1946, he became a pianist and arranger for the newly re-formed Glenn Miller Orchestra, led by Everyman Tex Beneke. After World War II, Mancini broadened his skills in composition, counterpoint, harmony and orchestration during studies opening with the composers Ernst Krenek and Mario Castelnuovo-Tedesco.
In 1952, Mancini joined the Universal Pictures music department. During the next six years, he contributed music to over 100 movies, most notably The Creature from the Black Lagoon, It Came from Outer Space, Tarantula, This Island Earth, The Glenn Miller Story (for which he received his first Academy Award nomination), The Benny Goodman Story and Orson Welles Touch of Evil. During this time, he also wrote some popular songs. His first hit was a single by Guy Lombardo and His Royal Canadians titled I Wont Let You Out of My Heart.
Mancini left Universal-International to work as an independent composer/arranger in 1958. Soon after, he scored the television series Peter Gunn for writer/producer Blake Edwards. This was the genesis of a relationship in which Edwards and Mancini collaborated on 30 films over 35 years. Along with Alex North, Elmer Bernstein, Leith Stevens and Johnny Mandel, Henry Mancini was a pioneer of the inclusion of jazz elements in the late romantic orchestral film and TV scoring prevalent at the time.
Mancinis scores for Blake Edwards included Breakfast at Tiffanys (with the standard Moon River and Days of Wine and Roses (with the title song, Days of Wine and Roses), as well as Experiment in Terror, The Pink Panther (and all of its sequels), The Great Race, The Party, and Victor Victoria.
Mancini scored many TV movies, including The Thorn Birds and The Shadow Box. He wrote many television themes, including Mr. Lucky (starring John Vivyan and Ross Martin), NBC Mystery Movie, Whats Happening!!, Tic Tac Dough (1990 version)] and Once Is Not Enough. In the 1984–85 television season, four series featured original Mancini themes: Newhart, Hotel, Remington Steele, and Ripleys Believe It or Not. Mancini also composed the Viewer Mail theme for Late Night with David Letterman. Mancini composed the theme for NBC Nightly News used beginning in 1975, and a different theme by him, titled Salute to the President was used by NBC News for its election coverage from 1976 to 1992.
Mancini recorded over 90 albums, in styles ranging from big band to light classical to pop. Eight of these albums were certified gold by The Recording Industry Association of America. He had a 20-year contract with RCA Records, resulting in 60 commercial record albums that made him a household name among artists of easy listening music.
WALK LIKE AN EGYPTIAN
Walk Like an Egyptian is a number-one hit from the album Different Light by The Bangles in 1986. Liam Sternberg wrote the song after seeing people on a ferry walking awkwardly to keep their balance, which reminded him of figures in Ancient Egyptian reliefs.
MHO
Guess it takes a great arranger like Henry Mancini to convert a pop song into a large orchestral symphony (because thats what you have to call this piece). Mancini uses an array of instruments to perform the song and its probably so that you wont hear all of the different instruments used, unless youve listened to the score several times.
Guitars, flute, brass, strings, drums.....its all there. All in all, this definitely is a fascinating listening experience.
Enjoy. Henry Mancini - Walk Like An Egyptian](https://i.ytimg.com/vi/vFp_1vk01K4/mqdefault.jpg)







