Uploaded December 2022 | Updated September 2026, 1 week ago
Adam Roberts is Assistant Professor of Theory and Composition at Kent State University. His music has been called “a powerful success,” “arresting,” and “amazingly lush,” (the Boston Musical Intelligencer), “an attractive mix of the familiar and exotic,” and “otherworldly” (Boston Classical Review), and “invigorating” with a “persistent melodic urge” (American Academy of Arts and Letters citation).
This is his "Pasiphae Verses" for double wind quintet (2 flute, 2 oboe, 2 clarinets, 2 bassoons, 2 horns) commissioned by the Tanglewood Music Center. He writes in the program notes:
"Though the work is a single movement, it contains music of many characters and moods. It was my intention to create a piece that is both organic and surprising; to this effect the piece generally progresses from one state to another in a fairly seamless manner; nonetheless, some parts are radically different from others from the global view. I believe my use of microtones reflects my living in Istanbul. The opening melody, while not a quotation of anything I know, is influenced by Istanbul's musical environment, which is fraught with microtonal sounds."
COMPOSER: Adam Roberts
CONDUCTOR: Alexandre Bloch
ENSEMBLE: Fellows of the 2012 Tanglewood Music Center
Please be aware that all of the music (and images) featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.
Adam Roberts is Assistant Professor of Theory and Composition at Kent State University. His music has been called “a powerful success,” “arresting,” and “amazingly lush,” (the Boston Musical Intelligencer), “an attractive mix of the familiar and exotic,” and “otherworldly” (Boston Classical Review), and “invigorating” with a “persistent melodic urge” (American Academy of Arts and Letters citation).
This is his "Pasiphae Verses" for double wind quintet (2 flute, 2 oboe, 2 clarinets, 2 bassoons, 2 horns) commissioned by the Tanglewood Music Center. He writes in the program notes:
"Though the work is a single movement, it contains music of many characters and moods. It was my intention to create a piece that is both organic and surprising; to this effect the piece generally progresses from one state to another in a fairly seamless manner; nonetheless, some parts are radically different from others from the global view. I believe my use of microtones reflects my living in Istanbul. The opening melody, while not a quotation of anything I know, is influenced by Istanbul's musical environment, which is fraught with microtonal sounds."
COMPOSER: Adam Roberts
CONDUCTOR: Alexandre Bloch
ENSEMBLE: Fellows of the 2012 Tanglewood Music Center
Please be aware that all of the music (and images) featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.
![Randall Woolf — Adrenaline Revival (1996) [w/ score]](https://i.ytimg.com/vi/nJQ9HRBUxoE/mqdefault.jpg "Randall Woolf — Adrenaline Revival (1996) [w/ score]
This is Randall Woolfs piece for piano and Digitech TSR 24S processor, performed by his wife, pianist Kathleen Supové. Kathleen Supové has premiered the works of dozens of composers on her Exploding Piano concert series, which involves recitation, costume, theatrical elements such as lighting, and sets.
COMPOSER: Randall Woolf
PIANO: Kathleen Supové
TRACKLIST:
0:00 - Introduction
0:12 - I.
2:15 - II.
5:22 - III.
6:39 - IV.
8:52 - V.
9:46 - VI.
11:34 - VII.
12:40 - VIII.
16:25 - IX.
Please be aware that all of the music (and images) featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.
#scorefollower #contemporaryclassical #classicalmusic")
![Steven Bryant — Concerto for Piano and Orchestral Winds & Percussion (2012) [w/ score]](https://i.ytimg.com/vi/oaMXRexm4tk/mqdefault.jpg "Steven Bryant — Concerto for Piano and Orchestral Winds & Percussion (2012) [w/ score]
Steven Bryant wrote about his fantastic piano concerto:
The Concerto for Piano, commissioned by Pamela Mia Paul, is constructed from a single motive: set of descending dyads taken from the opening of Bruce Hornsby’s song “Every Little Kiss” from the album, “The Way It Is.” While I’d taken piano lessons for a few years as a small child, by the time I was in Junior High School, I’d lost interest in playing (well, practicing, to be honest). Hornsby’s playing on this album lured me back to the piano in order to learn and transcribe some of the songs, and thus catalyzed my fascination with composing. Looking back, I can point to that moment as a launching point for my compositional career, so it seemed appropriate to use a tiny cell from his music as the genesis of this work.
Scored for orchestral winds and percussion, the instrumentation is suitable for both symphony orchestras and wind ensembles.
COMPOSER: Steven Bryant
CONDUCTOR: Eugene Migliaro Corporon
PIANO: Pamela Mia Paul
BAND: University of North Texas Wind Symphony
TRACKLIST:
0:00 - Introduction
0:17 - I. Meditative
10:02 - II. Bold, Yet Playful
Please be aware that all of the music (and images) featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.
#scorefollower #contemporaryclassical #classicalmusic")
![Trent Reznor (arr. Eric Whitacre) — Hurt (1995, arr. 2014) [w/ score]](https://i.ytimg.com/vi/pcV3NC4tTgM/mqdefault.jpg "Trent Reznor (arr. Eric Whitacre) — Hurt (1995, arr. 2014) [w/ score]
Hurt is a famous song by American industrial rock band Nine Inch Nails from its second studio album, The Downward Spiral (1994), written by Trent Reznor. It was released on April 17, 1995, as a promotional single from the album. The song received a Grammy Award nomination for Best Rock Song in 1996. In 2002, Johnny Cash covered Hurt to commercial and critical acclaim. Reznor praised Cashs interpretation of the song for its sincerity and meaning, going so far as to say that song isnt mine anymore. The song includes references to self-harm and heroin addiction, though the overall meaning of the song is disputed and under debate.
This is American composer Eric Whitacres brilliant arrangement of Hurt for solo soprano and SATB chorus, written in 2014 and performed/recorded in 2017 by soprano Grace Davidson and the Eric Whitacre Singers.
COMPOSER: Trent Reznor
LYRICIST: Trent Reznor
ARRANGER: Eric Whitacre
SOPRANO: Grace Davidson
CHOIR: Eric Whitacre Singers
Please be aware that all of the music (and images) featured in this video belong to their respective owners, and I or this channel does not claim any right over them. I upload these solely for archiving purposes, and for the sharing and enjoyment of great music. Monetization is not enabled. If you are the rightful owner of copyrighted material used and would like the video removed from YouTube, please, instead of reporting/striking my channel, leave a comment below with your statement and I will take the video down effective immediately.
#scorefollower #contemporaryclassical #classicalmusic")
